Multicultural Shakespeare-Translation Appropriation and Performance

Scope & Guideline

Advancing Multicultural Scholarship in Shakespearean Studies

Introduction

Welcome to your portal for understanding Multicultural Shakespeare-Translation Appropriation and Performance, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN2083-8530
PublisherLODZ UNIV PRESS
Support Open AccessYes
CountryPoland
TypeJournal
Convergefrom 2011 to 2013, from 2015 to 2022
AbbreviationMULTICULT SHAKESPEAR / Multicult. Shakespear.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Addressul. Pomorska 171/173, LODZ 90-236, POLAND

Aims and Scopes

The journal 'Multicultural Shakespeare: Translation, Appropriation and Performance' focuses on the diverse interpretations and adaptations of Shakespeare's works across various cultural contexts. It aims to explore how these adaptations reflect and engage with contemporary socio-political issues, identity formations, and intercultural dialogues.
  1. Cultural Adaptation of Shakespeare's Works:
    The journal emphasizes the ways in which Shakespeare's plays have been adapted to fit different cultural contexts, showcasing the transformative nature of his texts in various geographical settings.
  2. Translation Studies:
    It explores the nuances and challenges of translating Shakespeare's works, particularly in non-English speaking cultures, and how translation influences the reception and interpretation of his texts.
  3. Performance Studies:
    The journal highlights the various performance practices of Shakespeare's works globally, examining how different theatrical traditions reinterpret his narratives and characters.
  4. Interdisciplinary Approaches:
    It encourages interdisciplinary research that intersects with fields such as politics, ethics, gender studies, and cultural studies, providing a holistic view of Shakespeare's impact and relevance.
  5. Global Perspectives:
    The journal fosters a global discourse on Shakespeare, emphasizing the importance of understanding his works through a multicultural lens, which includes perspectives from Eastern Europe, Asia, Africa, and beyond.
The journal is witnessing a shift towards exploring contemporary themes and interdisciplinary approaches that reflect current socio-political climates and cultural dialogues. Here are some of the emerging trends identified in recent publications.
  1. Postcolonial and Transnational Perspectives:
    There is a growing interest in examining Shakespeare's works through postcolonial and transnational lenses, focusing on how different cultures negotiate Shakespeare's legacy and its implications for identity formation.
  2. Social Justice and Activism:
    Recent publications increasingly address themes of social justice, equity, and activism, highlighting how Shakespeare's works can be used as tools for critique and transformation in various cultural contexts.
  3. Intercultural Dialogues:
    Emerging themes focus on the dialogues between cultures, examining how adaptations and interpretations of Shakespeare foster intercultural exchange and understanding.
  4. Non-traditional Performance Practices:
    The exploration of non-traditional performance practices, such as puppetry, dance, and opera, in relation to Shakespeare's works is on the rise, showcasing the versatility and adaptability of his texts.
  5. Digital Humanities and Technology:
    There is an increasing integration of digital humanities within Shakespeare studies, exploring how technology influences the interpretation, performance, and dissemination of Shakespeare's works in contemporary society.

Declining or Waning

While the journal has consistently focused on multicultural and multifaceted interpretations of Shakespeare, certain themes appear to be diminishing in prominence. The following areas have seen a reduction in publication frequency or thematic exploration.
  1. Traditional Eurocentric Shakespeare Studies:
    There has been a noticeable decline in papers focusing solely on traditional Eurocentric interpretations of Shakespeare, as the journal increasingly emphasizes global and multicultural perspectives.
  2. Historical Contextualization without Contemporary Relevance:
    Papers that strictly analyze Shakespeare's texts from a historical perspective, without linking them to contemporary issues or cultural dialogues, appear to be waning.
  3. Static Theoretical Approaches:
    The use of static theoretical frameworks that do not engage with evolving cultural contexts or interdisciplinary methodologies has become less prevalent, as the journal embraces more dynamic and inclusive approaches.

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