THEATRE HISTORY STUDIES
Scope & Guideline
Illuminating the Intersection of Theatre and Society
Introduction
Aims and Scopes
- Historical Analysis of Performance:
The journal critically examines the history of theater, focusing on the evolution of dramatic forms, genres, and their socio-political contexts throughout different periods. - Cultural and Ethnographic Studies:
It emphasizes cultural histories and ethnographic approaches to theater, exploring the lives of those behind the scenes and how cultural narratives shape theatrical practice. - Interdisciplinary Connections:
The journal encourages interdisciplinary research that connects theater with various fields such as literature, sociology, anthropology, and gender studies, thereby enriching the understanding of performance. - Focus on Marginalized Voices:
There is a consistent focus on marginalized voices within theater history, including works by women, people of color, and LGBTQ+ artists, bringing attention to underrepresented narratives. - Contemporary Issues in Theater:
The journal addresses contemporary issues and crises within theater, including the impact of racial capitalism, the effects of the COVID-19 pandemic, and the role of ethics and politics in performance.
Trending and Emerging
- Theatrical Responses to Social Justice:
There is a growing trend in exploring how theater responds to social justice issues, including race, gender, and class struggles, highlighting the role of performance as a tool for activism. - Impact of Technology on Theater:
Emerging themes include the impact of technology on theater, such as digital performance, social media's role in contemporary theater, and innovative approaches to audience engagement. - Intersectionality in Performance Studies:
Increasing attention is being paid to intersectionality within performance studies, examining how various identities intersect and influence theatrical narratives and practices. - Environmental and Ecological Themes:
Recent publications are increasingly focusing on ecology and environmental themes in theater, exploring how performances engage with issues of climate change and sustainability. - Mental Health and Well-being in Theater:
The exploration of mental health and the well-being of theater practitioners has gained traction, addressing the psychological impacts of the industry and the importance of care within theatrical communities.
Declining or Waning
- Traditional Canonical Works:
There appears to be a decreasing emphasis on traditional canonical works of theater, such as classical Greek or Shakespearean plays, as scholars increasingly explore diverse and contemporary narratives. - Formalism and Aesthetic Critique:
Research centered around formalist approaches and solely aesthetic critiques of theatrical performances has waned, giving way to more socially engaged and politically aware methodologies. - Historical Biographies of Lesser-Known Figures:
The focus on biographical accounts of lesser-known historical figures in theater has decreased, as the journal shifts towards broader cultural analyses and collective histories. - Eurocentric Perspectives:
There is a declining interest in Eurocentric perspectives on theater history, with increasing attention being paid to non-Western theatrical traditions and global performance practices. - Static Representations of Gender:
Discussions around fixed or traditional representations of gender in theater are less prevalent, as the discourse now embraces more fluid and intersectional approaches to gender and identity.
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