Welcome to the International Journal of Persian Literature, a premier academic publication dedicated to advancing the field of Persian literary studies. Published by PENN STATE UNIV PRESS, this journal serves as a vital platform for scholars and researchers interested in the rich tapestry of Persian literature and its theoretical underpinnings. With an ISSN of 2376-5739 and E-ISSN 2376-5755, it has established its place within the academic community, earning a category ranking of Q3 in Literature and Literary Theory, as well as a commendable Scopus rank of #481 out of 1106. Spanning the years from 2016 to 2023, the journal invites contributions that explore Persian literary texts, cultural contexts, and theoretical frameworks, fostering enriched dialogue and understanding. Although it does not currently offer Open Access, researchers and students alike are encouraged to engage with its content, which represents a significant contribution to the ongoing scholarship in the field.

MESTER is a distinguished academic journal published by the UCLA College of Humanities, known for its commitment to advancing research in the fields of Cultural Studies, Linguistics and Language, and Literature and Literary Theory. With an ISSN of 0160-2764, this journal serves as a vital platform for scholars and professionals to disseminate innovative research and critical perspectives from diverse theoretical frameworks and cultural contexts. Although currently operating without an Open Access model, MESTER continues to uphold a rigorous peer-review process, ensuring that published articles maintain high academic standards. Recognized for its selective focus, MESTER holds a Q4 categorization in Cultural Studies and Linguistics, and Q3 in Literature and Literary Theory, situating it as a relevant, if emerging, voice within these disciplines. Housed within the significant repository of knowledge at UCLA, the journal beckons researchers, students, and practitioners to engage with its contributions to the humanities and build upon its foundations in cultural discourse.

ACTA MUSICOLOGICA, published by the International Musicological Society, stands as a pivotal journal within the field of Musicology, garnering attention from scholars and practitioners alike. With its ISSN 0001-6241, the journal serves as a vital platform for innovative research and discourse from 2002 to 2013 and again from 2016 to 2024, achieving a Q2 ranking in the 2023 Music category. Reflecting a commitment to excellence, it ranks #105 out of 180 in Arts and Humanities Music according to Scopus, placing it at the 41st percentile among its peers. Although not open access, ACTA MUSICOLOGICA ensures the dissemination of significant musical research, fostering scholarly exchange and exploration. This esteemed publication is essential for researchers, professionals, and students looking to deepen their understanding of musicology and contribute to ongoing academic conversations.

Critical Arts-South-North Cultural and Media Studies is a distinguished academic journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the interdisciplinary study of cultural and media dynamics in both southern and northern contexts. Established in 1980, the journal has grown to become a vital platform for scholars, professionals, and students interested in unpacking the complexities of culture, media, and communication across diverse sociopolitical landscapes. With an impressive Q1 ranking in Cultural Studies and a strong presence in the Q2 category for Arts and Humanities and Communication, the journal ranks favorably within Scopus metrics, reflecting its high-quality and impactful research contributions. Although it does not currently offer open access, its comprehensive reviews, articles, and discussions serve as an essential resource for advancing critical thought and fostering scholarly dialogue in the field. The journal encourages the submission of original research papers, theoretical essays, and critical commentaries that challenge conventional narratives and promote interdisciplinary approaches, making it a cornerstone for anyone engaging with media and cultural studies.

AVANT SCENE OPERA is a distinguished journal that delves into the rich world of opera, fostering a deeper understanding of this dynamic art form. Published by AVANT-SCENE OPERA in Paris, France, this journal serves as a critical resource for scholars, practitioners, and enthusiasts alike, making significant contributions to the discourse surrounding opera through in-depth analyses, reviews, and interviews with leading figures in the field. While it currently operates under a subscription model, its commitment to advancing opera scholarship ensures that cutting-edge research and insights are made accessible to a global audience. As a vital platform for artistic and scholarly inquiry, AVANT SCENE OPERA aspires to elevate the profile of opera, exploring its historical, cultural, and contemporary significance within the performing arts.

AMERICAN STUDIES IN SCANDINAVIA, published by Odense University Press, is a distinguished academic journal that has been at the forefront of exploring the intricate cultural, historical, and social ties between America and the Scandinavian region. With an ISSN of 0044-8060, this journal transitioned to Open Access in 2022, enhancing global access to its valuable content. Located in Denmark at CAMPUSVEJ 55, 5230 ODENSE M, the journal covers a diverse range of topics relevant to American Studies, offering interdisciplinary perspectives that appeal to scholars, practitioners, and students alike. Since its convergence in 2002, the journal has established its significance, currently recognized in the 2023 Q3 category in History with a Scopus ranking of 1186 out of 1760 in the Arts and Humanities division. By fostering scholarly dialogue and disseminating research, AMERICAN STUDIES IN SCANDINAVIA plays a vital role in enriching the understanding of American culture in a Scandinavian context, and invites contributions that challenge conventional narratives and encourage innovative scholarship.

HUDEBNI VEDA is a distinguished journal published by the Czech Academy of Sciences Press, specializing in the field of music. With its ISSN 0018-7003 and E-ISSN 2694-6998, this journal serves as a vital platform for scholarly communication in music studies, promoting innovative research and critical discourse. Since its inception in 2002 and scheduled for continuation until 2024, it has emerged as a respected publication within the music academic community, though currently holding a Category Quartiles ranking of Q4 in Music. Notably, it ranks #127 out of 180 in the Scopus Arts and Humanities - Music category, placing it in the 29th percentile. While it operates under traditional access constraints, HUDEBNI VEDA is committed to fostering an inclusive academic environment, inviting contributions that push the boundaries of musicology. This journal is essential for researchers, professionals, and students eager to explore and engage with contemporary issues and developments in the study of music.

Popular Music, published by Cambridge University Press, is a leading academic journal that has been at the forefront of contemporary music studies since its inception in 1981. With its comprehensive scope encompassing a rich diversity of topics within the fields of Cultural Studies and Music, this journal holds a respectable Q2 ranking in both categories as of 2023, underscoring its significant impact on the scholarly discourse surrounding popular music. Researchers, professionals, and students alike will find invaluable insights within its pages as it explores the socio-cultural dynamics of music from various global perspectives. While it is not an open-access journal, the publication aims to foster critical dialogue and interdisciplinary scholarship. Based in the United Kingdom, Popular Music serves as a vital resource for those interested in the intersections of music, culture, and society, sustaining a vibrant academic community through rigorous peer-reviewed articles and reviews. Engage with the latest research and deepen your understanding of popular music's ever-evolving landscape.

Women and Music: A Journal of Gender and Culture is a pioneering academic journal published by University of Nebraska Press, focusing on the intersection of gender and music. With a commitment to exploring issues pertinent to women and music in a range of cultural contexts, this journal provides a critical platform for scholars, musicians, and educators to share research that enriches our understanding of gender dynamics within the music industry and music's role in society. While currently not an open-access journal, it aims to make significant contributions to gender studies, cultural studies, and musicology, attracting a dedicated readership from various backgrounds. The journal is essential for those interested in feminist musicology and gender representation in the arts, fostering discourse that challenges traditional narratives and promotes inclusive scholarship. By bringing together diverse perspectives and innovative research, Women and Music continues to push boundaries and foster important conversations within both academic and artistic communities.

Resonancias is a distinguished open-access journal published by the Pontificia Universidad Católica de Chile, dedicated to advancing the field of music studies. With an ISSN of 0717-3474 and an E-ISSN of 0719-5702, this journal has been promoting scholarly discourse in music since its transition to open access in 2014. Resonancias serves as a critical platform for researchers, professionals, and students alike, enabling them to disseminate knowledge and explore innovative perspectives in musicology. With its current Q2 ranking in the field of music as of 2023, and a Scopus ranking of #108 out of 180, this journal exemplifies its commitment to quality and impact within the academic community, fostering an accessible database of music research from Chile and beyond. Situated at AVENIDA VICUNA MACKENNA 4860, MACUL, SANTIAGO, CHILE, Resonancias not only promotes original research but also includes critical reviews, interviews, and essays that contribute to the rich tapestry of musical knowledge.