Journal of Aesthetics & Culture, published by TAYLOR & FRANCIS LTD, is a prestigious Open Access journal that has been serving the academic community since its inception in 2009. Based in the United Kingdom, this journal aims to explore, document, and critically engage with themes in Cultural Studies, Philosophy, and the Visual and Performing Arts. Notable for its impact, the journal holds a Q3 ranking in Cultural Studies and Philosophy, and a Q2 ranking in Visual Arts and Performing Arts as of 2023. With its Scopus rankings placing it within the top 17% of Visual Arts and Performing Arts journals and top 31% in Philosophy, it stands as a vital resource for researchers and practitioners alike. Covering a broad range of contemporary issues and inviting innovative perspectives, the Journal of Aesthetics & Culture plays a crucial role in shaping critical discourse within its fields and fostering an understanding of the intricate interplay between aesthetics and societal contexts.

The Journal of Popular Culture, published by Wiley, stands as a pivotal platform for the exploration and analysis of cultural phenomena since its inception in 1967. With its ISSN 0022-3840 and E-ISSN 1540-5931, the journal deeply engages with themes encompassing literature, history, and the broader arts and humanities landscape, further categorized in 2023 into distinct quartiles reflected by its superior rankings: Q3 in Arts and Humanities (miscellaneous), Q2 in History, and Q1 in Literature and Literary Theory. This journal not only ranks competitively in Scopus—positioned at the 73rd percentile in Literature and Literary Theory and achieving a significant recognition in History—but also cultivates a rich dialogue aimed at researchers, educators, and students alike. Through its non-open access model, the journal maintains a robust collection of scholarly articles that contribute to the understanding of popular culture's impact on society, making it an essential resource for academics and practitioners committed to this dynamic field.

THEORY CULTURE & SOCIETY is a leading peer-reviewed journal published by SAGE PUBLICATIONS LTD, dedicated to the exploration and critique of social theory within the broader context of contemporary social sciences. Since its inception in 1982, this esteemed publication has fostered critical dialogue and interdisciplinary research, making significant contributions to the fields of sociology and political science, as evidenced by its impressive performance in the latest Scopus rankings, placing it in the top 20% of journals in both categories. With a strong Q1 classification in 2023, it consistently engages scholars, researchers, and students alike, offering insights and perspective on the dynamic interplay between culture, society, and theory. Although not an open-access journal, its commitment to advancing knowledge makes it an essential resource for those navigating the complexities of social phenomena in a rapidly changing world. Published from the United Kingdom, THEORY CULTURE & SOCIETY stands at the forefront of critical scholarship, making it an indispensable read for anyone interested in the development of contemporary social thought and theory.

AM Journal of Art and Media Studies is a distinguished academic journal dedicated to the critical exploration of art and media in contemporary society. Published by SINGIDUNUM UNIVERSITY, FACULTY OF MEDIA & COMMUNICATIONS, this journal has been an Open Access platform since 2015, facilitating the dissemination of knowledge and fostering creativity for researchers, professionals, and students alike. With its ISSN 2217-9666 and E-ISSN 2406-1654, it aims to provide a rigorous peer-reviewed space for scholarly articles that illuminate the dynamic interplay between artistic expression and media technologies. Although specific impact metrics such as HIndex and Scopus rankings are currently unavailable, the journal aspires to contribute significantly to its field, encouraging innovative research in art and media studies. Its open access model ensures that valuable insights are readily accessible to a global audience, amplifying the impact of research and discussions surrounding cultural production in our increasingly mediated world.

Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

GOYA, published by the esteemed FUNDACION LAZARO GALDIANO, is a pivotal journal in the field of Visual Arts and Performing Arts. With an ISSN of 0017-2715, this Spanish journal serves as a critical platform for scholars, artists, and practitioners to engage with contemporary issues, trends, and methodologies in the arts. Since its inception, GOYA has strived to illuminate the intersection of artistic expression and cultural discourse, with coverage spanning from 2002 to 2024. The journal proudly holds a Q3 category ranking in the 2023 Scopus assessments for its field, reflecting its respected position among peers, with a notable rank of #377 out of 667. Though it does not follow an Open Access model, GOYA continues to contribute significantly to the academic landscape, enabling a deeper understanding of artistic practices and their societal implications. Researchers and students alike will find the journal an invaluable resource for insights and inspiration within the dynamic realm of the arts.

Jewish Film & New Media: An International Journal, published by Wayne State University Press, serves as a crucial platform for scholars and practitioners within the realms of Film Studies, Jewish Studies, and Media Studies. Since its inception, the journal has explored the intersection between Jewish culture and cinematic representation while also addressing contemporary media narratives. With an ISSN of 2169-0324 and E-ISSN 2169-0332, it is indexed in major databases, showcasing solid rankings in various disciplines, including a commendable Q2 rank in Visual Arts and Performing Arts. Despite its current Q4 categorizations in Anthropology and Communication, the journal is noted for its engaging contributions that sow rich discussions about Jewish identity, filmic expression, and media representation. Researchers and students alike benefit from the journal’s wealth of interdisciplinary scholarship, which spans converged years from 2013 to 2017 and 2019 to 2022, ensuring a robust timeline of critical inquiry. As an essential resource for understanding the nuances of Jewish film and new media, this journal occupies a unique niche, inviting contributions that push the boundaries of current academic dialogue.

KONSTHISTORISK TIDSKRIFT is a distinguished journal dedicated to the exploration of art history and its intersections with visual and performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this esteemed publication has been a vital resource for scholars and professionals alike since its inception in 1932, with a mission to advance the understanding of historical and contemporary artistic expression. Operating from the United Kingdom, it currently occupies a commendable Q3 Quartile ranking in both History and Visual Arts and Performing Arts categories for 2023, according to Scopus metrics. With an engaging array of peer-reviewed articles, the journal serves as a platform for critical discourse, fostering an inclusive intellectual community. As it looks ahead to its convergence into 2024, KONSTHISTORISK TIDSKRIFT promises to enrich the academic landscape with impactful research and insights, making it a vital resource for researchers, professionals, and students passionate about the field.

Technoetic Arts, an influential journal published by INTELLECT LTD, serves as a vital platform for interdisciplinary research at the intersection of the arts, philosophy, and technology. Established in 2003, this journal has evolved to encompass a diverse range of innovative topics, while focusing on the critical examination of art's future amid rapid technological advances. With an ISSN of 1477-965X and E-ISSN 1758-9533, it appeals to researchers, professionals, and students interested in explorations within the fields of Computer Science Applications, Human-Computer Interaction, Philosophy, and Visual Arts and Performing Arts. Although currently not open access, Technoetic Arts is recognized for its rigorous scholarship, as evidenced by its Scopus rankings—achieving the 75th percentile in Visual Arts and Performing Arts. The journal operates from its base in the United Kingdom, offering a unique lens through which contemporary techno-artistic dialogues are examined and promoted. As it aims for continuous improvement in academic merit and relevance, Technoetic Arts remains an essential resource for anyone looking to engage with the transformative power of technology in art.