TEMPO
Scope & Guideline
Illuminating Innovations in Music Studies
Introduction
Aims and Scopes
- Contemporary Music Analysis:
TEMPO publishes in-depth analyses of contemporary musical compositions, exploring their structural, thematic, and contextual elements. - Interdisciplinary Approaches:
The journal emphasizes interdisciplinary research, integrating musicology, cultural studies, and technology to provide a comprehensive understanding of music's role in society. - Creative Processes and Practices:
Articles often delve into the creative processes of composers and musicians, highlighting their methodologies, influences, and the evolution of their work. - Cultural and Historical Contexts:
TEMPO seeks to situate contemporary music within historical and cultural frameworks, examining how past movements and events influence current practices. - Experimental and Avant-Garde Music:
The journal encourages submissions that challenge traditional notions of music, focusing on experimental and avant-garde compositions that redefine boundaries.
Trending and Emerging
- Digital and Technological Integration:
A significant increase in discussions about digital scores, technology in composition, and the impact of digital media on music creation and performance is evident, reflecting the current technological landscape. - Ecological and Sustainability Concerns:
There is a growing focus on sustainability in music, with articles addressing ecological dimensions and the role of music in environmental discourse, indicating a broader societal concern. - Cross-Disciplinary Collaborations:
Emerging themes highlight the importance of cross-disciplinary work, showcasing how music interacts with other fields such as visual arts, literature, and technology. - Exploration of Identity and Marginal Voices:
Recent publications increasingly focus on identity, diversity, and the representation of marginalized voices within contemporary music, reflecting a broader commitment to inclusivity. - Improvisation and Notational Practices:
There is a rising interest in improvisation and the exploration of notational practices, particularly how they inform contemporary performance and composition.
Declining or Waning
- Traditional Music Forms:
There has been a noticeable decrease in articles centered around traditional music forms, as the journal increasingly prioritizes contemporary and experimental practices. - Historical Compositional Techniques:
Discussions focusing strictly on historical compositional techniques, such as classical harmony and counterpoint, are becoming less prevalent, indicating a shift towards more innovative and modern approaches. - Biographical Studies of Established Composers:
While profiles and biographical studies were once common, there is a waning interest in solely biographical narratives about established composers, favoring more contextually rich analyses instead. - Music Education Pedagogy:
Themes surrounding music education and pedagogy appear to be declining, as the journal pivots towards discussions on creative practices and innovative methodologies in contemporary music.
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