MUSIC ANALYSIS, published by WILEY, is a prestigious journal in the field of musicology, recognized for its critical contributions to the analysis of music and its myriad influences on culture and society. With an ISSN of 0262-5245 and an E-ISSN of 1468-2249, this journal has established itself as a vital resource for researchers, professionals, and students alike, boasting a Q1 ranking in the 2023 category of Music. As part of a highly competitive field, it ranks 70th out of 180 in the Arts and Humanities Music category on Scopus, positioning it within the 61st percentile. MUSIC ANALYSIS serves as an essential platform for innovative research and insightful discourse, engaging with musical theory, practice, and education from 1996 to 2024. Its commitment to fostering rigorous scholarship makes it indispensable for those seeking to deepen their understanding of music and its analytical frameworks. Although it does not offer Open Access options, its relevance and impact in the genre ensure accessibility through institutional subscriptions and university libraries.

JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY, published by University of California Press, is a prestigious peer-reviewed journal dedicated to advancing the field of musicology. With an ISSN of 0003-0139 and E-ISSN 1547-3848, this journal has been a cornerstone of scholarly communication since its inception in 1970 and continues to be relevant through 2024. Its esteemed standing is reflected in its Q2 ranking in the Music category and a respectable 71/180 ranking in the Arts and Humanities discipline, placing it in the 60th percentile among its peers. The journal provides an essential platform for researchers, professionals, and students to explore diverse topics in musicology, ranging from historical studies to contemporary analyses. While it does not currently offer Open Access options, its rigorous editorial standards ensure the publication of high-quality research that contributes significantly to the academic dialogue in music studies. With its address based in the United States at 155 Grand Ave, Suite 400, Oakland, CA 94612-3758, the journal remains a vital resource for those seeking to deepen their understanding of the complexities of music and its societal impacts.

Nineteenth Century Music is a prestigious journal published by University of California Press that has been a vital contributor to the understanding of musical trends and cultural contexts from the 19th century. With an ISSN of 0148-2076, this journal operates within the Q2 category in Music, ranking 96 out of 180 in the Arts and Humanities, reflecting its significant influence and recognition in the field. Established in 1977, it aims to explore diverse topics ranging from music theory to historical analysis, providing a comprehensive platform for researchers, professionals, and students interested in this rich period of music history. While currently not an open-access journal, it offers an array of subscription options that enhance access to its scholarly content. The journal continues to play a pivotal role in documenting and critiquing the myriad ways in which music intersected with the social and artistic movements of the 19th century, making it essential reading for anyone seeking to delve deeper into the subject.

The Journal of the Society for American Music is a leading academic journal dedicated to the study of American music and its diverse cultural contexts. Published by Cambridge University Press, this journal serves as a vital platform for researchers and professionals in the fields of musicology, ethnomusicology, and American studies, contributing significantly to scholarly discourse and advancing knowledge in these areas. With an impressive impact factor reflecting its academic rigor, it is placed in Q2 of the music category as of 2023 and ranks #55 out of 180 in the Arts and Humanities segment, placing it in the 69th percentile among its peers. Since its inception, the journal has published a wealth of articles, reviews, and critical studies that explore the rich tapestry of American musical traditions from historical and contemporary perspectives. It operates under a subscription model, ensuring a wide distribution and accessibility to its important findings. Researchers, students, and professionals alike will find the journal an essential resource for advancing their understanding of the dynamic landscape of American music.

MUSICAL TIMES is a distinguished journal dedicated to the exploration and dissemination of scholarly works in the realm of music, serving as an essential resource for researchers, professionals, and students alike. Published by MUSICAL TIMES PUBLICATIONS LTD, this journal has built a robust reputation within the arts and humanities, specifically focusing on music studies, with an impactful reach indicated by its Scopus ranking at #73 out of 106 in the field. Though access to this journal is not open, its curated content, which spans various facets of musicology and contemporary music discourse, enriches the academic community by encouraging insightful discussions and critical analyses. With its historical roots tracing back to its inception, MUSICAL TIMES aims to foster a deeper understanding of music's cultural, social, and artistic dimensions, making it a valued publication for those engaged in the scholarly pursuit of music.

JOURNAL OF THE ROYAL MUSICAL ASSOCIATION, published by Cambridge University Press, stands as a significant repository for innovative research and scholarly discourse within the field of music studies. Recognized for its contributions to the understanding of musical practices, theory, and history, this esteemed journal offers a platform for academics and researchers to disseminate their findings to a broad audience. With an ISSN of 0269-0403 and E-ISSN of 1471-6933, the journal has maintained a notable presence since its inception, merging insights from both traditional and contemporary musicology. It currently occupies a Q4 ranking in Music within the Scopus database, reflecting its inclusion within the arts and humanities landscape. While the journal traditionally operates under subscription access, its continuing commitment to advancing music scholarship ensures that it remains an essential resource for students, scholars, and practitioners alike, fostering greater understanding and appreciation of musical artistry from 1987 to the current era.

REVUE DE MUSICOLOGIE is a prominent academic journal dedicated to the diverse field of musicology, published by EDITIONS TRANSATLANTIQUES in France. With an ISSN of 0035-1601, this journal has been a key platform for researchers and scholars since its inception, fostering scholarly discourse and advancing the understanding of music's cultural, theoretical, and historical dimensions. Although it currently holds a Q4 category in Music according to the 2023 quartiles and is ranked #140 in the Scopus Arts and Humanities Music category, REVUE DE MUSICOLOGIE continues to publish valuable insights that contribute to the global musicological landscape. The journal does not offer open access, adhering to standard subscription models. Its primary objective is to provide a rigorous forum for original research articles, reviews, and theoretical discussions, making it an essential resource for academics, professionals, and students in the field of musicology. Located at 50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE, it promises to remain a vital part of music research through 2023 and beyond.

MUSICAE SCIENTIAE, published by SAGE Publications Ltd, is a prestigious interdisciplinary journal situated at the intersection of music and psychological studies. Established in 1997, this journal has garnered an impressive reputation, as evidenced by its 2023 Scopus rankings, where it ranks #2 in Music (Arts and Humanities) and #51 in Experimental and Cognitive Psychology. With a considerable impact factor and categorized in the Q1 and Q2 quartiles, it stands as a key resource for researchers, students, and professionals interested in the cognitive processes related to music engagement and its applications. Although it does not operate under an open access model, MUSICAE SCIENTIAE provides valuable insights and empirical studies that contribute to the ever-evolving understanding of music's impact on human behavior and cognition. By fostering a robust platform for scholarly dialogue, this journal continues to significantly influence research and practice within its fields.

HUDEBNI VEDA is a distinguished journal published by the Czech Academy of Sciences Press, specializing in the field of music. With its ISSN 0018-7003 and E-ISSN 2694-6998, this journal serves as a vital platform for scholarly communication in music studies, promoting innovative research and critical discourse. Since its inception in 2002 and scheduled for continuation until 2024, it has emerged as a respected publication within the music academic community, though currently holding a Category Quartiles ranking of Q4 in Music. Notably, it ranks #127 out of 180 in the Scopus Arts and Humanities - Music category, placing it in the 29th percentile. While it operates under traditional access constraints, HUDEBNI VEDA is committed to fostering an inclusive academic environment, inviting contributions that push the boundaries of musicology. This journal is essential for researchers, professionals, and students eager to explore and engage with contemporary issues and developments in the study of music.

TEMPO, a renowned journal published by Cambridge University Press, is dedicated to the expansive field of music studies. With its rich history dating back to 1939, the journal has significantly evolved, offering researchers, professionals, and students a platform to explore diverse musical perspectives and innovations. Serving as a vital resource in its category, TEMPO is currently positioned in the Q2 quartile within the field of Music, reflecting its quality and academic influence. Although it operates under a traditional subscription model, its impactful contributions to music scholarship are underscored by its active engagement with contemporary issues in musicology, performance, and education. Researchers can rely on TEMPO for cutting-edge analyses, reviews, and critical discourse that shape the understanding of music in society.