Muziki-Journal of Music Research in Africa

Scope & Guideline

Advancing Scholarship in African Musicology

Introduction

Welcome to the Muziki-Journal of Music Research in Africa information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Muziki-Journal of Music Research in Africa, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN1812-5980
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2004 to 2023
AbbreviationMUZIKI / Muziki
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

Muziki - Journal of Music Research in Africa aims to provide a platform for scholarly inquiry into the diverse musical practices, traditions, and innovations across the African continent. The journal emphasizes interdisciplinary research and the interplay between music and various cultural, social, and political contexts.
  1. Cultural Preservation and Documentation:
    The journal showcases research focused on the preservation and significance of traditional music forms, highlighting the need to document and sustain these cultural heritages.
  2. Contemporary Music Practices:
    A significant focus is placed on the analysis of modern music trends, including popular music and its socio-political implications, reflecting the dynamic nature of music in contemporary African societies.
  3. Gender and Music:
    The exploration of gender representations in music is a core area, examining how cultural politics and social values influence musical expression and performance.
  4. Music Education and Pedagogy:
    Research on music education, including innovative teaching methods and the challenges faced by music students, is a prominent theme, emphasizing the importance of music as a tool for learning and personal development.
  5. Interdisciplinary Approaches:
    The journal encourages interdisciplinary methodologies, integrating perspectives from sociology, psychology, and cultural studies to enrich the understanding of music within African contexts.
Recent publications in Muziki highlight several emerging themes that reflect changing interests and societal issues in the music research community. These trends indicate a shift towards contemporary relevance and critical engagement with current events.
  1. Social Media and Music Representation:
    There is a growing interest in how social media shapes the portrayal of musicians and music cultures, particularly concerning gender and identity politics, indicating the influence of digital platforms on music dissemination.
  2. Music and Activism:
    Research focusing on music as a tool for activism and social change has gained prominence, reflecting the role of music in addressing socio-political issues and mobilizing communities.
  3. Mental Health and Music Education:
    An emerging theme is the intersection of mental health and music education, exploring the psychological aspects of music learning and performance, which is becoming increasingly relevant in educational discussions.
  4. Hybrid Musical Forms and Globalization:
    The exploration of hybrid musical styles that emerge from globalization and cultural exchange is on the rise, showcasing the complex interactions between traditional and contemporary music.
  5. Technology in Music Learning and Performance:
    There is an increasing trend in research that examines the role of technology in music education and performance practices, reflecting the evolving landscape of music in the digital age.

Declining or Waning

As the journal evolves, certain themes have shown a decline in frequency and prominence in recent publications. The following areas indicate a waning interest or reduced focus among researchers.
  1. Traditional Music and Ritual Practices:
    While traditional music remains important, the specific focus on ritualistic and ceremonial aspects appears to have diminished, with fewer studies emphasizing these contexts in recent years.
  2. Historical Music Analysis:
    Research centered on historical perspectives of music practices, such as extensive historical narratives or archival studies, seems to be less prevalent, indicating a shift towards more contemporary analyses.
  3. Regional Studies in Isolation:
    There is a noticeable decline in studies that focus solely on specific regional music practices without integrating broader continental or global perspectives, reflecting a trend towards more holistic approaches.

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