Resonancias is a distinguished open-access journal published by the Pontificia Universidad Católica de Chile, dedicated to advancing the field of music studies. With an ISSN of 0717-3474 and an E-ISSN of 0719-5702, this journal has been promoting scholarly discourse in music since its transition to open access in 2014. Resonancias serves as a critical platform for researchers, professionals, and students alike, enabling them to disseminate knowledge and explore innovative perspectives in musicology. With its current Q2 ranking in the field of music as of 2023, and a Scopus ranking of #108 out of 180, this journal exemplifies its commitment to quality and impact within the academic community, fostering an accessible database of music research from Chile and beyond. Situated at AVENIDA VICUNA MACKENNA 4860, MACUL, SANTIAGO, CHILE, Resonancias not only promotes original research but also includes critical reviews, interviews, and essays that contribute to the rich tapestry of musical knowledge.

Revista Musical Chilena, an esteemed publication from the Faculty of Arts at Universidad de Chile, has been a pivotal platform in the field of music and cultural studies since its inception in 1945. With a commitment to open access, this journal promotes the dissemination of innovative research and critical discourse that bridges the gap between cultural theory and musical practice. Holding a notable Q2 ranking in both the Cultural Studies and Music categories as of 2023, it serves as a vital resource for scholars and professionals alike. The journal's inclusion in the Scopus database, with rankings that reflect its influence in the arts and humanities, underscores its significance in shaping the contemporary landscape of music studies. Given its convergence of research output from 2007 to 2024, Revista Musical Chilena continues to engage its audience with diverse scholarship that reflects Chilean musical heritage and global cultural dynamics.

Eighteenth-Century Music, published by Cambridge University Press, serves as a pivotal platform for scholarly discussion surrounding music from the eighteenth century, ranging from musicology to cultural studies. With an ISSN of 1478-5706 and an E-ISSN of 1478-5714, this journal offers a unique lens into the musical landscape of the era, dissecting its myriad influences and contexts. Although it currently holds a Q4 ranking in the field of Music as per the 2023 category quartiles, its contributions are invaluable for researchers, professionals, and students eager to delve into historical music research. Operating from the United Kingdom, with an address at Edinburgh Bldg, Shaftesbury Rd, Cambridge, England, this journal invites submissions that engage with the long-standing traditions and transformative contexts of the period. By fostering an academic dialogue among its readership, Eighteenth-Century Music aims to illuminate the complexities and innovations within the realm of eighteenth-century music studies.

Nineteenth-Century Music Review, published by CAMBRIDGE UNIVERSITY PRESS, is an essential scholarly journal in the field of musicology, particularly focusing on the vibrant and transformative period of the nineteenth century. This journal, archived under ISSN 1479-4098 and E-ISSN 2044-8414, serves as an invaluable platform for researchers, professionals, and students alike who are dedicated to exploring the multifaceted interactions between music and society during a time of significant cultural change. With its commitment to high-quality research and critical discourse, it embraces a diverse range of topics, including historical analysis, performance practice, and socio-cultural contexts within music. Operating from the United Kingdom, Nineteenth-Century Music Review is currently categorized in the fourth quartile of music journals according to Scopus rankings, offering a unique opportunity for emerging scholars to contribute to the expanding dialogue in this niche while also reaching a broad audience within the arts and humanities. Although the journal follows a traditional subscription-based model, it continues to be a pivotal resource for academic inquiry and knowledge dissemination in the landscape of nineteenth-century music history.

MUSIC & LETTERS, published by Oxford University Press, is a prominent academic journal that has been at the forefront of musicology and music studies since its inception in 1920. With an ISSN of 0027-4224 and an E-ISSN of 1477-4631, the journal provides a platform for scholarly articles that explore the rich interplay between music and literature, contributing significantly to the understanding of musical context, form, and societal impact. As of 2023, it holds a respectable Q3 rank in Music within its category, positioned at Rank #66 out of 180 in the Scopus Arts and Humanities Music category. Despite not being an Open Access journal, its rigorous peer-review process and commitment to high-quality research make it an essential resource for researchers, professionals, and students alike. The journal's scope encompasses various genres and historical periods, ensuring a comprehensive examination of music's role in culture and community, thereby enhancing the scholarly discourse within this vibrant field. Based in the United Kingdom, at Great Clarendon St, Oxford OX2 6DP, England, MUSIC & LETTERS continues to inspire and inform the global music scholarly community.

ASIAN MUSIC is a distinguished academic journal published by University of Texas Press, focusing on the rich and diverse musical traditions of Asia. With an ISSN of 0044-9202 and an E-ISSN of 1553-5630, this journal serves as a key platform for interdisciplinary research that encompasses musicology, ethnomusicology, and cultural studies related to Asian music practices. While ASIAN MUSIC is not an open-access journal, it provides valuable insights and scholarly articles that contribute significantly to the understanding of music’s role within Asian cultures. The journal originally covered works from 2002 to 2010 and has a reputation for fostering discussions that celebrate the intricacies of sound, performance, and society. Targeting researchers, professionals, and students alike, ASIAN MUSIC stands as a crucial resource for those engaged in the study of music in its multifaceted context.

OR SPECTRUM, published by SPRINGER, is a premier journal in the fields of Business, Management, and Operations Research, with a distinguished reputation established since its inception in 1979. As of 2023, it holds an impressive Q1 ranking in Business, Management and Accounting (miscellaneous) and a Q2 ranking in Management Science and Operations Research. The journal, which is indexed under ISSN 0171-6468 and E-ISSN 1436-6304, boasts a significant impact factor within its scope, making it a pivotal resource for cutting-edge research and theoretical developments. With access options that favor traditional subscriptions, OR SPECTRUM offers a robust platform for the dissemination of innovative ideas and methodologies, vital for academics, professionals, and students alike. The journal's commitment to excellence ensures its critical role in enhancing the understanding and application of operational research techniques around the globe.

Women and Music: A Journal of Gender and Culture is a pioneering academic journal published by University of Nebraska Press, focusing on the intersection of gender and music. With a commitment to exploring issues pertinent to women and music in a range of cultural contexts, this journal provides a critical platform for scholars, musicians, and educators to share research that enriches our understanding of gender dynamics within the music industry and music's role in society. While currently not an open-access journal, it aims to make significant contributions to gender studies, cultural studies, and musicology, attracting a dedicated readership from various backgrounds. The journal is essential for those interested in feminist musicology and gender representation in the arts, fostering discourse that challenges traditional narratives and promotes inclusive scholarship. By bringing together diverse perspectives and innovative research, Women and Music continues to push boundaries and foster important conversations within both academic and artistic communities.

Twentieth-Century Music is a premier academic journal dedicated to the study and critique of music composed in the twentieth century. Published by CAMBRIDGE UNIVERSITY PRESS, this journal holds an esteemed position in the music discipline, reflecting its significance with a Q1 ranking in the Music category as of 2023. Covering a wide timeline from its convergence years (2004 to 2010, 2012 to 2024), it serves as a vital platform for scholars, practitioners, and students to explore innovative research, critical analyses, and interdisciplinary approaches to music of this dynamic era. With an ISSN of 1478-5722 and E-ISSN 1478-5730, the journal is committed to maintaining high scholarly standards and includes open access options to enhance visibility and accessibility of research findings. As part of the robust arts and humanities community, which ranks it at 62 out of 180 in Scopus, Twentieth-Century Music is essential reading for anyone looking to deepen their understanding of contemporary musical trends and their historical contexts.

MUSIC THEORY SPECTRUM, published by Oxford University Press, serves as a premier journal in the field of music theory, recognized for its significant contributions and scholarship since its inception. With an ISSN of 0195-6167 and E-ISSN 1533-8339, this journal has established a distinguished position within the academic community, boasting an impressive Q1 status in the Music category for 2023 and ranking #17 out of 180 in Scopus for Arts and Humanities, Music, placing it within the 90th percentile. Despite its non-open access format, MUSIC THEORY SPECTRUM offers a wealth of research articles, reviews, and theoretical discussions aimed at both seasoned scholars and students alike. It spans from 1981 until present, fostering critical engagement and advancing understanding within the discipline. Researchers and music theorists will find this journal an invaluable resource for the latest insights and methodologies in music theory.