NEW THEATRE QUARTERLY, published by Cambridge University Press, is a leading academic journal in the realm of Visual Arts and Performing Arts, demonstrating significant contributions to the study and practice of theatre since its inception in 1985. With an ISSN of 0266-464X and an E-ISSN of 1474-0613, this Journal not only features scholarly articles but also engages practitioners and academics with thought-provoking discussions and analyses relevant to contemporary theatrical practices. Its current standing in the Q2 category for the year 2023 showcases its influence, ranked at 282 out of 667 in its field, placing it in the 57th percentile according to Scopus rankings. Spanning from the field of aesthetics to performance studies, NEW THEATRE QUARTERLY aims to foster a dialogue that bridges historical perspectives with modern theoretical frameworks, enriching the academic landscape and supporting budding theatre scholars and practitioners alike. Although not an open-access journal, it provides diverse access options through various academic libraries globally, ensuring that key insights within theatre research are readily available to students and professionals striving to enhance their understanding and engagement with the performing arts.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

MODERN DRAMA is a premier academic journal published by University of Toronto Press Inc, specializing in the field of literature and literary theory, with a particular focus on the dramatic arts. Established to foster scholarly dialogue, this journal offers a platform for innovative research and critical perspectives on modern theatrical practices and their cultural contexts. With an esteemed Q1 ranking in the category of Literature and Literary Theory for 2023, it places high importance on scholarly rigour and relevance, ensuring that its contributions resonate within the academic community. Though it operates under a traditional subscription model, MODERN DRAMA remains vital for researchers, professionals, and students dedicated to exploring the complexities of contemporary drama. With coverage ranging from 2002 to 2024, it continues to push the boundaries of literary discourse, making it an essential resource for anyone engaged in the dynamic field of drama studies.

THEATRE NOTEBOOK is a distinguished journal published by the Society for Theatre Research, focusing on the rich and diverse field of theatre studies. With an ISSN of 0040-5523 and an E-ISSN of 2051-8358, this journal serves as a crucial platform for scholars, practitioners, and enthusiasts to explore theatrical practices, historical contexts, and critical analyses. Although currently not operating under an open access model, it remains an invaluable resource for advancing discourse in performance studies. Often regarded as a key publication in its field, THEATRE NOTEBOOK encompasses a variety of topics, from contemporary theatre critiques to historical retrospectives, fostering a deeper understanding of the theatrical arts. Throughout its publication history, including coverage from 2002 to 2008 and 2010 to 2011, the journal has upheld a commitment to scholarly rigor and innovation, making it an essential reading for anyone dedicated to the study and appreciation of theatre.

Jeu-Revue de Theatre is a distinguished journal dedicated to the exploration and analysis of theatrical arts, published by CAHIERS THEATRE JEU INC. With a rich history reflected in its ISSN 0382-0335 and E-ISSN 1923-2578, this journal serves as a vital platform for scholars, practitioners, and students interested in the multifaceted dimensions of theatre. Based in Montreal, Canada, the journal aims to foster a deeper understanding of theatre through scholarly articles, performance reviews, and critical essays, making it essential reading for those engaged in the performing arts. While the journal does not currently offer open access options, its comprehensive discussions and research contribute significantly to the field, encouraging a vibrant dialogue among artists and academics alike. With a commitment to promoting innovative scholarship, Jeu-Revue de Theatre stands as an invaluable resource in the dramatic arts landscape.

Australasian Drama Studies is a renowned academic journal published by the Australasian Association for Theatre, Drama & Performance Studies that serves as a vital platform for the exploration and discourse on drama and performance studies within the Australasian context. With a commitment to fostering scholarly research in the arts, this journal plays a significant role in the visual and performing arts landscape, boasting an impressive Scopus rank, positioned at #374 among 667 journals in its category, reflecting its academic relevance and quality. Although it operates on a non-open access model, its rigorous content spanning from 2002 to 2004, 2009 to 2012, and recently from 2019 to 2023, engages a diverse audience of researchers, practitioners, and students. With a current category quartile ranking of Q3 in both Visual Arts and Performing Arts for 2023, Australasian Drama Studies continues to enrich the academic community by inviting contributions that bridge both theoretical and practical dimensions of drama, enhancing the understanding of its cultural significance in Australasia and beyond.

Canadian Theatre Review, published by University of Toronto Press Inc, stands as a leading academic journal in the fields of Visual Arts and Performing Arts. With its ISSN 0315-0836 and E-ISSN 1920-941X, this journal features a robust collection of scholarly articles that contribute significant insights into Canadian theatre, its history, critical theory, and contemporary practices. Renowned for its rigorous academic standards, it has achieved a prestigious Q1 ranking in the 2023 category of Visual Arts and Performing Arts, reflecting its influential position in the scholarly community. The journal, which converged years span from 2009 to 2024, does not currently offer open access; however, it provides a platform for researchers, practitioners, and students to engage with critically important issues in theatrical studies. Located at Journals Division, 5201 Dufferin St, Downsview, Toronto, ON M3H 5T8, Canada, Canadian Theatre Review continues to shape the dialogue around performance, serving both as a historical repository and a contemporary critique of the art form.

Teatro e Storia is a prestigious journal dedicated to the intricate relationship between theater and history, fostering an interdisciplinary dialogue among scholars, practitioners, and students in the fields of performing arts and historical studies. Published by BULZONI EDITORE, this journal hails from Italy and aims to explore the social, cultural, and political implications of theatrical expressions across various epochs. With its commitment to elevating scholarly discourse, Teatro e Storia serves as a crucial resource for researchers seeking to contribute to the understanding of how theater both shapes and reflects historical narratives. Although currently not an open-access publication, it offers subscription-based access to its rich repository of articles, ensuring that thought-provoking research reaches a wider audience engaged in the vibrant tapestry of cultural history.

Urdimento-Revista de Estudos em Artes Cenicas, published by UNIV ESTADO SANTA CATARINA-UDESC, is a leading open-access journal dedicated to the field of performing arts studies. With an ISSN of 1414-5731 and an E-ISSN of 2358-6958, this journal has been freely accessible since 1997, promoting the dissemination of innovative research and critical analysis in visual and performing arts. Hailing from Florianopolis, Brazil, Urdimento invites submissions that explore a variety of interdisciplinary approaches, reflecting the journal’s commitment to enriching the academic discourse within the arts and humanities. Despite its emerging ranking at the 23rd percentile in Scopus’s classification, Urdimento serves as a vital platform for researchers, students, and professionals in the field, facilitating scholarly exchange and fostering new ideas. As the journal converges its focus from 2021 to 2024, it aims to provide inclusive and diverse perspectives on contemporary artistic practices and theories.

Studies in Theatre and Performance is a distinguished academic journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing scholarship in the dynamic fields of visual arts and performing arts. Since its inception in 2000, the journal has become an essential resource for researchers and professionals, exemplified by its ranking within the Q2 category of visual and performing arts, and its commendable position at the 76th percentile among its peers. With an ISSN of 1468-2761 and an E-ISSN of 2040-0616, the journal serves as a platform for insightful research, critique, and innovation across a variety of topics in theatre and performance studies. Although it operates under a traditional access model, its rigorous peer-review process ensures that every publication contributes significantly to the broader understanding of theatrical practices and performance methodologies. As we move towards 2024, Studies in Theatre and Performance continues to be a vital reference point for scholars and practitioners alike in exploring new dimensions of performance theory and practice in an ever-evolving cultural landscape.