DANCE RESEARCH JOURNAL

Scope & Guideline

Connecting Scholars to the Pulse of Dance.

Introduction

Welcome to your portal for understanding DANCE RESEARCH JOURNAL, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0149-7677
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1975 to 1985, from 1987 to 2023
AbbreviationDANCE RES J / Dance Res. J.
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

The Dance Research Journal is dedicated to advancing the study of dance as a complex cultural practice that intersects with various social, political, and historical dimensions. The journal emphasizes interdisciplinary approaches and diverse methodologies, inviting contributions that explore the multifaceted nature of dance in contemporary contexts.
  1. Cultural and Historical Analysis of Dance:
    The journal publishes research that examines dance within specific cultural and historical frameworks, highlighting how dance practices reflect and shape societal norms and values.
  2. Choreographic Studies and Performance Practices:
    This area encompasses critical examinations of choreographic processes, performance aesthetics, and the role of dance in live and digital contexts.
  3. Intersectionality in Dance:
    A focus on how various social identities (such as race, gender, sexuality, and class) intersect in dance practices, influencing both the creation and reception of dance.
  4. Dance and Politics:
    The journal encourages studies that explore the political dimensions of dance, including activism, representation, and the role of dance in social movements.
  5. Embodiment and Somatic Practices:
    Research that investigates the physical and experiential aspects of dance, including somatic methodologies, body politics, and the lived experiences of dancers.
  6. Global and Transnational Perspectives:
    The journal emphasizes the importance of global contexts in dance research, addressing the dynamics of cultural exchange, migration, and the impact of globalization on dance forms.
Recent publications in the Dance Research Journal highlight several emergent themes that reflect current societal issues, technological advancements, and evolving artistic practices within the dance community. These trends indicate a vibrant and responsive scholarly environment.
  1. Decolonization and Dance:
    The journal has seen a surge in studies that address decolonial practices in dance, questioning traditional narratives and advocating for the recognition of marginalized voices and histories.
  2. Queer and Feminist Perspectives:
    Research focusing on queer and feminist theories in dance has become increasingly prominent, reflecting broader societal discussions about gender, sexuality, and representation in the performing arts.
  3. Digital Dance and Technology:
    With the rise of digital platforms, there is a growing interest in how technology influences dance creation, dissemination, and audience engagement, including studies on social media and virtual performances.
  4. Dance and Activism:
    Emerging themes also include the role of dance as a form of activism, exploring how dance can serve as a medium for social change and community building.
  5. Interdisciplinary Approaches:
    There is a notable trend toward interdisciplinary research that integrates dance studies with fields such as anthropology, sociology, and cultural studies, enriching the discourse around dance as a complex cultural phenomenon.

Declining or Waning

While the Dance Research Journal continues to explore a wide range of themes, certain areas have shown a noticeable decline in prominence. These waning themes reflect shifts in both scholarly focus and the evolving landscape of dance studies.
  1. Traditional Ballet Studies:
    Research centered on classical ballet techniques and histories appears to be less frequent, as contemporary dance forms and practices gain more attention in academic discourse.
  2. Historical Dance Forms:
    There seems to be a reduced emphasis on the study of historical dance forms in isolation, with more scholars opting to contextualize these forms within broader cultural and political narratives.
  3. Dance and Formalist Critique:
    The focus on purely formalist critiques of dance, which prioritize aesthetics over socio-political contexts, has diminished as interdisciplinary approaches become more prevalent.
  4. Eurocentric Perspectives:
    There is a noticeable decline in research that solely centers on Western dance traditions, as scholars increasingly recognize and incorporate diverse cultural perspectives and practices.

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