New Writing-The International Journal for the Practice and Theory of Creative Writing

Scope & Guideline

Connecting Writers and Scholars Across the Globe

Introduction

Welcome to your portal for understanding New Writing-The International Journal for the Practice and Theory of Creative Writing, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN1479-0726
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2004 to 2024
AbbreviationNEW WRIT / New Writ.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'New Writing' serves as a platform for exploring the intricate relationships between creative writing practices and theoretical frameworks. It aims to illuminate the multifaceted nature of writing through various lenses, including pedagogy, genre exploration, and the impact of technology on creative processes.
  1. Interdisciplinary Approaches to Creative Writing:
    The journal emphasizes interdisciplinary methodologies, integrating insights from fields such as psychology, sociology, and cultural studies to enrich the understanding of creative writing.
  2. Focus on Pedagogy and Practice:
    A significant aim of the journal is to explore innovative teaching methodologies and practices in creative writing, offering insights into how writing can be taught effectively in diverse contexts.
  3. Engagement with Contemporary Issues:
    The journal often addresses contemporary themes such as identity, trauma, and the impact of technology, reflecting on how these issues shape creative writing and its reception.
  4. Exploration of Genre and Form:
    There is a consistent focus on the exploration of various genres and forms within creative writing, including poetry, fiction, and hybrid forms, allowing for a rich discourse on stylistic and structural innovations.
  5. Global Perspectives on Creative Writing:
    The journal seeks to include diverse voices and perspectives from around the world, promoting a global discourse on creative writing practices and theories.
Recent publications in 'New Writing' reveal a shift towards new themes and areas of interest, indicating emerging trends in the field of creative writing. This section outlines these trends and their potential implications for the discipline.
  1. Integration of Technology in Writing:
    There is a growing interest in how technology, particularly artificial intelligence, influences creative writing processes and outcomes, reflecting broader societal changes.
  2. Explorations of Identity and Intersectionality:
    Recent works increasingly examine themes of identity, including race, gender, and sexuality, highlighting the importance of intersectionality in creative writing.
  3. Ecological and Climate Concerns:
    The journal is witnessing a rise in publications that address ecological issues and climate change, reflecting a broader cultural movement towards environmental awareness.
  4. Collaborative and Community-Based Writing:
    Emerging themes include collaborative writing practices and community engagement, indicating a trend towards more participatory approaches to creative writing.
  5. Focus on Mental Health and Well-Being:
    There is an increasing emphasis on the therapeutic aspects of creative writing, exploring how writing can be a tool for mental health and emotional expression.

Declining or Waning

While 'New Writing' continues to evolve, certain themes that were once prominent in its publications are becoming less frequent. This section highlights the areas that appear to be waning in focus.
  1. Traditional Narrative Structures:
    There seems to be a declining emphasis on conventional narrative structures, as the journal increasingly explores experimental forms and non-linear storytelling.
  2. Focus on Print Media:
    As digital platforms and multimedia storytelling gain prominence, discussions centered around print media and traditional publishing practices appear to be diminishing.
  3. Outdated Pedagogical Methods:
    The journal is moving away from traditional pedagogical approaches in creative writing, such as strict workshop formats, in favor of more innovative and inclusive teaching strategies.
  4. Regional and National Literary Traditions:
    There is a noticeable reduction in the focus on specific regional or national literary traditions, with a shift towards more universal themes and global perspectives.
  5. Static Genre Definitions:
    The journal is increasingly challenging static definitions of genres, suggesting a decline in articles that strictly adhere to traditional genre classifications.

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