AFRICAN ARTS is a distinguished journal published by MIT PRESS, focusing on the vibrant intersections of literature, visual arts, and performing arts within the African context. Boasting an ISSN of 0001-9933 and an E-ISSN of 1937-2108, this journal serves as a critical platform for scholars and practitioners worldwide to explore and disseminate their research on African artistic expressions. With a solid impact represented by its Q3 rankings in both Literature and Literary Theory and Visual Arts and Performing Arts as of 2023, it ranks in the top 20% within the literature category and in the top 30% for visual arts. AFRICAN ARTS aims to foster a deeper understanding of the cultural, historical, and social contexts that shape these disciplines, embracing a wide array of methodologies and theoretical frameworks. Though not an open-access journal, it provides valuable insights and analysis that contribute significantly to the global discourse surrounding African arts, making it a vital resource for researchers, professionals, and students alike.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.

Brumal-Research Journal on the Fantastic, published by Universitat Autònoma de Barcelona, stands as a prominent open-access platform dedicated to the exploration and critical analysis of the fantastic across various disciplines. Since its establishment in 2013, this journal has created a vibrant repository of knowledge, bridging literature, cultural studies, communication, and the performing arts. Boasting an impressive impact reflected in its Scopus rankings—such as a rank of #161 in Literature and Literary Theory and #155 in Visual Arts and Performing Arts—Brumal occupies a distinguished position within the academic landscape, with Q1 and Q2 quartile rankings across key categories. Through rigorous peer-reviewed articles, Brumal aims to foster interdisciplinary dialogues that challenge conventional boundaries and inspire innovative research. With an accessible format, the journal attracts a diverse readership, including researchers, professionals, and students eager to delve into the complexities and nuances of the fantastic, making it an essential resource for anyone engaged in these dynamic fields.

De Medio Aevo is a distinguished academic journal published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, dedicated to enriching the fields of Cultural Studies, History, Literature and Literary Theory, Philosophy, Religious Studies, and Visual Arts and Performing Arts. Since its inception in 2012 as an Open Access platform, this Spanish journal has rapidly established its reputation, achieving impressive rankings in various categories with a Q1 classification in Literature and Literary Theory and notable positions in Q2 across other fields as per the 2023 metrics. With an emphasis on rigorous scholarly research, De Medio Aevo seeks to foster the exchange of ideas and insights that reflect the rich tapestry of medieval studies and its ongoing impact on contemporary society. It is an essential resource for researchers, professionals, and students alike, encouraging interdisciplinary dialogue and exploration of the cultural narratives that shape our understanding of history and the arts. Located in Madrid, Spain, the journal is committed to making significant contributions to its fields, with a global reach and a focus on academic excellence.

LIBERTE is a distinguished academic journal that serves as a platform for critical thinking and scholarly discourse across various fields including Literature and Literary Theory, Philosophy, Sociology and Political Science, and Visual Arts and Performing Arts. Established in Canada and published by LIBERTE, this journal aims to foster intellectual exchange and explore the nuances of cultural and social narratives. Although it currently falls in the Q4 quartile across its categories, it is dedicated to advancing the conversation in the arts and humanities, providing a rich resource for researchers, educators, and students alike. With an ISSN of 0024-2020 and an active publication cycle running from 2002 to 2024, LIBERTE welcomes contributions that challenge prevailing ideologies and reflect innovative perspectives. While the journal is not open access, its value in promoting academic inquiry within its communities cannot be overstated.

The Journal of Victorian Culture, published by Oxford University Press, is an esteemed academic journal that explores the multifaceted cultural landscape of the Victorian era. With a publication history spanning from 1996 to 2024, this journal serves as a critical platform for scholars and practitioners in the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. It currently holds notable rankings, including Q3 in Cultural Studies and History, and Q2 in Literature, making it a prominent resource in these disciplines. Targeted at an audience that includes dedicated researchers, professionals, and students, the journal promotes interdisciplinary exploration and innovation, encouraging contributors to engage deeply with Victorian themes and their influence on contemporary culture. For those interested in cutting-edge discussions and insights, the Journal of Victorian Culture provides access to rich, scholarly content that is indispensable for understanding the era's impact on modern artistic and social paradigms.

AusArt, an esteemed academic journal published by UPV-EHU PRESS, SERV EDITORIAL, serves as a vital platform for the exploration and dissemination of innovative research within the Arts and Humanities fields. Operating since its launch in 2013 as an Open Access journal, AusArt is committed to enhancing accessibility and visibility for researchers and practitioners alike. As of 2023, it holds notable rankings in Scopus, including Q4 in Arts and Humanities (miscellaneous) and Q3 in Visual Arts and Performing Arts, recognizing its contributions to diverse artistic discourses. With a committed voice within the academic community, AusArt encourages submissions that challenge conventional ideas and foster interdisciplinary dialogue. Based in Spain at CAMPUS BIZKAIA, LEIOA E-48940, AusArt promotes a rich exchange of scholarly perspectives, ensuring its relevance in contemporary artistic research.

Material Religion is a premier scholarly journal dedicated to examining the interplay between material culture and religious practices, published by Routledge Journals, Taylor & Francis Ltd, based in the United Kingdom. Since its inception in 2005, the journal has established itself as a vital resource in the fields of Religious Studies and Visual Arts and Performing Arts, holding a commendable Q2 quartile ranking and featuring a robust Scopus ranking that places it in the top 13% of its discipline. Designed to foster interdisciplinary dialogue, Material Religion offers a platform for innovative research that explores how material objects influence and are influenced by religious beliefs and practices. With no open access options, this journal continues to thrive as an essential reference for researchers, professionals, and students eager to understand the complexities of materiality in the context of religion and art. Positioned at the intersection of diverse academic fields, Material Religion not only contributes to scholarly discourse but also encourages critical reflections on how society engages with the material aspects of spirituality.

OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.

Quintana-Revista do Departamento de Historia da Arte, published by the Universidade de Santiago de Compostela, is a distinguished academic journal that focuses on the critical analysis and exploration of visual arts and performing arts. With its ISSN 1579-7414 and E-ISSN 2340-0005, this journal serves as a vital platform for researchers, professionals, and students interested in the depth of art history and cultural discourse. Operating under a Q4 category in the realm of Visual Arts and Performing Arts, the journal is committed to fostering scholarly dialogue and advancing knowledge in the field. Though it currently does not offer open access options, it remains an invaluable resource for those aiming to contribute to and understand the evolving landscape of art history. The journal covers converged years from 2011 to 2012 and 2014 to 2024, highlighting its ongoing relevance and adaptability to contemporary discussions. As it continues to enhance its visibility and impact within the 20th percentile of its category according to Scopus rankings, Quintana invites contributions that deepen our understanding of artistic expression and cultural heritage.