SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

Danza e Ricerca-Laboratorio di Studi Scritture Visioni is a premier academic journal published by UNIV STUDI BOLOGNA, DIPT MUSICA & SPETTACOLO, focusing on the dynamic fields of Visual Arts and Performing Arts. Established in 2002, this Open Access journal has garnered a reputation for fostering scholarly discourse and innovation in the arts. With an ISSN of 2036-1599, it offers a platform for researchers, practitioners, and students to engage with critical analyses, historical explorations, and contemporary practices in dance and visual performance. As of 2023, the journal proudly ranks in the Q3 category for its contributions to the field, with a Scopus rank of #525/667 in Arts and Humanities, indicating its unique position in the academic landscape. Based in Bologna, Italy, the journal not only aims to publish high-quality research but also to enrich the understanding and appreciation of the performing arts in an international context.

DANCE RESEARCH JOURNAL, published by Cambridge University Press, is a premier platform for the exploration and dissemination of scholarly work in the realm of dance studies. Since its inception in 1975, this journal has significantly contributed to the understanding of dance as a vital form of cultural expression and a dynamic art form, holding a commendable position in the Q2 category for Visual Arts and Performing Arts with an impressive Scopus rank of #68 out of 667, placing it in the 89th percentile within its field. The journal features rigorous research articles, critical essays, and groundbreaking studies that foster innovative dialogue among researchers, educators, and practitioners alike. While the journal operates without open access options, its invaluable insights and critical examinations make it an essential resource for anyone seeking to deepen their understanding of dance's multifaceted roles in society. Engage with the DANCE RESEARCH JOURNAL to connect with the latest developments and scholarly conversations that shape the future of dance-related research.

Body Movement and Dance in Psychotherapy is an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, focused on the intersection of movement, dance, and psychotherapy. Since its inception in 2006, the journal has provided a platform for the dissemination of innovative research and practical applications related to body movement as a therapeutic tool. It is indexed with the ISSN 1743-2979 and E-ISSN 1743-2987, although it currently does not offer open access. With a reputable presence in the United Kingdom, the journal serves as a valuable resource for professionals and researchers in the fields of clinical psychology and psychiatry, holding a Q4 quartile ranking in both disciplines in 2023. The journal’s unique perspective encourages interdisciplinary collaboration, thereby enriching the therapeutic landscape and fostering a deeper understanding of the role of somatic practices in mental health treatment. Aspiring professionals, dedicated researchers, and students alike will find this journal to be an essential addition to their resources, enhancing both their knowledge and practice.

DANCE CHRONICLE, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for the exploration and examination of dance in its multifaceted forms. Established in 1977 and continuing its commitment to the field, this journal engages researchers, professionals, and students alike, providing critical insights into dance history, theory, and contemporary practice. With an impressive track record spanning over four decades, it garners a significant standing within the Visual Arts and Performing Arts categories, evidenced by its Scopus ranking at 282 out of 667, placing it in the 57th percentile. While currently not operating under an open-access model, DANCE CHRONICLE remains an essential resource for those involved in the scholarly analysis and appreciation of dance, making contributions that enrich the cultural and academic dialogues surrounding this dynamic art form.

Vestnik Slavianskikh Kultur-Bulletin of Slavic Cultures is a distinguished scientific and informational journal published by the State Academy of Slavic Culture. This journal, with ISSN 2073-9567, plays a pivotal role in the field of Slavic studies, providing a platform for the dissemination of cutting-edge research, cultural discourse, and scholarly analysis pertaining to Slavic cultures and civilizations. The journal aims to foster a deeper understanding of Slavic heritage, literature, and the societal dynamics shaping these cultures today. Although currently lacking an open access model, it remains an important resource for researchers, professionals, and students interested in the rich tapestry of Slavic traditions and contemporary cultural phenomena. With its thoughtful curation of articles, Vestnik Slavianskikh Kultur is poised to contribute significantly to ongoing scholarly conversations within the humanities.

Journal of Dance & Somatic Practices, published by INTELLECT LTD, stands as a vital platform for exploring the intersection of dance and somatic practices within the field of Visual Arts and Performing Arts. Based in the United Kingdom, this journal serves an international community of researchers, practitioners, and educators by publishing high-quality, peer-reviewed articles that critically engage with relevant theories, methodologies, and practices in the field. Since its inception in 2014, the journal has rapidly gained recognition, currently ranking in the Q3 category, attesting to its growing influence among scholars and artists. With an ISSN of 1757-1871, the journal represents a crucial resource for advancing knowledge and fostering dialogue in somatic approaches to dance, movement research, and their broader implications within artistic and therapeutic contexts. Researchers and professionals interested in the embodied experience and its artistic representation will find this journal an invaluable asset in contributing to their studies and practices.

PAJ: A Journal of Performance and Art is an esteemed publication dedicated to exploring the dynamic intersections of performance, visual arts, and music. Published by MIT Press, this journal serves as a crucial platform for scholars, practitioners, and students alike to engage with contemporary discourses in the arts. With a converged publication timeline from 2002 to 2024, PAJ is committed to advancing knowledge and fostering critical dialogue within its fields. Although it is currently not open access, the journal maintains a respectable standing, having been rated in the Q4 category for Music and Q3 category for Visual Arts and Performing Arts in 2023. With an emphasis on innovative and interdisciplinary approaches, PAJ is vital for those looking to understand and contribute to the evolving landscape of performance and art in today’s society. Its unique contributions enable it to carve a niche for itself amidst the vibrant tapestry of arts scholarship.

Theatre Dance and Performance Training, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a pivotal platform for the exploration and discourse surrounding the methodologies and practices in the fields of theatre, dance, and performance. With an ISSN of 1944-3927 and E-ISSN of 1944-3919, this journal has established an influential presence since its inception in 2010, showcasing high-quality research and critical insights that are vital for educators, practitioners, and scholars alike. The journal currently holds impressive quartile rankings, positioned in Q1 for Visual Arts and Performing Arts, and Q3 for Education, reflecting its rigorous academic standards and significant contributions to its field. With a Scopus rank of #191 in Visual Arts and Performing Arts and #1313 in Educational Sciences, the journal is recognized for its impact and quality, appealing to a broad audience eager to stay at the forefront of contemporary performance training practices. The ongoing commitment to innovation and excellence makes Theatre Dance and Performance Training a vital resource for anyone invested in the dynamic realm of performing arts education and training.

Film History, published by Indiana University Press, is a premier academic journal that delves into the evolving landscape of cinema, illuminating the intricate interplay between historical narratives and film culture. With ISSN 0892-2160, and E-ISSN 1553-3905, this journal has established itself as a crucial resource for researchers, professionals, and students in the fields of history and visual arts. Recognized in the Q2 category for both History and Visual Arts and Performing Arts as of 2023, it boasts impressive Scopus rankings, securing #152 out of 667 in Visual Arts and Performing Arts, and #524 out of 1760 in History, placing it in the top 30th percentile. Although it does not currently offer open access options, the journal provides a wealth of scholarly articles that critically engage with film as a historical text, fostering a deeper understanding of its role in shaping societal narratives. Since its inception in 1987, Film History has been at the forefront of academic discourse, making it an invaluable resource for those seeking to explore the rich tapestry of cinematic history.