Women and Music: A Journal of Gender and Culture is a pioneering academic journal published by University of Nebraska Press, focusing on the intersection of gender and music. With a commitment to exploring issues pertinent to women and music in a range of cultural contexts, this journal provides a critical platform for scholars, musicians, and educators to share research that enriches our understanding of gender dynamics within the music industry and music's role in society. While currently not an open-access journal, it aims to make significant contributions to gender studies, cultural studies, and musicology, attracting a dedicated readership from various backgrounds. The journal is essential for those interested in feminist musicology and gender representation in the arts, fostering discourse that challenges traditional narratives and promotes inclusive scholarship. By bringing together diverse perspectives and innovative research, Women and Music continues to push boundaries and foster important conversations within both academic and artistic communities.

Critical Arts-South-North Cultural and Media Studies is a distinguished academic journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the interdisciplinary study of cultural and media dynamics in both southern and northern contexts. Established in 1980, the journal has grown to become a vital platform for scholars, professionals, and students interested in unpacking the complexities of culture, media, and communication across diverse sociopolitical landscapes. With an impressive Q1 ranking in Cultural Studies and a strong presence in the Q2 category for Arts and Humanities and Communication, the journal ranks favorably within Scopus metrics, reflecting its high-quality and impactful research contributions. Although it does not currently offer open access, its comprehensive reviews, articles, and discussions serve as an essential resource for advancing critical thought and fostering scholarly dialogue in the field. The journal encourages the submission of original research papers, theoretical essays, and critical commentaries that challenge conventional narratives and promote interdisciplinary approaches, making it a cornerstone for anyone engaging with media and cultural studies.

The Harvard Journal of Asiatic Studies, published by the esteemed Harvard-Yenching Institute, stands as a premier academic journal dedicated to advancing the field of Asian studies. With an ISSN of 0073-0548 and an E-ISSN of 1944-6454, this journal is a critical resource for researchers, professionals, and students seeking in-depth scholarly articles that explore the breadth of Asia's humanities, social sciences, and cultural narratives. Nestled in the scholarly environment of Cambridge, Massachusetts, it plays a pivotal role in fostering interdisciplinary dialogue and presenting pioneering research that challenges conventional perspectives. Although it currently does not offer open access, subscription-based access provides a gateway to high-quality publications that reflect rigorous academic standards. The journal’s objective is to disseminate innovative research and nurture scholarship that bridges cultures and enriches understanding of Asia's rich history and contemporary developments.

HUDEBNI VEDA is a distinguished journal published by the Czech Academy of Sciences Press, specializing in the field of music. With its ISSN 0018-7003 and E-ISSN 2694-6998, this journal serves as a vital platform for scholarly communication in music studies, promoting innovative research and critical discourse. Since its inception in 2002 and scheduled for continuation until 2024, it has emerged as a respected publication within the music academic community, though currently holding a Category Quartiles ranking of Q4 in Music. Notably, it ranks #127 out of 180 in the Scopus Arts and Humanities - Music category, placing it in the 29th percentile. While it operates under traditional access constraints, HUDEBNI VEDA is committed to fostering an inclusive academic environment, inviting contributions that push the boundaries of musicology. This journal is essential for researchers, professionals, and students eager to explore and engage with contemporary issues and developments in the study of music.

Eighteenth-Century Fiction is a premier academic journal dedicated to advancing the study of literature from the eighteenth century, publishing innovative research that contributes to understanding the cultural and historical contexts of this dynamic period. Published by University of Toronto Press, Inc., this journal boasts an impressive Q1 categorization in the field of Literature and Literary Theory, reflecting its significant impact on discourse among scholars. Since its inception in 2002, the journal has provided a platform for interdisciplinary exploration and critical analysis, appealing to researchers, professionals, and students alike. With an ongoing commitment to quality and scholarly excellence, Eighteenth-Century Fiction serves as an essential resource for those seeking to delve into the literary innovations and societal transformations of the eighteenth century. Access to its rich collection of articles ensures that the academic community remains engaged with emerging trends and pivotal research in this vital area of study.

Popular Music, published by Cambridge University Press, is a leading academic journal that has been at the forefront of contemporary music studies since its inception in 1981. With its comprehensive scope encompassing a rich diversity of topics within the fields of Cultural Studies and Music, this journal holds a respectable Q2 ranking in both categories as of 2023, underscoring its significant impact on the scholarly discourse surrounding popular music. Researchers, professionals, and students alike will find invaluable insights within its pages as it explores the socio-cultural dynamics of music from various global perspectives. While it is not an open-access journal, the publication aims to foster critical dialogue and interdisciplinary scholarship. Based in the United Kingdom, Popular Music serves as a vital resource for those interested in the intersections of music, culture, and society, sustaining a vibrant academic community through rigorous peer-reviewed articles and reviews. Engage with the latest research and deepen your understanding of popular music's ever-evolving landscape.

AMERICAN STUDIES IN SCANDINAVIA, published by Odense University Press, is a distinguished academic journal that has been at the forefront of exploring the intricate cultural, historical, and social ties between America and the Scandinavian region. With an ISSN of 0044-8060, this journal transitioned to Open Access in 2022, enhancing global access to its valuable content. Located in Denmark at CAMPUSVEJ 55, 5230 ODENSE M, the journal covers a diverse range of topics relevant to American Studies, offering interdisciplinary perspectives that appeal to scholars, practitioners, and students alike. Since its convergence in 2002, the journal has established its significance, currently recognized in the 2023 Q3 category in History with a Scopus ranking of 1186 out of 1760 in the Arts and Humanities division. By fostering scholarly dialogue and disseminating research, AMERICAN STUDIES IN SCANDINAVIA plays a vital role in enriching the understanding of American culture in a Scandinavian context, and invites contributions that challenge conventional narratives and encourage innovative scholarship.

OPERA QUARTERLY, published by Oxford University Press, is a distinguished journal in the field of music, particularly focusing on opera studies. With its ISSN 0736-0053 and E-ISSN 1476-2870, it offers a platform for rigorous scholarly articles that explore both historical and contemporary aspects of opera. Though it is currently not open access, the journal has contributed significantly to the scholarly community since its inception in 1983, providing a wealth of knowledge until coverage was discontinued in Scopus in 2022. Ranking in the 53rd percentile within the Arts and Humanities music category, it holds an esteemed position with a Q4 quartile rating as of 2023. The journal's objectives include fostering in-depth research and discourse surrounding opera, making it an essential resource for researchers, professionals, and students looking to deepen their understanding of this complex and evolving art form. The journal engages with various interdisciplinary approaches, ensuring a rich tapestry of insights for its readership.

OPERA is a distinguished academic journal published by OPERA MAGAZINE that focuses on the fields of music, visual arts, and performing arts. With an ISSN of 0030-3526, the journal serves as an invaluable resource for researchers, professionals, and students seeking to deepen their understanding of contemporary practices and historical contexts within these vibrant disciplines. Despite its Q3 ranking in both the Music and Visual Arts categories according to the 2022 metrics, OPERA offers a unique platform for innovative scholarship and critical discourse, empowering contributors to engage with and analyze emergent trends and cultural phenomena. Although the journal does not provide open access, it continues to maintain a presence in the UK, with an office located at 36 Black Lion Lane, London W6 9BE, England. Its publication history spans numerous years, having converged from 2002 to 2014, from 2017 to 2019, and ongoing in 2023, solidifying its role in the academic landscape of the arts and humanities.

Resonancias is a distinguished open-access journal published by the Pontificia Universidad Católica de Chile, dedicated to advancing the field of music studies. With an ISSN of 0717-3474 and an E-ISSN of 0719-5702, this journal has been promoting scholarly discourse in music since its transition to open access in 2014. Resonancias serves as a critical platform for researchers, professionals, and students alike, enabling them to disseminate knowledge and explore innovative perspectives in musicology. With its current Q2 ranking in the field of music as of 2023, and a Scopus ranking of #108 out of 180, this journal exemplifies its commitment to quality and impact within the academic community, fostering an accessible database of music research from Chile and beyond. Situated at AVENIDA VICUNA MACKENNA 4860, MACUL, SANTIAGO, CHILE, Resonancias not only promotes original research but also includes critical reviews, interviews, and essays that contribute to the rich tapestry of musical knowledge.