NINETEENTH CENTURY MUSIC

Scope & Guideline

Documenting the Rhythms of Change in Music History

Introduction

Explore the comprehensive scope of NINETEENTH CENTURY MUSIC through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore NINETEENTH CENTURY MUSIC in depth and align your research initiatives with current academic trends.
LanguageEnglish
ISSN0148-2076
PublisherUNIV CALIFORNIA PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 1977 to 2024
AbbreviationNINETEEN CENT MUSIC / Ninet. Century Music
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address155 GRAND AVE, SUITE 400, OAKLAND, CA 94612-3758

Aims and Scopes

NINETEENTH CENTURY MUSIC serves as a critical platform for exploring the multifaceted intersections of music, culture, and society during the 19th century. The journal emphasizes a diverse range of methodologies and theoretical approaches to examine music's role within historical contexts, artistic movements, and social dynamics.
  1. Exploration of Musical Identity and Subjectivity:
    The journal emphasizes the study of how musical identity is shaped by cultural, social, and historical factors, particularly through the lens of composers like Mahler and Beethoven.
  2. Interdisciplinary Approaches to Musicology:
    NINETEENTH CENTURY MUSIC incorporates perspectives from literature, philosophy, and cultural studies to enrich the understanding of musical works and their impact.
  3. Analysis of Historical and Cultural Contexts:
    The journal frequently contextualizes musical compositions within their historical settings, examining how societal norms and events influence the music of the period.
  4. Focus on Underrepresented Voices and Narratives:
    There is a consistent effort to highlight marginalized figures and perspectives in music history, including explorations of race, gender, and national identity.
  5. Critical Examination of Musical Aesthetics and Theory:
    The journal engages with theoretical frameworks and aesthetic discussions, analyzing concepts such as the sublime and ineffability in music.
Recent publications in NINETEENTH CENTURY MUSIC reveal emerging themes that reflect contemporary scholarly interests and cultural dialogues within musicology.
  1. Intersection of Music and Identity:
    A growing focus on how music reflects and constructs identities, particularly in relation to gender, race, and ethnicity, as seen in papers addressing Jewish masculinity and black musicality.
  2. The Role of Emotion and the Sublime in Music:
    Emerging discussions surrounding the emotional dimensions of music, particularly the concept of the sublime and its implications in composers' works.
  3. Cultural Memory and Musical Reception:
    An increasing interest in how music is remembered, reinterpreted, and received across generations, as evidenced by analyses of works' afterlives.
  4. Environmental and Societal Impact of Music:
    Recent articles explore the intersections of music with environmental themes and societal issues, reflecting a contemporary interest in music's role in addressing ecological concerns.
  5. Reinterpretation of Historical Narratives:
    There is a trend towards reexamining historical narratives and exploring lesser-known figures and events, indicating a shift towards inclusivity in music history.

Declining or Waning

As the journal has evolved, certain themes and topics have become less prevalent in recent publications. This decline may reflect shifting scholarly interests or broader trends in musicology.
  1. Traditional Musicological Analysis:
    There appears to be a waning interest in purely traditional musicological approaches that focus solely on technical analysis of compositions without contextual relevance.
  2. Biographical Studies of Composers:
    While biographies of major composers have been a staple in music scholarship, recent trends indicate a reduced focus on this genre, favoring broader cultural and thematic studies instead.
  3. Eurocentric Perspectives on Music:
    The journal has increasingly moved away from Eurocentric narratives, indicating a decline in themes that do not incorporate global perspectives on music.
  4. Focus on Canonical Repertoire:
    There is a noticeable decrease in discussions centered around the Western classical canon, as more attention is given to diverse musical forms and non-canonical works.
  5. Romanticism as a Central Theme:
    While Romanticism has been a central theme in past publications, its dominance is fading as the journal explores more varied genres and historical contexts.

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