Slovo, published by the University College London, School of Slavonic & East European Studies, is a vital scholarly journal dedicated to the exploration of Slavic languages and cultures, as well as the broader social sciences and humanities. Established with a commitment to advancing academic discourse, Slovo serves as a platform for researchers, professionals, and students interested in the dynamic intersections of literature, history, and cultural studies within Slavic and Eastern European contexts. Although it holds a Q4 ranking in both the Arts and Humanities and Social Sciences categories, the journal’s emphasis on fresh perspectives often invites innovative contributions that challenge conventional narratives. While lacking an Open Access option, Slovo remains integral for those seeking to navigate its multifaceted terrain, ensuring that emerging scholars and established academics alike can engage with rigorous research from 2012 to 2023 and beyond. With its headquarters in London, United Kingdom, this journal not only reflects the rich heritage of its academic lineage but also fosters a vibrant community committed to the exploration of Slavic and East European studies.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

Hrvatski Filmski Ljetopis, published by the Croatian Film Clubs Association, serves as a pivotal academic journal in the field of film studies, celebrating and analyzing the rich cinematic heritage of Croatia and beyond. With an ISSN of 1330-7665, this journal caters to researchers, practitioners, and students who are passionate about the art of filmmaking, encompassing both theoretical discourse and practical implications. Although it is not currently available as an open-access publication, its curated content is of significant value to anyone interested in the evolution, critique, and history of film in a Croatian context, having previously been indexed in Scopus until coverage was discontinued. The journal operates out of Zagreb, Croatia, at the Croatian Film Clubs Association headquarters, and aims to foster scholarly dialogue while contributing to the broader field of national and international cinematography.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

Film History, published by Indiana University Press, is a premier academic journal that delves into the evolving landscape of cinema, illuminating the intricate interplay between historical narratives and film culture. With ISSN 0892-2160, and E-ISSN 1553-3905, this journal has established itself as a crucial resource for researchers, professionals, and students in the fields of history and visual arts. Recognized in the Q2 category for both History and Visual Arts and Performing Arts as of 2023, it boasts impressive Scopus rankings, securing #152 out of 667 in Visual Arts and Performing Arts, and #524 out of 1760 in History, placing it in the top 30th percentile. Although it does not currently offer open access options, the journal provides a wealth of scholarly articles that critically engage with film as a historical text, fostering a deeper understanding of its role in shaping societal narratives. Since its inception in 1987, Film History has been at the forefront of academic discourse, making it an invaluable resource for those seeking to explore the rich tapestry of cinematic history.

STUDIES IN EAST EUROPEAN THOUGHT is a premier academic journal published by Springer, focusing on the multifaceted intellectual heritage and cultural dynamics of Eastern Europe. Established in 1993, this journal has been a significant platform for scholarly discourse, promoting interdisciplinary research across the fields of Cultural Studies, Law, Literature, Philosophy, and Social Sciences. With an impressive impact reflected in its Scopus rankings, including a Q1 categorization in Literature and Literary Theory and a Q2 standing in Cultural Studies and Law, it remains at the forefront of academic research, contributing to the global understanding of Eastern European perspectives. The journal is available in both print (ISSN: 0925-9392) and electronic (E-ISSN: 1573-0948) formats, with a committed audience of researchers, professionals, and students eager to explore the intricacies of Eastern European thought. By engaging with diverse methodologies and contemporary issues, STUDIES IN EAST EUROPEAN THOUGHT continues to shape the academic landscape and elevate scholarly discussions surrounding this vibrant region.

Framework: The Journal of Cinema and Media is a prominent academic journal published by Wayne State University Press, focusing on the dynamic fields of cinema studies and media theory. With an ISSN of 0306-7661 and an E-ISSN of 1559-7989, it serves as a key platform for researchers, professionals, and students to explore critical issues in media culture, film theory, and the intersection of digital technologies and narrative. Although it does not currently offer open access, the journal maintains a reputation for rigorous scholarship and thought-provoking content, providing insights that challenge conventional understandings of media and its impact on society. Published in Detroit, MI, Framework continues to engage with contemporary debates and innovative practices in cinema and media, making it an essential resource for those dedicated to advancing research in these vibrant disciplines.

Etica & Cine is a distinguished open-access journal published by the University of Buenos Aires, Faculty of Psychology, dedicated to the interdisciplinary field of ethics in cinema and visual culture. With the ISSN 2250-5660 and E-ISSN 2250-5415, this journal has been a vital platform for researchers, professionals, and students since its inception in 2011, providing a space for critical discourse surrounding the ethical dimensions of film and media. The journal aims to foster scholarly dialogue by publishing high-quality articles that explore the philosophical, social, and psychological implications of filmic representations. While the journal's H-index is yet to be established, its commitment to open access ensures that valuable insights are readily available to a global audience, thus enhancing its significance in academic and professional circles. As the conversation around ethics in cinema continues to evolve, Etica & Cine stands as an essential resource for anyone engaged in this vital area of study.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.