NEW THEATRE QUARTERLY

Scope & Guideline

Illuminating Contemporary Theatre through Academic Discourse

Introduction

Welcome to your portal for understanding NEW THEATRE QUARTERLY, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0266-464x
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1985 to 2024
AbbreviationNEW THEAT Q / New Theatre Q.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

The journal 'New Theatre Quarterly' serves as a vital platform for the exploration of contemporary and historical theatre practices, focusing on a diverse range of methodologies and critical approaches to performance studies. Its aims and scopes reflect a commitment to interdisciplinary research, engaging with both theoretical and practical aspects of theatre and performance.
  1. Interdisciplinary Research in Theatre Studies:
    The journal emphasizes the importance of interdisciplinary approaches, integrating insights from sociology, history, performance studies, and cultural studies to examine the dynamics of theatre and its societal implications.
  2. Exploration of Historical and Contemporary Theatre:
    A consistent focus on both historical and contemporary theatre allows for a nuanced understanding of the evolution of performance practices and their cultural contexts.
  3. Cultural and Political Dimensions of Theatre:
    The journal explores the relationship between theatre and politics, examining how performance can serve as a tool for social change and cultural commentary.
  4. Innovative Practices and Training Methods:
    Research on innovative training methods and performance practices, including experiential and embodied approaches, highlights the evolving nature of theatre education and artist development.
  5. Global Perspectives and Cross-Cultural Dialogues:
    The journal aims to foster discussions that transcend geographical boundaries, encouraging research that highlights cross-cultural influences and practices in theatre.
The journal is actively engaging with new themes that reflect the changing landscape of theatre and performance. This section outlines the emerging topics that have gained traction in recent publications, highlighting their relevance and importance.
  1. Ecological and Climate Change Themes:
    Recent publications increasingly address ecological issues and the impact of climate change on performance, showcasing how theatre can respond to and reflect societal concerns about the environment.
  2. Digital Theatre and Technology Integration:
    There is a growing interest in the intersection of technology and theatre, particularly in the context of digital performances and the use of online platforms, which has been accelerated by the pandemic.
  3. Political and Social Activism in Theatre:
    Themes surrounding political activism and social justice within theatre practices are gaining prominence, indicating a strong desire to use performance as a medium for advocacy and change.
  4. Focus on Diverse and Marginalized Voices:
    Emerging research highlights the importance of representing diverse and marginalized communities in theatre, aiming to amplify voices that have historically been underrepresented.
  5. Exploration of Identity and Intersectionality:
    The journal is increasingly publishing works that explore themes of identity, including race, gender, and sexuality, reflecting contemporary societal dialogues and the complexities of human experience.

Declining or Waning

While 'New Theatre Quarterly' continues to thrive in various areas of theatre research, certain themes appear to be declining in prominence. This section highlights the topics that have become less frequent in recent publications, suggesting a potential shift in focus within the journal.
  1. Traditional Forms of Theatre:
    There has been a noticeable decrease in the exploration of traditional theatre forms, such as classical plays and opera, indicating a shift towards more contemporary and experimental practices.
  2. Historical Theatre Criticism:
    The journal has seen fewer articles dedicated to historical criticism of theatre, suggesting a move away from retrospective analysis towards current and emerging trends in performance.
  3. Focus on Western Canonical Texts:
    Research centered around the Western theatre canon, including playwrights like Shakespeare and Beckett, is becoming less common, possibly reflecting a broader interest in diverse voices and narratives.

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