Ethnomusicology Forum

Scope & Guideline

Advancing the Dialogue Between Music and Society

Introduction

Explore the comprehensive scope of Ethnomusicology Forum through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore Ethnomusicology Forum in depth and align your research initiatives with current academic trends.
LanguageEnglish
ISSN1741-1912
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2015 to 2024
AbbreviationETHNOMUSICOL FORUM / Ethnomusicol. Forum
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'Ethnomusicology Forum' aims to explore the diverse intersections of music, culture, and society, focusing on ethnomusicological research that highlights the relationships between musical practices and their broader social contexts. It employs a multidisciplinary approach, incorporating methods from anthropology, cultural studies, and musicology to investigate how music functions in various cultural settings.
  1. Cultural Identity and Nationalism:
    Research often centers on how music reflects and shapes cultural identities, particularly in the context of nationalism and regional identity politics, as seen in studies of music in Portugal, Spain, and various ethnic groups.
  2. Music and Social Change:
    The journal emphasizes the role of music in social movements, education, and political activism, exploring topics such as hip-hop in education and the implications of music in diasporic communities.
  3. Sustainability and Intangible Cultural Heritage:
    There is a notable emphasis on music's role in sustainability and the preservation of cultural heritage, particularly in studies addressing ecological concerns and the transmission of folk traditions.
  4. Decolonization and Global Perspectives:
    The journal consistently addresses themes of decolonization and the global music landscape, examining the historical and contemporary impacts of colonialism on music and cultural expressions.
  5. Interdisciplinary Approaches:
    Ethnomusicology Forum applies interdisciplinary methodologies, drawing from fields such as anthropology, sociology, and history to provide a comprehensive understanding of musical practices in various contexts.
Recent publications in 'Ethnomusicology Forum' suggest a dynamic evolution of themes that are gaining traction. These emerging topics reflect the journal's responsiveness to contemporary issues in music and society.
  1. Music and Social Justice:
    There is a growing focus on the intersection of music and social justice, including topics like racial identity, activism through music, and the role of music in addressing societal inequalities.
  2. Digital Ethnomusicology:
    The rise of digital technologies in music production and distribution is an emerging theme, with studies exploring how these technologies impact cultural practices and the accessibility of music across different communities.
  3. Ecological and Environmental Music Studies:
    Research exploring the relationship between music and ecological issues is on the rise, highlighting how musical practices can contribute to environmental awareness and sustainability.
  4. Transnational and Diasporic Music Practices:
    There is an increasing interest in transnational music practices and the experiences of diasporic communities, examining how music serves as a medium for cultural exchange and identity formation.
  5. Decolonial Perspectives in Music Studies:
    Emerging discussions around decolonial approaches to music studies are becoming more prevalent, focusing on the implications of colonial histories in contemporary music practices and scholarship.

Declining or Waning

While 'Ethnomusicology Forum' continues to explore a wide range of topics, certain themes appear to be declining in prominence over recent years. This shift may reflect changing interests within the field or broader societal trends.
  1. Traditional Ethnomusicological Studies:
    There is a noticeable decline in papers focused solely on traditional ethnomusicological fieldwork, indicating a shift towards more contemporary and applied studies that intersect with other disciplines.
  2. Historical Musicology:
    Studies that concentrate exclusively on historical musicology, such as archival research or historical performance practices, are appearing less frequently, suggesting a move towards discussions that are more relevant to current societal issues.
  3. Music Theory and Analysis:
    Research that primarily deals with music theory or technical analysis of music is waning, as the journal increasingly favors discussions that incorporate social, cultural, and political perspectives.
  4. Regional Music Studies:
    Specific regional studies, such as those focusing solely on one geographical area without broader implications, seem to be decreasing, possibly in favor of more global or comparative analyses.

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