CINEFORUM is a distinguished journal published by the FEDERAZIONE ITALIANA CINEFORUM, focusing on the vibrant field of Visual Arts and Performing Arts. With an ISSN of 0009-7039, this journal serves as a significant platform for researchers and practitioners interested in critical discussions and analyses pertaining to cinema and performance. Although coverage in Scopus discontinued in 2020, CINEFORUM has established its standing with a category ranking in the Q4 quartile for Visual Arts, reflecting its niche yet passionate readership in the arts community. Based in Bergamo, Italy, the journal aims to foster a deeper understanding of cinematic and performative texts, offering insights and scholarly contributions that enhance the discourse within these artistic domains. Catering to an audience that includes researchers, professionals, and students, CINEFORUM remains an essential resource for those looking to explore the intersection of theory and practice in cinema and performing arts.

Burlington Magazine is a prestigious scholarly journal dedicated to the study and appreciation of visual arts and performing arts. Established in 1980 and published by Burlington Mag Publ Ltd, this UK-based journal offers a platform for innovative research and critical discussion, attracting a diverse audience of researchers, professionals, and students. Although it currently holds a Q4 ranking in Visual Arts and Performing Arts according to the 2023 Category Quartiles, it provides valuable insights into emerging trends and classical themes within the arts. The journal, with its ISSN 0007-6287 and E-ISSN 2044-9925, features a range of articles, reviews, and in-depth analyses, fostering scholarly discourse and enhancing the understanding of visual and performing arts. While there is no Open Access option available, readers can access its rich repository of knowledge through institutional subscriptions, making it an essential resource for anyone passionate about the arts. Whether you are a scholar seeking the latest research or an enthusiast eager to explore artistic developments, Burlington Magazine stands as an invaluable asset in the field.

Framework: The Journal of Cinema and Media is a prominent academic journal published by Wayne State University Press, focusing on the dynamic fields of cinema studies and media theory. With an ISSN of 0306-7661 and an E-ISSN of 1559-7989, it serves as a key platform for researchers, professionals, and students to explore critical issues in media culture, film theory, and the intersection of digital technologies and narrative. Although it does not currently offer open access, the journal maintains a reputation for rigorous scholarship and thought-provoking content, providing insights that challenge conventional understandings of media and its impact on society. Published in Detroit, MI, Framework continues to engage with contemporary debates and innovative practices in cinema and media, making it an essential resource for those dedicated to advancing research in these vibrant disciplines.

Slovo, published by the University College London, School of Slavonic & East European Studies, is a vital scholarly journal dedicated to the exploration of Slavic languages and cultures, as well as the broader social sciences and humanities. Established with a commitment to advancing academic discourse, Slovo serves as a platform for researchers, professionals, and students interested in the dynamic intersections of literature, history, and cultural studies within Slavic and Eastern European contexts. Although it holds a Q4 ranking in both the Arts and Humanities and Social Sciences categories, the journal’s emphasis on fresh perspectives often invites innovative contributions that challenge conventional narratives. While lacking an Open Access option, Slovo remains integral for those seeking to navigate its multifaceted terrain, ensuring that emerging scholars and established academics alike can engage with rigorous research from 2012 to 2023 and beyond. With its headquarters in London, United Kingdom, this journal not only reflects the rich heritage of its academic lineage but also fosters a vibrant community committed to the exploration of Slavic and East European studies.

FILM CRITICISM is a prestigious open-access journal dedicated to the study and review of cinema, offering a platform for scholars, critics, and students to engage deeply with the evolving landscape of film. Published by Film Criticism and based in the United States at Allegheny College, this journal has been contributing to film studies since 2002, with recent issues spanning from 2023 to 2024. Registered under ISSN 0163-5069, it is recognized in the Visual Arts and Performing Arts categories, achieving a commendable rank of #372 out of 667 in Scopus, placing it in the 44th percentile of its field. With an open-access policy implemented since 2016, FILM CRITICISM not only broadens accessibility to scholarly work but also enhances the dialogue around cinematic narratives, theories, and critiques. The journal's relevance is underscored by its current Q3 ranking, making it an essential resource for researchers and professionals alike who are invested in the critical examination of film.

Studies in European Cinema is an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the multifaceted realms of European cinema and its contextual relevance. With an ISSN of 1741-1548 and an E-ISSN of 2040-0594, this journal provides a dynamic platform for researchers and practitioners in the fields of Communication, Visual Arts, and Performing Arts. As reflected by its recent Scopus rankings, it holds a respectable position in the Arts and Humanities with an 84th percentile rank, indicating its significance and impact in the scholarly community. While not entirely open access, Studies in European Cinema seeks to foster critical discourse and analysis from 2004 to 2024, covering a broad spectrum of topics related to film studies, cultural representations, and the evolving narratives within European cinematic practices. Engaging with diverse theoretical frameworks, the journal aims to contribute to the vibrant dialogue surrounding European cinema, making it an essential resource for academics, filmmakers, and students alike who are passionate about exploring cinematic expression in a European context.

Asian Cinema is a distinguished academic journal dedicated to exploring the vibrant landscape of cinema across Asia, published by INTELLECT LTD, a recognized name in scholarly publishing. With its ISSN 1059-440X and E-ISSN 2049-6710, this journal has carved a niche within the realms of Communication and Visual Arts and Performing Arts, holding a 2023 Q4 ranking in Communication and a more favorable Q2 ranking in Visual Arts and Performing Arts. Operating out of the UK, specifically at THE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND, Asian Cinema provides a platform for interdisciplinary dialogues, critiques, and analyses that contribute significantly to the understanding of cinema as a cultural artifact. Acknowledged for its robust contribution to scholarly research, the journal commands a Scopus rank of 151 out of 667 in Visual Arts and Performing Arts, placing it in the 77th percentile, while achieving a 366 out of 511 rank in Communication, reflecting its ongoing relevance in the field. Although it operates under a traditional access model, Asian Cinema remains vital for researchers, professionals, and students alike, enriching academic discourse and providing valuable insights into the rapidly evolving cinematic practices across Asia.

STUDIES IN EAST EUROPEAN THOUGHT is a premier academic journal published by Springer, focusing on the multifaceted intellectual heritage and cultural dynamics of Eastern Europe. Established in 1993, this journal has been a significant platform for scholarly discourse, promoting interdisciplinary research across the fields of Cultural Studies, Law, Literature, Philosophy, and Social Sciences. With an impressive impact reflected in its Scopus rankings, including a Q1 categorization in Literature and Literary Theory and a Q2 standing in Cultural Studies and Law, it remains at the forefront of academic research, contributing to the global understanding of Eastern European perspectives. The journal is available in both print (ISSN: 0925-9392) and electronic (E-ISSN: 1573-0948) formats, with a committed audience of researchers, professionals, and students eager to explore the intricacies of Eastern European thought. By engaging with diverse methodologies and contemporary issues, STUDIES IN EAST EUROPEAN THOUGHT continues to shape the academic landscape and elevate scholarly discussions surrounding this vibrant region.

Film Quarterly, published by University of California Press, stands as a leading academic journal in the field of visual arts and performing arts, boasting a prestigious Q1 ranking in the 2023 category quartiles. Since its inception in 1969, this quarterly publication has made significant contributions to the study and critique of cinema, attracting attention for its insightful articles, cutting-edge research, and comprehensive reviews that appeal to scholars, practitioners, and students alike. With an ISSN of 0015-1386 and an E-ISSN of 1533-8630, it serves as an essential resource for those seeking to enhance their understanding of film theory, history, and analysis. Although not open access, its articles are critical for researchers navigating the complex landscape of contemporary and historical film studies, underscoring its vital role in advancing scholarship within the discipline.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.