TDR-The Drama Review-The Journal of Performance Studies

Scope & Guideline

Advancing Scholarship in the Art of Performance

Introduction

Welcome to your portal for understanding TDR-The Drama Review-The Journal of Performance Studies, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN1054-2043
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2024
AbbreviationTDR-DRAMA REV-J PERF / TDR-Drama Rev.-J. Perform. Stud.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

TDR - The Drama Review serves as a leading journal in the field of performance studies, dedicated to exploring the multifaceted intersections of performance, culture, and society. The journal's aims and scope encompass a wide range of themes, reflecting the evolving nature of performance in contemporary contexts.
  1. Performance as a Site of Political Engagement:
    The journal frequently addresses how performance can reflect and influence political discourse, exploring themes such as activism, social justice, and the role of theatre in shaping public consciousness.
  2. Interdisciplinary Approaches to Performance:
    TDR encourages research that bridges various disciplines, including sociology, anthropology, gender studies, and digital humanities, fostering a rich dialogue that enhances understanding of performance phenomena.
  3. Exploration of Digital and Technological Influences:
    The impact of digital technologies on performance is a significant focus, examining how these tools shape artistic expression, audience engagement, and the very nature of performance itself.
  4. Ecological and Environmental Themes in Performance:
    The journal increasingly highlights the role of performance in addressing ecological crises, prompting discussions around sustainability, climate change, and the Anthropocene.
  5. Cultural Representations and Identity:
    TDR explores how performance serves as a medium for expressing and challenging cultural identities, particularly in contexts of race, ethnicity, and gender, emphasizing underrepresented voices and narratives.
  6. Historical and Theoretical Perspectives:
    The journal provides a platform for critical analyses that connect historical performance practices with contemporary theories, enriching the discourse through comparative studies and historiography.
Recent publications in TDR indicate a dynamic shift towards emerging themes that reflect current societal challenges and innovations in performance practices. This section outlines these trending topics, showcasing the journal's responsiveness to contemporary issues.
  1. Digital Performance and AI:
    A significant trend involves the exploration of digital performance and the role of artificial intelligence in shaping new forms of artistic expression, reflecting the impact of technology on contemporary performance practices.
  2. Environmental Performance and Activism:
    There is a rising interest in how performance can engage with ecological concerns, addressing climate change and promoting sustainability, which is becoming a central theme in recent scholarly work.
  3. Intersections of Performance and Identity Politics:
    Emerging themes increasingly focus on the intersections of performance with identity politics, particularly regarding race, gender, and sexuality, highlighting the importance of representation in contemporary performance.
  4. Global Perspectives and Transnational Narratives:
    The journal is seeing an increase in research that emphasizes global perspectives, transnational narratives, and the impact of globalization on performance, reflecting a broader understanding of cultural exchange.
  5. Embodied and Sensory Approaches:
    There is a growing trend towards embodied and sensory methodologies in performance studies, exploring how physicality and sensory experiences shape both the creation and reception of performance.

Declining or Waning

As the field of performance studies evolves, certain themes within TDR have diminished in prominence. This section highlights these waning scopes, reflecting shifts in scholarly attention and societal relevance.
  1. Traditional Theatre Forms:
    While the journal has historically included discussions on classical theatre forms, there has been a noticeable decline in papers focused solely on traditional theatrical practices, as contemporary discourse shifts towards more experimental and interdisciplinary forms of performance.
  2. Eurocentric Perspectives:
    The focus on Eurocentric performance narratives has lessened, with a growing emphasis on global and transnational perspectives. This shift indicates a broader recognition of diverse cultural contributions to the field.
  3. Static Notions of Performance:
    The conceptualization of performance as a fixed or singular event has waned, with increasing recognition of performance as a fluid, ongoing process that interacts dynamically with its environment and context.

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