ART IN AMERICA is a prominent journal dedicated to the exploration and critique of contemporary visual arts and practices within the United States and beyond. Published by BRANT PUBL, INC, the journal serves as an authoritative platform for scholars, artists, and enthusiasts alike, fostering vibrant dialogue and insightful analysis in the field of art. With an ISSN of 0004-3214 and a legacy dating back to 1979, ART IN AMERICA has established itself within the Q4 category of Visual Arts and Performing Arts according to the 2023 category quartiles. Although the journal currently does not offer Open Access options, it remains accessible to a diverse readership through its distribution across libraries and institutions. The journal's significance is underscored by its ability to spotlight emerging trends, critique canonical works, and promote diverse artistic voices amidst a constantly evolving cultural landscape. Researchers, professionals, and students will find ART IN AMERICA not only a valuable resource for scholarly discourse but also an essential guide to understanding the complexities and intricacies of the American art scene.

JOURNAL OF BECKETT STUDIES, published by Edinburgh University Press, is a pivotal platform for scholarly discourse focused on the life and works of Samuel Beckett, exploring a diverse range of topics within literature, visual arts, and performing arts. With an ISSN of 0309-5207 and an E-ISSN of 1759-7811, this journal stands as a vital resource for researchers and practitioners alike, providing critical insights and innovative interpretations of Beckett’s oeuvre from 1996 to 2024. Despite being categorized in the Q4 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, the Journal plays a significant role in revealing the intricate connections between Beckett’s work and contemporary critical thought. As an essential focal point for interdisciplinary studies, it fosters an engaging academic environment that seeks to enhance understanding of Beckett’s impact on both past and present cultural landscapes. While currently not an open-access journal, it encourages contributions that push the boundaries of Beckett studies, making it a must-read for anyone invested in the evolving dialogue surrounding this iconic figure.

Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

YALE REVIEW, with an ISSN of 0044-0124 and E-ISSN 1467-9736, is a prestigious literary journal published by Johns Hopkins University Press. Renowned for its exploration of literature and literary theory, it occupies a critical position in the academic landscape, as reflected in its Q3 ranking in the 2023 category of Arts and Humanities Literature. Spanning from 2009 to 2024, the journal aims to foster innovative dialogue among scholars, writers, and students by publishing interdisciplinary works that bridge classical literature with contemporary insights. Although it is not an open-access journal, the YALE REVIEW remains a valuable resource for those seeking to delve into the complexities of literary thought and expression. With its publication based in Baltimore, MD, the journal continues to contribute significantly to the discourse around literature, providing a platform for emerging voices and established scholars alike.

The Harold Pinter Review-Essays on Contemporary Drama, published by Penn State University Press, is an esteemed academic journal dedicated to the exploration of contemporary drama through the lens of Harold Pinter's significant contributions to the field. With an ISSN of 2473-8433 and an E-ISSN of 2473-8441, the journal aims to synthesize critical essays and reviews that enhance the understanding of Pinter's work and its impact on modern theatrical practices. Engaging with a diverse range of topics related to drama, performance, and literature, this journal targets scholars, theater professionals, and students alike, providing them with a platform to share rigorous analysis and innovative perspectives. Although it does not currently operate under an Open Access model, the Harold Pinter Review remains a vital resource for anyone devoted to the study of contemporary theatre and the lasting influence of Pinter's narratives on global drama.

MODERN DRAMA is a premier academic journal published by University of Toronto Press Inc, specializing in the field of literature and literary theory, with a particular focus on the dramatic arts. Established to foster scholarly dialogue, this journal offers a platform for innovative research and critical perspectives on modern theatrical practices and their cultural contexts. With an esteemed Q1 ranking in the category of Literature and Literary Theory for 2023, it places high importance on scholarly rigour and relevance, ensuring that its contributions resonate within the academic community. Though it operates under a traditional subscription model, MODERN DRAMA remains vital for researchers, professionals, and students dedicated to exploring the complexities of contemporary drama. With coverage ranging from 2002 to 2024, it continues to push the boundaries of literary discourse, making it an essential resource for anyone engaged in the dynamic field of drama studies.

REVUE D HISTOIRE DU THEATRE is a distinguished academic journal published by the Société d'Histoire du Théâtre in France, focusing on the rich historical tapestry of theater studies. Since its inception, the journal has dedicated itself to the exploration and appreciation of theatrical art, its evolution, and its socio-cultural implications, particularly within the realms of Literature and Literary Theory and Visual Arts and Performing Arts. With a consistent publication history starting from 1999, the journal is indexed in Scopus, currently positioned in Q4 quartiles, providing researchers, professionals, and students a platform for both innovative scholarship and critical analysis. While it does not offer Open Access options, REVUE D HISTOIRE DU THEATRE remains an invaluable resource for those seeking in-depth knowledge and scholarly discourse in the history of theater.

SituArte is an esteemed academic journal published by UNIV ZULIA-VENEZUELA, focusing on the interdisciplinary fields of art, culture, and social sciences, particularly within the Latin American context. With its ISSN 1856-7134 and E-ISSN 2542-3231, SituArte endeavors to foster critical discourse and promote innovative research that explores the dynamic interplay between visual culture and societal impacts. Although this journal does not currently offer open access options, it remains a vital resource for researchers, professionals, and students seeking to contribute to the evolving conversations in these disciplines. Situated in Maracaibo, Venezuela, SituArte emphasizes regional perspectives while engaging with global trends, making it an essential platform for disseminating scholarly work that challenges conventional paradigms and enriches the academic community.

FORUM MODERNES THEATER is a distinguished journal published by GUNTER NARR VERLAG, focusing on the vibrant field of modern theater and its critical intersections with visual arts. With an ISSN of 0930-5874, this journal provides a platform for researchers and practitioners to explore contemporary theatrical innovations, performance studies, and cultural critiques. It operates without an open access model, reflecting a commitment to preserving the integrity of academic discourse. Located in Germany, the journal has been a pivotal resource since its inception, evolving through various publication phases, notably from 2002 to 2010, 2012 to 2014, and the latest cycle from 2019 to 2023. As part of the Q3 category in the Visual Arts and Performing Arts for 2023, it holds a Scopus rank of 494 out of 667, placing it in the lower 26th percentile, yet it continues to attract attention for its scholarly contributions. FORUM MODERNES THEATER is essential for those looking to deepen their understanding of modern performance practices and engage with contemporary artistic dialogues.

Comedia Performance is a prestigious journal dedicated to the dynamic field of performance studies, published by Penn State University Press. With its ISSN 1553-6505 and E-ISSN 2572-4428, this journal serves as a critical platform for scholars, artists, and practitioners alike to explore the intricate relationship between performance and its cultural contexts. While it currently operates under a traditional access model, its content is invaluable for researchers interested in the rich tapestry of theatrical, musical, and experimental performance practices. The journal aims to foster interdisciplinary dialogue and promote innovative research methodologies, making it an essential resource for those looking to deepen their understanding of performance as an academic discipline. Situated in University Park, Pennsylvania, Comedia Performance continues to contribute significantly to the evolving narratives within the arts and cultural studies, encouraging scholarly conversations that resonate with both historical and contemporary performance trends.