THEATER, an esteemed journal published by DUKE UNIVERSITY PRESS, stands at the intersection of scholarly discourse in the fields of Literature, Literary Theory, and the Visual and Performing Arts. Established in 2002, this journal offers a platform for critical analysis and innovative research, aiming to enrich the understanding of theatrical practices and their broader cultural implications. With a current impact factor that places it in the Q3 category for both Literary Theory and the Visual Arts in 2023, THEATER caters to a diverse audience of researchers, professionals, and students, fostering engagement and dialogue through its rigorous peer-reviewed articles. Although it does not currently offer open access, its commitment to scholarly excellence makes it a vital resource for anyone involved in the performing arts landscape. The journal appreciated for its analytical depth and diverse perspectives, aims to illuminate the ways theater intertwines with contemporary cultural discussions, thereby establishing itself as an important publication within the academic community.

AVANT SCENE OPERA is a distinguished journal that delves into the rich world of opera, fostering a deeper understanding of this dynamic art form. Published by AVANT-SCENE OPERA in Paris, France, this journal serves as a critical resource for scholars, practitioners, and enthusiasts alike, making significant contributions to the discourse surrounding opera through in-depth analyses, reviews, and interviews with leading figures in the field. While it currently operates under a subscription model, its commitment to advancing opera scholarship ensures that cutting-edge research and insights are made accessible to a global audience. As a vital platform for artistic and scholarly inquiry, AVANT SCENE OPERA aspires to elevate the profile of opera, exploring its historical, cultural, and contemporary significance within the performing arts.

Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

Comedia Performance is a prestigious journal dedicated to the dynamic field of performance studies, published by Penn State University Press. With its ISSN 1553-6505 and E-ISSN 2572-4428, this journal serves as a critical platform for scholars, artists, and practitioners alike to explore the intricate relationship between performance and its cultural contexts. While it currently operates under a traditional access model, its content is invaluable for researchers interested in the rich tapestry of theatrical, musical, and experimental performance practices. The journal aims to foster interdisciplinary dialogue and promote innovative research methodologies, making it an essential resource for those looking to deepen their understanding of performance as an academic discipline. Situated in University Park, Pennsylvania, Comedia Performance continues to contribute significantly to the evolving narratives within the arts and cultural studies, encouraging scholarly conversations that resonate with both historical and contemporary performance trends.

Teatro e Storia is a prestigious journal dedicated to the intricate relationship between theater and history, fostering an interdisciplinary dialogue among scholars, practitioners, and students in the fields of performing arts and historical studies. Published by BULZONI EDITORE, this journal hails from Italy and aims to explore the social, cultural, and political implications of theatrical expressions across various epochs. With its commitment to elevating scholarly discourse, Teatro e Storia serves as a crucial resource for researchers seeking to contribute to the understanding of how theater both shapes and reflects historical narratives. Although currently not an open-access publication, it offers subscription-based access to its rich repository of articles, ensuring that thought-provoking research reaches a wider audience engaged in the vibrant tapestry of cultural history.

YALE REVIEW, with an ISSN of 0044-0124 and E-ISSN 1467-9736, is a prestigious literary journal published by Johns Hopkins University Press. Renowned for its exploration of literature and literary theory, it occupies a critical position in the academic landscape, as reflected in its Q3 ranking in the 2023 category of Arts and Humanities Literature. Spanning from 2009 to 2024, the journal aims to foster innovative dialogue among scholars, writers, and students by publishing interdisciplinary works that bridge classical literature with contemporary insights. Although it is not an open-access journal, the YALE REVIEW remains a valuable resource for those seeking to delve into the complexities of literary thought and expression. With its publication based in Baltimore, MD, the journal continues to contribute significantly to the discourse around literature, providing a platform for emerging voices and established scholars alike.

The Journal of Adaptation in Film & Performance, published by INTELLECT LTD, serves as a pivotal platform for scholars and practitioners in the interdisciplinary realms of film studies and performance theory. With its ISSN 1753-6421 and E-ISSN 1753-643X, this esteemed journal aims to explore the dynamic processes through which adaptations transform narratives across various media, emphasizing the evolving dialogue between film and live performance. This journal not only addresses theoretical frameworks but also considers practical methodologies, establishing invaluable connections between adaptation studies and contemporary artistic practices. By fostering critical discourse and showcasing innovative research, the journal contributes significantly to the academic landscape, making it an essential resource for researchers, professionals, and students keen on understanding the nuances of adaptation within cultural contexts. Although it currently does not offer an open access model, its rigorous peer-reviewed approach ensures that published content meets high scholarly standards, further enhancing its impact in the field.

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico is a distinguished journal published by FIRENZE UNIV PRESS, dedicated to the exploration of aesthetics and its intersection with language, knowledge, and practices in the arts. Since its inception, the journal has embraced an Open Access model, facilitating widespread dissemination of research since 2008, appealing to a global audience and fostering an inclusive academic dialogue. With a focus spanning across Philosophy, Visual Arts, and Performing Arts, it has established itself as a significant contribution to the field, achieving a Q3 categorization in both Philosophy and Visual Arts and Performing Arts as of 2023. Ranked comfortably within the Scopus indexing, the journal currently sits at Rank #305 in Visual Arts and Performing Arts and Rank #475 in Philosophy, reflecting its growing influence. The converged years from 2017 to 2023 mark a period of robust scholarly engagement and innovative contributions. For researchers, professionals, and students alike, Aisthesis remains a vital resource for contemporary discourse in aesthetics and an essential platform for the exchange of ideas.

CONTEMPORARY THEATRE REVIEW is a leading journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of theatre, performance studies, and contemporary visual arts. With a Q2 ranking in both Visual Arts and Performing Arts, this journal has established itself as a significant platform for scholarly discourse and critical analysis since its inception in 1992, particularly from 1994 through 2024. Researchers, practitioners, and students engaging with the evolving landscape of theatre will find this journal an essential resource for innovative research, reviews, and theoretical papers. The journal invites contributions that explore diverse themes in contemporary performance, ensuring it remains at the forefront of the academic and professional dialogue within the performing arts community.

The Harold Pinter Review-Essays on Contemporary Drama, published by Penn State University Press, is an esteemed academic journal dedicated to the exploration of contemporary drama through the lens of Harold Pinter's significant contributions to the field. With an ISSN of 2473-8433 and an E-ISSN of 2473-8441, the journal aims to synthesize critical essays and reviews that enhance the understanding of Pinter's work and its impact on modern theatrical practices. Engaging with a diverse range of topics related to drama, performance, and literature, this journal targets scholars, theater professionals, and students alike, providing them with a platform to share rigorous analysis and innovative perspectives. Although it does not currently operate under an Open Access model, the Harold Pinter Review remains a vital resource for anyone devoted to the study of contemporary theatre and the lasting influence of Pinter's narratives on global drama.