Arti Musices

Scope & Guideline

Exploring the Rich Tapestry of Music and Humanities

Introduction

Welcome to the Arti Musices information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Arti Musices, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageCroatian
ISSN0587-5455
PublisherCROATIAN MUSICOLOGICAL SOC
Support Open AccessYes
CountryCroatia
TypeJournal
Convergefrom 2008 to 2009, from 2012 to 2024
AbbreviationARTI MUSIC / Arti Music.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressOPATICKA 18, HR-71000 ZAGREB, CROATIA

Aims and Scopes

The journal 'Arti Musices' serves as a prominent platform for scholarly articles that explore the multifaceted dimensions of musicology, emphasizing historical, cultural, and pedagogical aspects of music. Its scope is broad, incorporating various methodologies that range from historical analysis to ethnomusicology and music pedagogy.
  1. Historical Musicology:
    Focuses on the historical development of music, including the evolution of music institutions and practices across different regions, particularly in Croatia and Central Europe.
  2. Ethnomusicology:
    Explores the intersection of music and culture, examining how music functions in various social contexts, including the impact of historical events on musical practices.
  3. Music Pedagogy:
    Investigates educational practices in music, including the influence of pedagogical theories on music education and the role of music in family and community settings.
  4. Cultural Studies in Music:
    Analyzes music as a cultural artifact, considering its role in identity formation, community engagement, and its interaction with broader social and political movements.
  5. Interdisciplinary Approaches:
    Incorporates perspectives from other disciplines such as literature, history, and sociology to enrich the understanding of music's role in society.
Recent publications in 'Arti Musices' reveal emerging themes that reflect current trends in musicology, highlighting the journal's responsiveness to contemporary issues in the field.
  1. Impact of Political Events on Music:
    An increasing number of articles examine how political and social upheavals, such as the war in Ukraine, influence music practices and perceptions, underscoring the connection between music and sociopolitical contexts.
  2. Digital Humanities and Musicology:
    There is a growing interest in the application of digital tools and methodologies in music research, reflecting a broader trend in academia towards digital humanities.
  3. Gender and Music Studies:
    Themes related to gender and sexuality in music are gaining traction, indicating a shift towards more inclusive and diverse explorations of musical practices and histories.
  4. Cultural Memory and Heritage:
    Explorations of cultural memory through music, including the preservation and reinterpretation of musical heritage, are increasingly prominent, highlighting the importance of music in collective memory.
  5. Music and Migration:
    Research focusing on the intersections of music, migration, and identity is emerging as a vital area of inquiry, reflecting contemporary global issues and their impact on musical practices.

Declining or Waning

As the journal has evolved, certain themes have become less prominent in recent publications. This section highlights areas that are gradually losing their footing within the journal's focus.
  1. Traditional Music Forms:
    There has been a noticeable decline in studies focused solely on traditional or folk music forms, as the journal increasingly embraces broader cultural analyses and contemporary issues.
  2. Static Historical Narratives:
    Research that presents static, uncritical views of historical music narratives is becoming less common, with a shift towards more dynamic and critical interpretations of music history.
  3. Local Music Practices:
    While local music practices were once a significant focus, the journal's recent publications indicate a trend towards more global and transnational perspectives, potentially sidelining localized studies.

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