DANCE CHRONICLE

Scope & Guideline

Advancing the Dialogue on Dance and Culture

Introduction

Welcome to your portal for understanding DANCE CHRONICLE, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0147-2526
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1977 to 1987, from 1989 to 2024
AbbreviationDANCE CHRONICLE / Dance Chron.
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'Dance Chronicle' is dedicated to exploring the multifaceted nature of dance as an art form, cultural practice, and socio-political phenomenon. It serves as a platform for interdisciplinary scholarship that examines dance across various contexts, histories, and methodologies.
  1. Interdisciplinary Analysis of Dance:
    The journal emphasizes research that intersects with various disciplines, including history, sociology, anthropology, and performance studies, providing a comprehensive understanding of dance as a cultural expression.
  2. Cultural and Historical Contexts:
    It focuses on the historical evolution of dance forms, their cultural significance, and the socio-political contexts influencing their development and reception.
  3. Global Perspectives:
    The journal highlights dance practices from around the world, encouraging comparative studies that reveal the diverse expressions and meanings of dance in different cultures.
  4. Dance Pedagogy and Education:
    It addresses methodologies and practices in dance education, focusing on inclusivity, equity, and the evolving nature of dance teaching.
  5. Activism and Social Justice:
    The journal explores the role of dance in social movements, activism, and community engagement, emphasizing dance's potential as a medium for political expression and change.
  6. Choreographic Innovation and Performance Analysis:
    It examines contemporary dance practices, innovative choreographic methods, and their implications for artistic creation and performance.
Recent publications in 'Dance Chronicle' reveal several emerging themes that reflect current trends in dance studies. These themes highlight the journal's responsiveness to contemporary issues and the evolving landscape of dance research.
  1. Cultural Identity and Dance:
    There is a growing focus on how dance practices express and negotiate cultural identities, particularly in diasporic and cross-cultural contexts, indicating the importance of dance in discussions of identity politics.
  2. Dance and Social Justice:
    Recent issues increasingly address the intersection of dance with social justice movements, emphasizing how dance serves as a form of activism and a platform for marginalized voices.
  3. Technological Integration in Dance:
    Emerging discussions around screendance and digital media are gaining traction, reflecting the influence of technology on dance creation, performance, and dissemination.
  4. Feminist and Queer Perspectives:
    There is a notable rise in scholarship examining the contributions of feminist and queer theories to dance, highlighting how these frameworks inform contemporary practices and narratives in the field.
  5. Decolonization in Dance Studies:
    Papers exploring decolonial approaches to dance history and criticism are becoming more prominent, showcasing a critical engagement with colonial legacies in dance practices and scholarship.

Declining or Waning

While 'Dance Chronicle' continues to cover a broad range of topics, some themes have shown a decline in frequency or prominence in recent publications. This shift suggests a potential reevaluation of focus areas within the journal.
  1. Traditional Ballet Narratives:
    There has been a noticeable decrease in papers solely focused on traditional ballet histories and practices, indicating a shift towards more contemporary and diverse dance forms.
  2. Eurocentric Perspectives:
    Research that primarily centers on European dance traditions is becoming less common, reflecting a broader commitment to global and multicultural perspectives in dance scholarship.
  3. Historical Accounts without Contemporary Relevance:
    Papers that recount historical dance events or figures without connecting them to contemporary issues or practices are appearing less frequently, suggesting a preference for research that bridges past and present.
  4. Rigid Genre Classifications:
    There is a waning interest in strictly categorizing dance forms; instead, the journal is favoring interdisciplinary and hybrid approaches that challenge traditional genre boundaries.

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