OPERA

Scope & Guideline

Connecting Historical Contexts with Modern Trends

Introduction

Welcome to your portal for understanding OPERA, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0030-3526
PublisherOPERA MAGAZINE
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2002 to 2014, from 2017 to 2019, 2023
AbbreviationOPERA / Opera
Frequency12 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address36 BLACK LION LANE, LONDON W6 9BE, ENGLAND

Aims and Scopes

The journal 'OPERA' serves as a scholarly platform dedicated to the exploration and critique of opera as a rich and multifaceted art form. It emphasizes historical, theoretical, and practical aspects of opera, showcasing a diverse range of topics that reflect the evolving landscape of operatic studies.
  1. Historical Analysis of Opera:
    The journal frequently publishes papers that delve into the historical contexts of opera, tracing its evolution from classical to contemporary forms across various geographical and cultural landscapes.
  2. Interdisciplinary Approaches:
    OPERA embraces interdisciplinary studies, linking opera with literature, visual arts, and socio-political movements, thereby enriching the understanding of opera's place within broader cultural narratives.
  3. Performance Studies:
    A significant focus on performance analysis allows for discussions on staging, directing, and the role of performers, examining how these elements contribute to the overall operatic experience.
  4. Musicology and Composition:
    The journal features research on musical composition techniques within opera, discussing influences, styles, and the works of notable composers, thereby deepening the appreciation of operatic music.
  5. Cultural Critique and Reception Studies:
    Papers often explore the reception of operatic works, analyzing how societal attitudes and cultural critiques shape and are shaped by opera, thus fostering a dialogue between the art form and its audience.
Recent publications in 'OPERA' reveal a dynamic shift in thematic focus, with several emerging trends that reflect contemporary issues and innovative approaches in opera studies. This section outlines these trending areas, highlighting their relevance and potential impact on the field.
  1. Contemporary Opera and New Works:
    There is a notable rise in research surrounding contemporary operas and new compositions, reflecting a growing interest in how modern narratives and styles are redefining the operatic genre.
  2. Digital and Multimedia Perspectives:
    Emerging themes include the intersection of opera with digital media, exploring how technology influences production, distribution, and audience engagement, thus expanding the traditional boundaries of operatic experience.
  3. Social and Political Commentary:
    A trend towards examining opera as a medium for social and political commentary is evident, with scholars analyzing how operatic works engage with current issues such as identity, migration, and environmental concerns.
  4. Diversity and Inclusion in Opera:
    Research increasingly focuses on diversity and inclusion within opera, addressing representation in casting, production teams, and narratives, which reflects broader societal movements towards equity and inclusion.
  5. Interactivity and Audience Engagement:
    Studies exploring the interactive elements of opera, including audience participation and immersive experiences, are becoming more prevalent, indicating a shift towards understanding opera as a participatory art form.

Declining or Waning

While 'OPERA' has consistently focused on a variety of themes, certain areas of research appear to be experiencing a decline in frequency and prominence. This section highlights those waning scopes that may reflect shifts in scholarly interest or broader changes in the operatic landscape.
  1. Traditional Opera Forms:
    Research focused on classical and traditional opera forms seems to be declining, as scholars increasingly explore modern and avant-garde interpretations, reflecting a shift towards contemporary relevance.
  2. Biographical Studies of Individual Composers:
    The detailed biographical studies of individual composers, while still valuable, are becoming less frequent, possibly due to a growing inclination towards broader thematic or contextual analyses rather than singular focus on composer narratives.
  3. Historical Documentations:
    Papers that are primarily historical documentations of operatic events or performances without critical analysis are less common, indicating a move towards more analytical and interpretative approaches.

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