Studies in Eastern European Cinema

Scope & Guideline

Illuminating Cultural Narratives through Film

Introduction

Immerse yourself in the scholarly insights of Studies in Eastern European Cinema with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN2040-350x
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2010 to 2024
AbbreviationSTUD E EURO CINEMA / Stud. East. Eur. Cinema
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'Studies in Eastern European Cinema' aims to explore the rich and diverse cinematic traditions of Eastern Europe, focusing on historical, cultural, and socio-political contexts. It strives to provide a platform for scholarly discourse on both contemporary and historical films from the region, examining the interplay between cinema and its broader societal implications.
  1. Cinematic Representation of Historical and Societal Issues:
    The journal emphasizes the analysis of how films from Eastern Europe reflect historical traumas, national identities, and societal challenges, particularly in the context of post-socialist transitions.
  2. Cultural and Political Contextualization:
    It seeks to contextualize films within their cultural and political landscapes, exploring the impact of historical events, such as the Cold War and post-Communism, on cinematic narratives.
  3. Interdisciplinary Approaches:
    The journal employs interdisciplinary methodologies, drawing from film studies, cultural studies, sociology, and history to provide comprehensive analyses of films.
  4. Focus on Marginalized Voices:
    It highlights the importance of marginalized perspectives within Eastern European cinema, including those of women, minorities, and underrepresented communities.
  5. Globalization and Transnationalism:
    The journal examines the effects of globalization on Eastern European cinema, exploring themes of co-productions, international collaborations, and the transnational circulation of films.
Recent publications in 'Studies in Eastern European Cinema' reveal emerging themes that reflect the evolving landscape of cinema in the region. This section highlights these trends, showcasing the journal's responsiveness to contemporary cinematic discourse.
  1. Post-Socialist Nostalgia:
    There is a growing interest in exploring post-socialist nostalgia as a theme, particularly in how it shapes contemporary narratives and characterizations within Eastern European cinema.
  2. Gender and Representation:
    The journal has increasingly focused on gender issues, examining how films portray female experiences, victimization, and empowerment, indicating a broader cultural shift towards gender equity in cinematic narratives.
  3. Transnational Cinema:
    Emerging themes in transnational cinema reflect the interconnectedness of Eastern European films with global trends, exploring co-productions and international collaborations that challenge traditional notions of national cinema.
  4. Documentary Film Culture:
    There is an increased focus on documentary filmmaking as a means of cultural expression and social critique, highlighting the role of documentary films in representing contemporary issues in Eastern Europe.
  5. Digital and New Media Influences:
    The impact of digital technologies and new media on cinema is becoming a prominent theme, as filmmakers adapt to changing landscapes in production, distribution, and audience engagement.

Declining or Waning

While certain themes have gained traction in recent years, others appear to be declining in prominence within the journal's publications. This section identifies those waning themes and provides insight into the potential reasons for their decreased focus.
  1. Traditional Socialist Realism:
    There is a noticeable decrease in the exploration of traditional socialist realism as a theme, suggesting a shift towards more contemporary narratives that engage with post-socialist identities rather than adhering strictly to historical ideologies.
  2. Classic Film Analysis:
    The focus on classic Eastern European films has diminished, with fewer articles dedicated to older cinematic works, indicating a possible trend towards contemporary film studies over historical retrospectives.
  3. Regional Specificity:
    Research centered on highly specific regional cinema has waned, possibly due to a growing interest in broader themes that encompass multiple Eastern European countries rather than focusing on individual national cinemas.
  4. Genre Studies:
    There seems to be a decline in genre-specific studies, particularly those that do not engage with the socio-political contexts of the films, as the journal increasingly prioritizes thematic and contextual analyses.

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