THEATRE HISTORY STUDIES

Scope & Guideline

Engaging Minds with the Art of Theatre History

Introduction

Welcome to your portal for understanding THEATRE HISTORY STUDIES, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0733-2033
PublisherUNIV ALABAMA PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2012, from 2014 to 2019, from 2021 to 2023
AbbreviationTHEATRE HIST STUD / Theatre Hist. Stud.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressBOX 870380, TUSCALOOSA, AL 35487-0380

Aims and Scopes

The journal 'THEATRE HISTORY STUDIES' serves as a vital platform for exploring the multifaceted nature of theatrical history and performance studies. Its scope encompasses a wide range of topics, methodologies, and cultural contexts, making significant contributions to both academic discourse and practical understanding in the field.
  1. Historical Analysis of Performance:
    The journal critically examines the history of theater, focusing on the evolution of dramatic forms, genres, and their socio-political contexts throughout different periods.
  2. Cultural and Ethnographic Studies:
    It emphasizes cultural histories and ethnographic approaches to theater, exploring the lives of those behind the scenes and how cultural narratives shape theatrical practice.
  3. Interdisciplinary Connections:
    The journal encourages interdisciplinary research that connects theater with various fields such as literature, sociology, anthropology, and gender studies, thereby enriching the understanding of performance.
  4. Focus on Marginalized Voices:
    There is a consistent focus on marginalized voices within theater history, including works by women, people of color, and LGBTQ+ artists, bringing attention to underrepresented narratives.
  5. Contemporary Issues in Theater:
    The journal addresses contemporary issues and crises within theater, including the impact of racial capitalism, the effects of the COVID-19 pandemic, and the role of ethics and politics in performance.
The journal has demonstrated a dynamic adaptability in its focus, with several themes emerging as particularly relevant in recent publications. These trending areas reflect current societal debates and the evolving landscape of theater studies.
  1. Theatrical Responses to Social Justice:
    There is a growing trend in exploring how theater responds to social justice issues, including race, gender, and class struggles, highlighting the role of performance as a tool for activism.
  2. Impact of Technology on Theater:
    Emerging themes include the impact of technology on theater, such as digital performance, social media's role in contemporary theater, and innovative approaches to audience engagement.
  3. Intersectionality in Performance Studies:
    Increasing attention is being paid to intersectionality within performance studies, examining how various identities intersect and influence theatrical narratives and practices.
  4. Environmental and Ecological Themes:
    Recent publications are increasingly focusing on ecology and environmental themes in theater, exploring how performances engage with issues of climate change and sustainability.
  5. Mental Health and Well-being in Theater:
    The exploration of mental health and the well-being of theater practitioners has gained traction, addressing the psychological impacts of the industry and the importance of care within theatrical communities.

Declining or Waning

While 'THEATRE HISTORY STUDIES' continues to evolve, certain themes have seen a noticeable decline in prominence over recent years. These waning scopes reflect shifts in academic focus and changing societal interests.
  1. Traditional Canonical Works:
    There appears to be a decreasing emphasis on traditional canonical works of theater, such as classical Greek or Shakespearean plays, as scholars increasingly explore diverse and contemporary narratives.
  2. Formalism and Aesthetic Critique:
    Research centered around formalist approaches and solely aesthetic critiques of theatrical performances has waned, giving way to more socially engaged and politically aware methodologies.
  3. Historical Biographies of Lesser-Known Figures:
    The focus on biographical accounts of lesser-known historical figures in theater has decreased, as the journal shifts towards broader cultural analyses and collective histories.
  4. Eurocentric Perspectives:
    There is a declining interest in Eurocentric perspectives on theater history, with increasing attention being paid to non-Western theatrical traditions and global performance practices.
  5. Static Representations of Gender:
    Discussions around fixed or traditional representations of gender in theater are less prevalent, as the discourse now embraces more fluid and intersectional approaches to gender and identity.

Similar Journals

CONTEMPORARY THEATRE REVIEW

Bridging Theory and Practice in Modern Theatre
Publisher: TAYLOR & FRANCIS LTDISSN: 1048-6801Frequency: 4 issues/year

CONTEMPORARY THEATRE REVIEW is a leading journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of theatre, performance studies, and contemporary visual arts. With a Q2 ranking in both Visual Arts and Performing Arts, this journal has established itself as a significant platform for scholarly discourse and critical analysis since its inception in 1992, particularly from 1994 through 2024. Researchers, practitioners, and students engaging with the evolving landscape of theatre will find this journal an essential resource for innovative research, reviews, and theoretical papers. The journal invites contributions that explore diverse themes in contemporary performance, ensuring it remains at the forefront of the academic and professional dialogue within the performing arts community.

ASIAN THEATRE JOURNAL

Transforming Perspectives on Asian Theatrical Arts
Publisher: UNIV HAWAII PRESSISSN: 0742-5457Frequency: 2 issues/year

ASIAN THEATRE JOURNAL, published by University of Hawaii Press, is a distinguished scholarly journal dedicated to the exploration of theatrical arts in Asia. With its ISSN 0742-5457 and E-ISSN 1527-2109, the journal serves as a crucial platform for researchers, practitioners, and students interested in the dynamic intersections of culture, performance, and social commentary within Asian theatre traditions. As of 2023, it proudly holds a Q2 ranking in the fields of Visual Arts and Performing Arts, highlighting its significance and influence in shaping academic discourse. The journal is indexed in Scopus, ranking at #257 out of 667 in the Arts and Humanities category, placing it in the 61st percentile. Despite not being open access, ASIAN THEATRE JOURNAL remains committed to fostering a deeper understanding of Asian theatrical practices and their global implications. With a convergence of years from 2002 to 2024, it promises to be an invaluable resource for those seeking to delve into the richness of Asian performance traditions.

Critical Studies in Fashion & Beauty

Unveiling the Intersections of Style and Society
Publisher: INTELLECT LTDISSN: 2040-4417Frequency: 2 issues/year

Critical Studies in Fashion & Beauty is a pivotal academic journal published by INTELLECT LTD, dedicated to exploring the vibrant intersections of fashion, beauty, and cultural studies. Based in the United Kingdom, this journal is notable for its influential role in the Arts and Humanities, particularly within the categories of Visual Arts and Performing Arts. With an impressive ranking in the 2023 Scopus categories—achieving Q1 status in Visual Arts and Performing Arts and Q2 in Arts and Humanities (miscellaneous)—this journal serves as a vital platform for innovative research, critical discourse, and theoretical examination of contemporary issues in the realms of aesthetics and culture. Its contributions are essential for scholars, practitioners, and students who seek to deepen their understanding of the socio-cultural dimensions of fashion and beauty. The journal, which has been publishing since 2019, is poised to influence the field significantly through its commitment to rigorous academic inquiry and interdisciplinary approaches.

LATIN AMERICAN THEATRE REVIEW

Fostering Critical Dialogue in Latin American Theatre Studies
Publisher: UNIV KANSASISSN: 0023-8813Frequency: 2 issues/year

LATIN AMERICAN THEATRE REVIEW, published by the University of Kansas, serves as a vital scholarly resource in the field of theatre studies, specifically focusing on the rich tapestry of Latin American theatrical works and their cultural significance. With an ISSN of 0023-8813 and an E-ISSN of 2161-0576, this journal is committed to disseminating innovative and critical insights that facilitate the understanding of contemporary and historical performance arts in Latin America. Despite its Q4 ranking in the Visual Arts and Performing Arts category, it plays an important role in bridging gaps within academic literature, particularly from 2002 to 2024, by attracting contributions from researchers and practitioners alike. While the journal does not currently offer an open access model, it is highly regarded as a platform for both established and emerging scholars. The LATIN AMERICAN THEATRE REVIEW not only emphasizes the importance of theatrical practices but also enriches broader discussions on cultural identity and social issues within Latin America, making it an essential read for anyone passionate about the performing arts.

Journal of Victorian Culture

Decoding the Victorian Influence on Modern Society
Publisher: OXFORD UNIV PRESSISSN: 1355-5502Frequency: 4 issues/year

The Journal of Victorian Culture, published by Oxford University Press, is an esteemed academic journal that explores the multifaceted cultural landscape of the Victorian era. With a publication history spanning from 1996 to 2024, this journal serves as a critical platform for scholars and practitioners in the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. It currently holds notable rankings, including Q3 in Cultural Studies and History, and Q2 in Literature, making it a prominent resource in these disciplines. Targeted at an audience that includes dedicated researchers, professionals, and students, the journal promotes interdisciplinary exploration and innovation, encouraging contributors to engage deeply with Victorian themes and their influence on contemporary culture. For those interested in cutting-edge discussions and insights, the Journal of Victorian Culture provides access to rich, scholarly content that is indispensable for understanding the era's impact on modern artistic and social paradigms.

THEATRE JOURNAL

Fostering a Community of Theatrical Scholarship.
Publisher: JOHNS HOPKINS UNIV PRESSISSN: 0192-2882Frequency: 4 issues/year

THEATRE JOURNAL, published by the Johns Hopkins University Press, stands as a distinguished platform within the realms of literature and performing arts. With an ISSN of 0192-2882 and an E-ISSN of 1086-332X, this journal has made significant strides since its inception, with coverage extending from 2002 to 2024. It proudly holds a Q2 quartile ranking in both Literature and Literary Theory and Visual Arts and Performing Arts, positioning itself among the top-tier publications in its field, as indicated by its Scopus ranks at the 69th and 59th percentiles respectively. While the journal is not available as open access, it remains a crucial resource for researchers, professionals, and students committed to advancing the understanding of theatrical studies. The Theatre Journal seeks to inspire critical dialogue and innovation regarding the dynamics of theatre, making it an invaluable asset for anyone invested in theatrical scholarship and performance practices.

TDR-The Drama Review-The Journal of Performance Studies

Advancing Scholarship in the Art of Performance
Publisher: CAMBRIDGE UNIV PRESSISSN: 1054-2043Frequency: 4 issues/year

TDR-The Drama Review-The Journal of Performance Studies, published by Cambridge University Press, is a premier academic journal dedicated to the exploration of performance studies through a multidisciplinary lens. With an impressive Q1 ranking in both Literature and Literary Theory and Visual Arts and Performing Arts, TDR is recognized for its significant impact in advancing theoretical frameworks and critical discourses within these fields. The journal proudly encompasses a wide range of topics, from contemporary performance to historical analysis, making it a vital resource for researchers, practitioners, and students alike. As a platform for innovative scholarship, it encourages the exchange of ideas and methodologies that shape our understanding of performance in cultural contexts. Although it does not offer open access options, the contributions published in TDR are instrumental in fostering a deeper understanding of the arts and humanities, positioning it at the forefront of academic inquiry.

Stanislavski Studies

Delving Deep into the Heart of Acting Methodologies.
Publisher: ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTDISSN: 2056-7790Frequency: 2 issues/year

Stanislavski Studies is a distinguished academic journal dedicated to exploring the profound impact of Konstantin Stanislavski's methodologies on the field of performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this journal has quickly established itself as a leading resource since its inception in 2012, achieving a Q1 ranking in both Visual Arts and Performing Arts categories as of 2023. With a Scopus Rank of #181 out of 667, it occupies a prominent position within the 72nd percentile in Arts and Humanities, affirming its significance to scholars and practitioners alike. Although currently not an Open Access journal, it provides crucial insights and scholarly articles that delve into Stanislavski's techniques, applications, and influence on contemporary theater practices. Based in the United Kingdom, the journal aims to facilitate rigorous scholarship and stimulate discussions among researchers, professionals, and students passionate about the performing arts, thereby contributing to the ongoing evolution of theater education and practice.

CANADIAN THEATRE REVIEW

Pioneering Research in Visual and Performing Arts.
Publisher: UNIV TORONTO PRESS INCISSN: 0315-0836Frequency: 4 issues/year

Canadian Theatre Review, published by University of Toronto Press Inc, stands as a leading academic journal in the fields of Visual Arts and Performing Arts. With its ISSN 0315-0836 and E-ISSN 1920-941X, this journal features a robust collection of scholarly articles that contribute significant insights into Canadian theatre, its history, critical theory, and contemporary practices. Renowned for its rigorous academic standards, it has achieved a prestigious Q1 ranking in the 2023 category of Visual Arts and Performing Arts, reflecting its influential position in the scholarly community. The journal, which converged years span from 2009 to 2024, does not currently offer open access; however, it provides a platform for researchers, practitioners, and students to engage with critically important issues in theatrical studies. Located at Journals Division, 5201 Dufferin St, Downsview, Toronto, ON M3H 5T8, Canada, Canadian Theatre Review continues to shape the dialogue around performance, serving both as a historical repository and a contemporary critique of the art form.

THEATRE RESEARCH INTERNATIONAL

Exploring the Cultural Canvas of Theatre Studies
Publisher: CAMBRIDGE UNIV PRESSISSN: 0307-8833Frequency: 3 issues/year

THEATRE RESEARCH INTERNATIONAL, published by Cambridge University Press, stands as a vital academic journal dedicated to the dynamic and multifaceted field of theatre studies. With its ISSN 0307-8833 and E-ISSN 1474-0672, this journal has been a cornerstone of scholarly discourse since its inception in 1970, continuing to provide valuable insights through 2024. Ranked in the Q2 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, it boasts impressive performance metrics reflected in its Scopus rankings at the 72nd and 62nd percentiles, respectively. The journal aims to illuminate the interplay between theatre and its cultural, social, and historical contexts, fostering a platform for both established and emerging voices in the field. While the journal is not Open Access, it ensures rigorous peer-reviewed content that engages researchers, professionals, and students alike, making it indispensable for anyone seeking to broaden their understanding and contribute to theatre research.