Ethnomusicology Forum

Scope & Guideline

Bridging Disciplines to Enrich Ethnomusicology

Introduction

Explore the comprehensive scope of Ethnomusicology Forum through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore Ethnomusicology Forum in depth and align your research initiatives with current academic trends.
LanguageEnglish
ISSN1741-1912
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2015 to 2024
AbbreviationETHNOMUSICOL FORUM / Ethnomusicol. Forum
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'Ethnomusicology Forum' aims to explore the diverse intersections of music, culture, and society, focusing on ethnomusicological research that highlights the relationships between musical practices and their broader social contexts. It employs a multidisciplinary approach, incorporating methods from anthropology, cultural studies, and musicology to investigate how music functions in various cultural settings.
  1. Cultural Identity and Nationalism:
    Research often centers on how music reflects and shapes cultural identities, particularly in the context of nationalism and regional identity politics, as seen in studies of music in Portugal, Spain, and various ethnic groups.
  2. Music and Social Change:
    The journal emphasizes the role of music in social movements, education, and political activism, exploring topics such as hip-hop in education and the implications of music in diasporic communities.
  3. Sustainability and Intangible Cultural Heritage:
    There is a notable emphasis on music's role in sustainability and the preservation of cultural heritage, particularly in studies addressing ecological concerns and the transmission of folk traditions.
  4. Decolonization and Global Perspectives:
    The journal consistently addresses themes of decolonization and the global music landscape, examining the historical and contemporary impacts of colonialism on music and cultural expressions.
  5. Interdisciplinary Approaches:
    Ethnomusicology Forum applies interdisciplinary methodologies, drawing from fields such as anthropology, sociology, and history to provide a comprehensive understanding of musical practices in various contexts.
Recent publications in 'Ethnomusicology Forum' suggest a dynamic evolution of themes that are gaining traction. These emerging topics reflect the journal's responsiveness to contemporary issues in music and society.
  1. Music and Social Justice:
    There is a growing focus on the intersection of music and social justice, including topics like racial identity, activism through music, and the role of music in addressing societal inequalities.
  2. Digital Ethnomusicology:
    The rise of digital technologies in music production and distribution is an emerging theme, with studies exploring how these technologies impact cultural practices and the accessibility of music across different communities.
  3. Ecological and Environmental Music Studies:
    Research exploring the relationship between music and ecological issues is on the rise, highlighting how musical practices can contribute to environmental awareness and sustainability.
  4. Transnational and Diasporic Music Practices:
    There is an increasing interest in transnational music practices and the experiences of diasporic communities, examining how music serves as a medium for cultural exchange and identity formation.
  5. Decolonial Perspectives in Music Studies:
    Emerging discussions around decolonial approaches to music studies are becoming more prevalent, focusing on the implications of colonial histories in contemporary music practices and scholarship.

Declining or Waning

While 'Ethnomusicology Forum' continues to explore a wide range of topics, certain themes appear to be declining in prominence over recent years. This shift may reflect changing interests within the field or broader societal trends.
  1. Traditional Ethnomusicological Studies:
    There is a noticeable decline in papers focused solely on traditional ethnomusicological fieldwork, indicating a shift towards more contemporary and applied studies that intersect with other disciplines.
  2. Historical Musicology:
    Studies that concentrate exclusively on historical musicology, such as archival research or historical performance practices, are appearing less frequently, suggesting a move towards discussions that are more relevant to current societal issues.
  3. Music Theory and Analysis:
    Research that primarily deals with music theory or technical analysis of music is waning, as the journal increasingly favors discussions that incorporate social, cultural, and political perspectives.
  4. Regional Music Studies:
    Specific regional studies, such as those focusing solely on one geographical area without broader implications, seem to be decreasing, possibly in favor of more global or comparative analyses.

Similar Journals

Studia Musicologica

Exploring the Harmony of Cultures through Musicology
Publisher: AKADEMIAI KIADO ZRTISSN: 1788-6244Frequency: 4 issues/year

Studia Musicologica, published by AKADEMIAI KIADO ZRT, stands as a leading journal in the field of musicology, dedicated to the exploration and analysis of music across diverse cultures and historical contexts. With its ISSN 1788-6244 and E-ISSN 1789-2422, this journal provides an essential platform for disseminating high-quality research and critical analyses, thereby contributing significantly to scholarly discourse in music studies. Although it operates on a traditional access model, its rigor and foundational contributions ensure that it remains invaluable for researchers, professionals, and students alike. Situated in the heart of Hungary, Studia Musicologica engages with a broad spectrum of topics including music theory, ethnomusicology, and music history, fostering a deeper understanding of music's multifaceted role in society. This makes it an essential resource for anyone interested in advancing their research or professional practice within the expansive field of musicology.

LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA

Diving Deep into the Heartbeat of Latin American Soundscapes
Publisher: UNIV TEXAS PRESSISSN: 0163-0350Frequency: 2 issues/year

LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA stands as a prominent scholarly journal dedicated to the profound and diverse traditions of Latin American music. Published by University of Texas Press, this journal offers a platform for critical analysis, innovative research, and the dissemination of knowledge concerning the rich cultural heritage of Latin America. Although it currently does not provide open access options, the journal has made significant contributions to the field since its establishment, engaging a wide array of interdisciplinary perspectives. With coverage spanning from 2002 to 2009, the journal has been central to fostering scholarly dialogue and expanding the academic understanding of Latin American musicology, serving as an essential resource for researchers, professionals, and students alike. The journal is vital for those exploring the intersections of music, culture, and identity within the vibrant landscapes of Latin America.

Muzikologija-Musicology

Illuminating the Rich Tapestry of Musical Heritage
Publisher: SERBIAN ACAD SCIENCES & ARTS, INST MUSICOLOGY-SASAISSN: 1450-9814Frequency: 2 issues/year

Muzikologija-Musicology, published by the esteemed Serbian Academy of Sciences and Arts, Institute of Musicology (SASA), serves as a pivotal platform for scholarly discourse in the field of musicology. With its ISSN 1450-9814 and E-ISSN 2406-0976, this open-access journal has been committed to disseminating high-quality research since 2002, making significant contributions to the understanding and analysis of music in diverse cultural contexts. Located in Belgrade, Serbia, the journal proudly holds a Q2 ranking in the Music category for 2023, reflecting its high-impact contributions as evidenced by its Scopus rank of #136/180 and a percentile of 24th. Covering a wide array of topics within music, from ethnomusicology to music theory and history, it invites contributions that push the boundaries of music research. By fostering an open-access model, Muzikologija-Musicology aims to ensure that its findings are accessible to a global audience, thereby enriching the discourse and fostering collaboration in the musicology community.

ASIAN MUSIC

Unveiling the Harmonies of Culture and Sound.
Publisher: UNIV TEXAS PRESSISSN: 0044-9202Frequency: 2 issues/year

ASIAN MUSIC is a distinguished academic journal published by University of Texas Press, focusing on the rich and diverse musical traditions of Asia. With an ISSN of 0044-9202 and an E-ISSN of 1553-5630, this journal serves as a key platform for interdisciplinary research that encompasses musicology, ethnomusicology, and cultural studies related to Asian music practices. While ASIAN MUSIC is not an open-access journal, it provides valuable insights and scholarly articles that contribute significantly to the understanding of music’s role within Asian cultures. The journal originally covered works from 2002 to 2010 and has a reputation for fostering discussions that celebrate the intricacies of sound, performance, and society. Targeting researchers, professionals, and students alike, ASIAN MUSIC stands as a crucial resource for those engaged in the study of music in its multifaceted context.

Problemy Muzykalnoi Nauki-Music Scholarship

Enhancing Understanding of Music's Diverse Dimensions
Publisher: Gnesin Russian Acad MusicISSN: 2782-358XFrequency: 4 issues/year

Welcome to Problemy Muzykalnoi Nauki-Music Scholarship, a leading journal in the field of music scholarship published by the esteemed Gnesin Russian Academy of Music. With an ISSN of 2782-358X and an E-ISSN of 2782-3598, this Open Access journal has been committed to the dissemination of high-quality research since 2009, making scholarly work accessible to a global audience. Covering diverse aspects of music theory, history, and its socio-cultural impacts, Problemy Muzykalnoi Nauki serves as an essential platform for scholars, educators, and practitioners in the arts and humanities, as well as in social sciences related to music education. While its Scopus coverage was discontinued in 2021, the journal remains influential, holding a rank of #48 in the Arts and Humanities category and a percentile of 67th, showcasing its relevance and rigor in the discipline. We invite researchers and students alike to explore the rich contributions made within these pages, fostering a deeper understanding and appreciation of music in contemporary society.

JOURNAL OF MUSICOLOGICAL RESEARCH

Unveiling the Rich Tapestry of Musical Research
Publisher: TAYLOR & FRANCIS LTDISSN: 0141-1896Frequency: 4 issues/year

JOURNAL OF MUSICOLOGICAL RESEARCH, published by Taylor & Francis Ltd, is an esteemed platform that delves into the field of musicology, contributing to the ongoing dialogue in music research and scholarship since its establishment in 1979. With an ISSN of 0141-1896 and an E-ISSN of 1547-7304, this journal serves as a vital resource for researchers, professionals, and students, offering insights into diverse musicological topics. Although currently categorized in Q4 in Music with Scopus rankings placing it at #110 out of 180 in the Arts and Humanities field, its commitment to excellence and broader discourses in music studies is evident. The journal does not have Open Access options, yet it provides accessible content through reputable academic channels, fostering scholarly exchanges within the community. It aims to publish high-quality research that advances understanding of musical practices and cultural implications, making it a critical resource for those passionate about music and its myriad influences.

REVUE DE MUSICOLOGIE

Illuminating the Historical Pathways of Music
Publisher: EDITIONS TRANSATLANTIQUESISSN: 0035-1601Frequency: 2 issues/year

REVUE DE MUSICOLOGIE is a prominent academic journal dedicated to the diverse field of musicology, published by EDITIONS TRANSATLANTIQUES in France. With an ISSN of 0035-1601, this journal has been a key platform for researchers and scholars since its inception, fostering scholarly discourse and advancing the understanding of music's cultural, theoretical, and historical dimensions. Although it currently holds a Q4 category in Music according to the 2023 quartiles and is ranked #140 in the Scopus Arts and Humanities Music category, REVUE DE MUSICOLOGIE continues to publish valuable insights that contribute to the global musicological landscape. The journal does not offer open access, adhering to standard subscription models. Its primary objective is to provide a rigorous forum for original research articles, reviews, and theoretical discussions, making it an essential resource for academics, professionals, and students in the field of musicology. Located at 50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE, it promises to remain a vital part of music research through 2023 and beyond.

Journal of World Popular Music

Illuminating the Sociocultural Impact of Global Melodies
Publisher: EQUINOX PUBLISHING LTDISSN: 2052-4900Frequency: 2 issues/year

Journal of World Popular Music, published by EQUINOX PUBLISHING LTD, serves as a pivotal platform for scholars and practitioners within the evolving field of popular music studies. With an ISSN of 2052-4900, this esteemed journal has notably positioned itself within the Q2 category of Music as of 2023 and ranks at #90 out of 180 in the Arts and Humanities sector according to Scopus metrics. Spanning research from 2014 to 2023, the journal invites contributions that span diverse musical genres, cultural studies, and global perspectives, ultimately enriching the discourse surrounding the sociocultural impact of popular music. While not open access, the journal offers a robust platform for interdisciplinary research, making it indispensable for researchers, educators, and students keen on exploring the dynamics of popular music and its role in contemporary societies.

Musica Oral del Sur

Preserving Heritage, Promoting Dialogue
Publisher: JUNTA ANDALUCIA, CENTRO DOCUMENTACION MUSICAL ANDALUCIAISSN: 1138-8579Frequency: 1 issue/year

Musica Oral del Sur is a prominent academic journal published by the Junta Andalucía through the Centro Documentación Musical Andalucía. With its ISSN 1138-8579 and E-ISSN 2445-0391, this pioneering publication has championed open access since 1995, providing a vital platform for scholars dedicated to the exploration of traditional and contemporary oral music practices in Southern Spain and beyond. The journal is essential for researchers, professionals, and students interested in musicology, ethnomusicology, and cultural studies, promoting scholarly discourse through a rich assortment of articles, reviews, and field research. Set in the vibrant cultural landscape of Granada, the journal encourages the fusion of theoretical insights with practical implications, making significant contributions to the understanding of oral musical traditions. By fostering accessible academic dialogue, Musica Oral del Sur plays an invaluable role in preserving and highlighting the heritage of Southern musical expressions while addressing contemporary issues in the field.

Opus

Exploring the Harmonies of Music Research
Publisher: ASSOC NAC PESQUISA & POS-GRADUACAO & MUSICAISSN: 1517-7017Frequency: 3 issues/year

Opus is an esteemed open-access journal published by the Associação Nacional de Pesquisa e Pós-Graduação em Música in Brazil, focusing on the field of music studies. With an ISSN of 1517-7017, Opus has been dedicated to fostering innovative research since its inception and has embraced the open-access model since 2009, ensuring that its findings are readily accessible to scholars and enthusiasts globally. The journal has achieved a commendable Q2 ranking in Music as of 2023, showcasing its impact and relevance within the arts and humanities. Although currently ranked #130 out of 180 in Scopus in the music category, Opus maintains a commitment to enhancing the scholarly discourse in musicology through empirical studies, theoretical analyses, and interdisciplinary approaches. The journal's convergence over the years, from 2017 to 2024, reflects its dedication to evolving educational and research methodologies in music. Situated in the vibrant academic landscape of Campinas, SP, Brazil, Opus invites researchers, professionals, and students to contribute to its mission of exploring the multifaceted dimensions of music.