TEMPO

Scope & Guideline

Pioneering Critical Conversations in Music Research

Introduction

Delve into the academic richness of TEMPO with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN0040-2982
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Converge1939, 1941, from 1944 to 1950, from 1963 to 1993, from 1996 to 2024
AbbreviationTEMPO-UK / Tempo
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

The journal TEMPO focuses on the intersection of contemporary music and its broader cultural, artistic, and theoretical contexts. It aims to explore innovative practices, compositions, and the evolving landscape of music through critical discourse and analysis.
  1. Contemporary Music Analysis:
    TEMPO publishes in-depth analyses of contemporary musical compositions, exploring their structural, thematic, and contextual elements.
  2. Interdisciplinary Approaches:
    The journal emphasizes interdisciplinary research, integrating musicology, cultural studies, and technology to provide a comprehensive understanding of music's role in society.
  3. Creative Processes and Practices:
    Articles often delve into the creative processes of composers and musicians, highlighting their methodologies, influences, and the evolution of their work.
  4. Cultural and Historical Contexts:
    TEMPO seeks to situate contemporary music within historical and cultural frameworks, examining how past movements and events influence current practices.
  5. Experimental and Avant-Garde Music:
    The journal encourages submissions that challenge traditional notions of music, focusing on experimental and avant-garde compositions that redefine boundaries.
Recent publications in TEMPO reveal emerging themes that reflect the evolving landscape of contemporary music and its interdisciplinary connections. These trends highlight the journal's responsiveness to current issues and innovations within the field.
  1. Digital and Technological Integration:
    A significant increase in discussions about digital scores, technology in composition, and the impact of digital media on music creation and performance is evident, reflecting the current technological landscape.
  2. Ecological and Sustainability Concerns:
    There is a growing focus on sustainability in music, with articles addressing ecological dimensions and the role of music in environmental discourse, indicating a broader societal concern.
  3. Cross-Disciplinary Collaborations:
    Emerging themes highlight the importance of cross-disciplinary work, showcasing how music interacts with other fields such as visual arts, literature, and technology.
  4. Exploration of Identity and Marginal Voices:
    Recent publications increasingly focus on identity, diversity, and the representation of marginalized voices within contemporary music, reflecting a broader commitment to inclusivity.
  5. Improvisation and Notational Practices:
    There is a rising interest in improvisation and the exploration of notational practices, particularly how they inform contemporary performance and composition.

Declining or Waning

While TEMPO continues to explore a wide range of themes, certain areas of focus appear to be declining in frequency or prominence in recent publications. This shift may reflect changing interests within the field of contemporary music studies.
  1. Traditional Music Forms:
    There has been a noticeable decrease in articles centered around traditional music forms, as the journal increasingly prioritizes contemporary and experimental practices.
  2. Historical Compositional Techniques:
    Discussions focusing strictly on historical compositional techniques, such as classical harmony and counterpoint, are becoming less prevalent, indicating a shift towards more innovative and modern approaches.
  3. Biographical Studies of Established Composers:
    While profiles and biographical studies were once common, there is a waning interest in solely biographical narratives about established composers, favoring more contextually rich analyses instead.
  4. Music Education Pedagogy:
    Themes surrounding music education and pedagogy appear to be declining, as the journal pivots towards discussions on creative practices and innovative methodologies in contemporary music.

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