THEATER HEUTE

Scope & Guideline

Illuminating the Art of Theater Today.

Introduction

Welcome to your portal for understanding THEATER HEUTE, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageGerman
ISSN0040-5507
PublisherFRIEDRICH BERLIN VERLAG MBH
Support Open AccessNo
Country-
TypeJournal
Convergefrom 2002 to 2013, from 2017 to 2019 (coverage discontinued in Scopus)
AbbreviationTHEATER HEUTE / Theater Heute
Frequency12 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressREINHARDSTRASSE 29, D-10117 BERLIN, GERMANY

Aims and Scopes

The journal "THEATER HEUTE" focuses on contemporary theater and performance arts, exploring various dimensions of theatrical practice, theory, and criticism. It aims to provide insights into the evolving landscape of theater, fostering dialogue among practitioners, scholars, and audiences.
  1. Contemporary Theatre Analysis:
    The journal publishes critical analyses of contemporary theatrical productions, exploring themes, narratives, and performance styles that reflect current societal issues.
  2. Interdisciplinary Approaches:
    It encourages interdisciplinary research that connects theater with other art forms, cultural studies, and social issues, emphasizing the interconnectedness of artistic expressions.
  3. Cultural Critique and Reflection:
    The journal serves as a platform for cultural critique, addressing political and social themes through the lens of theater, thereby fostering discussions on identity, power, and community.
  4. Innovations in Theater Practices:
    It highlights innovative practices in theater, including digital theater, immersive experiences, and experimental formats that challenge traditional boundaries of performance.
  5. Focus on Emerging Voices:
    The journal is committed to showcasing new and diverse voices in theater, including works by emerging playwrights, directors, and performers, contributing to a richer theatrical landscape.
The landscape of contemporary theater is constantly evolving, and "THEATER HEUTE" reflects these changes through its recent publications. Emerging themes indicate a dynamic engagement with societal issues and innovative practices within the theater community.
  1. Digital and Hybrid Theater:
    Recent publications highlight the rise of digital and hybrid performances, showcasing how technology is reshaping audience experiences and interactions with theater.
  2. Social Justice and Activism in Theater:
    The journal increasingly focuses on works that address social justice issues, including race, gender, and environmental concerns, reflecting the theater's role as a platform for activism.
  3. Community-Based and Participatory Theater:
    There is a growing interest in community-based and participatory theater practices, emphasizing the importance of audience engagement and collaboration in the creative process.
  4. Exploration of Identity and Intersectionality:
    Emerging themes include a deeper exploration of identity and intersectionality, particularly in relation to marginalized voices and narratives in theater.
  5. Environmental and Ecological Themes:
    The journal is also seeing an increase in works that engage with environmental and ecological themes, reflecting a broader cultural discourse on sustainability and climate change.

Declining or Waning

While "THEATER HEUTE" continues to thrive in various areas of contemporary theater discourse, certain themes and approaches appear to be waning in prominence. This decline may reflect broader trends in the theater industry or shifts in audience engagement.
  1. Traditional Canonical Works:
    There seems to be a reduced focus on classical and canonical works, such as adaptations of Shakespeare or other historical playwrights, as the journal prioritizes contemporary and innovative narratives.
  2. Purely Academic Theoretical Discussions:
    The journal is moving away from highly theoretical discussions that do not engage with practical applications in theater, favoring content that bridges theory with practice.
  3. Localized Performance Reviews:
    There is a noticeable decline in localized performance reviews, suggesting a shift towards broader thematic analyses that encompass global and transnational perspectives.
  4. Conventional Narrative Structures:
    The exploration of conventional narrative structures appears to be less favored, as the journal emphasizes experimental and non-linear storytelling methods.
  5. Overly Technical Production Analyses:
    The focus on technical aspects of production (like lighting and sound) as standalone topics is decreasing, as the journal seeks to integrate these elements within broader thematic discussions.

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