Sala Preta

Scope & Guideline

Exploring the Intersection of Art and Communication

Introduction

Welcome to the Sala Preta information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Sala Preta, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageMulti-Language
ISSN2238-3867
PublisherUNIV SAO PAULO, ESCOLA COMUNICACOES & ARTES
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationSALA PRETA / Sala Preta
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressAV PROF LUCIO MARTINS RODRIGUES, 443-1O ANDAR, BUTANTA, SAO PAULO, SP CEP05508-020, BRAZIL

Aims and Scopes

Sala Preta is dedicated to exploring the multifaceted nature of performing arts, emphasizing cultural mediation, education, and the intersection of art with social and political themes.
  1. Cultural Mediation in the Arts:
    The journal emphasizes the role of cultural mediation in performing arts, exploring how art interacts with audiences and communities, and how it can serve as a means of dialogue and understanding between diverse cultural contexts.
  2. Interdisciplinary Approaches:
    Sala Preta promotes interdisciplinary research that combines insights from various fields such as education, sociology, and performance studies, enabling a comprehensive understanding of the performing arts.
  3. Ethics and Sensitivity in Performance:
    The journal addresses the ethical considerations and sensitive dynamics involved in performances, particularly in how they affect both artists and audiences, and how they navigate complex societal issues.
  4. Decolonial Perspectives:
    A unique contribution of Sala Preta is its focus on decolonial perspectives within the arts, examining how traditional narratives can be challenged and redefined through performance.
  5. Community Engagement and Participation:
    The journal highlights the importance of community-based artistic practices, emphasizing their role in knowledge-emancipation and as a means of fostering social change.
Recent publications in Sala Preta reveal a dynamic shift towards several emerging themes that reflect current societal issues and the evolving landscape of performing arts.
  1. Intercultural Dialogues:
    There is a growing emphasis on interculturalism and how performing arts can serve as a bridge between different cultures, fostering dialogue and understanding in a globalized world.
  2. Decolonial Practices and Perspectives:
    Emerging research is increasingly focused on decolonial practices, challenging dominant narratives in the arts and advocating for diverse voices and methodologies within the performance scene.
  3. Art as a Tool for Social Change:
    Many recent papers explore how performing arts can act as catalysts for social change, emphasizing community involvement and the potential for art to address pressing social issues.
  4. Digital and Hybrid Performance:
    The exploration of digital and hybrid performance forms has gained traction, particularly in light of the COVID-19 pandemic, reflecting on how technology interacts with live performance.
  5. Emotional and Ethical Engagement:
    There is an increasing focus on the emotional and ethical dimensions of performance, examining how art can engage audiences on a deeper level and provoke thoughtful reflections on contemporary issues.

Declining or Waning

As the journal evolves, certain themes appear to be losing prominence, indicating a shift in focus and priorities within the realm of performing arts research.
  1. Historical Analysis of Traditional Theater:
    While historical studies of traditional theater have been part of the journal's scope, there has been a noticeable decline in papers focusing solely on historical analysis, suggesting a shift towards contemporary practices and issues.
  2. Technical Aspects of Performance Production:
    Papers that delve deeply into the technical aspects of production, such as stagecraft and scenography, have become less frequent, indicating a move towards discussions of artistic and cultural implications rather than technical execution.
  3. Individual Artist Profiles:
    There seems to be a waning interest in publishing individual artist profiles or biographical studies, with more emphasis placed on collective practices and broader cultural movements.
  4. Performance as Solely Entertainment:
    The focus on performance as a form of entertainment is diminishing, as the journal increasingly prioritizes discussions around performance's role in social critique and community engagement.

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