Nineteenth-Century Art Worldwide

Scope & Guideline

Bridging Past and Present in Art History

Introduction

Welcome to your portal for understanding Nineteenth-Century Art Worldwide, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN-
PublisherASSOC HISTORIANS NINETEENTH-CENTURY ART
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationNINET-CENT ART WORLD / Ninet-.Cent. Art Worldw.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressC/O PETRA TEN-DOESSCHATE CHU, SETON HALL UNIV, SOUTH ORANGE, NJ 07079

Aims and Scopes

The journal 'Nineteenth-Century Art Worldwide' is dedicated to exploring the rich tapestry of artistic expression and cultural dynamics during the nineteenth century. It serves as a platform for interdisciplinary scholarship, offering insights into the art, artists, and societal contexts of this transformative period.
  1. Interdisciplinary Art Historical Research:
    The journal emphasizes a multidisciplinary approach, incorporating perspectives from history, literature, sociology, and cultural studies to provide a nuanced understanding of nineteenth-century art.
  2. Focus on Gender and Identity:
    There is a notable focus on gender studies and identity in art, reflecting on the roles and representations of women artists and subjects within the nineteenth-century artistic landscape.
  3. Global and Transnational Perspectives:
    The journal encourages exploration of art beyond Western contexts, highlighting international collaborations and the influence of colonialism and cultural exchange on artistic practices.
  4. Art and Society:
    Papers often investigate the relationship between art and societal issues, such as politics, class, race, and identity, revealing how art functions as both a reflection and a critique of its time.
  5. Material Culture and Artifacts:
    The journal also delves into the study of material culture, examining how objects, collections, and the art market shaped the artistic narrative of the nineteenth century.
The journal has been responsive to contemporary academic trends, embracing new themes and methodologies that reflect the evolving landscape of art history. Recent publications indicate a vibrant engagement with emerging topics that enhance the understanding of nineteenth-century art.
  1. Intersectionality in Art:
    There is a growing trend towards intersectional studies that examine how various identities—such as race, gender, and class—interact within the context of art, offering a more comprehensive understanding of the artistic milieu.
  2. Decolonization and Postcolonial Studies:
    Emerging themes related to decolonization and postcolonial critiques are gaining traction, as scholars explore the implications of colonial histories on art production and reception.
  3. Environmental and Ecological Perspectives:
    Recent publications reflect an increasing interest in environmental themes, considering how art of the nineteenth century engages with nature and ecological concerns, particularly in light of contemporary environmental crises.
  4. Digital Humanities in Art History:
    There is a noticeable rise in the use of digital humanities methodologies, utilizing technology to analyze and disseminate research on nineteenth-century art, making it more accessible and interactive.
  5. Art and Globalization:
    Papers are increasingly addressing the implications of globalization on art practices, exploring how global exchanges and movements influenced the creation and perception of art during the nineteenth century.

Declining or Waning

While 'Nineteenth-Century Art Worldwide' continues to thrive in various research areas, some themes appear to be diminishing in frequency or importance in recent publications. These waning scopes may reflect changing academic interests or evolving methodologies in art history.
  1. Traditional Art Historical Narratives:
    There seems to be a decline in works focusing strictly on traditional art historical narratives that center on major figures or movements without engaging with broader social contexts or interdisciplinary approaches.
  2. Eurocentric Perspectives:
    Papers that predominantly focus on European art and artists, without acknowledging the global influences or transnational dialogues, are becoming less prevalent, indicating a shift towards more inclusive scholarship.
  3. Formalism in Art Analysis:
    There is a noticeable reduction in the emphasis on formalist analysis that prioritizes aesthetic qualities over contextual factors, as contemporary scholarship increasingly values cultural and historical significance.
  4. Biographical Studies of Individual Artists:
    While individual artists continue to be studied, there is a waning interest in purely biographical approaches that do not connect the artist's work to broader social or political themes.
  5. Static Interpretations of Artworks:
    The journal has seen fewer contributions that offer static interpretations of artworks, moving instead towards dynamic discussions that consider the evolving meanings and receptions of art over time.

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