Journal of the Society for American Music

Scope & Guideline

Charting New Territories in American Music Scholarship

Introduction

Delve into the academic richness of Journal of the Society for American Music with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN1752-1963
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2007 to 2024
AbbreviationJ SOC AM MUSIC / J. Soc. Am. Music
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

The Journal of the Society for American Music focuses on the diverse and evolving landscape of American music, examining its cultural, social, and historical contexts. It aims to foster interdisciplinary dialogue among scholars, practitioners, and audiences, while emphasizing the interconnectedness of music with issues of race, gender, identity, and politics.
  1. Cultural and Historical Analysis of American Music:
    The journal explores the historical development of various American music genres, including classical, folk, jazz, and popular music, and how these genres reflect broader cultural and societal changes.
  2. Interdisciplinary Approaches:
    It encourages interdisciplinary research that integrates musicology with fields such as sociology, history, cultural studies, and gender studies, thereby enriching the understanding of music's role in American society.
  3. Focus on Marginalized Voices:
    There is a consistent emphasis on the music of marginalized communities, including women, people of color, and indigenous groups, highlighting their contributions to the American musical landscape.
  4. Engagement with Contemporary Issues:
    The journal addresses contemporary issues in music, including race, politics, and identity, reflecting on how these issues influence musical expression and reception.
  5. Preservation and Archival Studies:
    It also delves into the preservation of American music history, examining archival practices and the role of music in shaping collective memory.
Recent publications reveal emerging themes that reflect current societal interests and academic inquiries within the field of American music studies.
  1. Social Justice and Music:
    There is a growing trend towards exploring the intersections of music with social justice movements, particularly those addressing racism, gender inequality, and LGBTQ+ rights, indicating a commitment to using music as a lens for social critique.
  2. Indigenous and Colonial Music Studies:
    Emerging themes focus on the music of indigenous peoples and the impact of colonialism on musical traditions, highlighting the need to address historical injustices and the resilience of indigenous cultures.
  3. Technology and Music Production:
    The influence of technology on music production and consumption is increasingly examined, particularly in relation to how digital platforms reshape musical experiences and community engagement.
  4. Expanded Notions of Genre:
    There is a trend towards examining hybrid genres and cross-cultural influences in American music, reflecting the complexities of identity and cultural exchange in contemporary society.
  5. Sonic Studies and Aural Cultures:
    Research in sonic studies is gaining traction, focusing on how sound shapes experiences and identities, and how listening practices inform cultural understanding.

Declining or Waning

As the journal evolves, certain themes have seen a decrease in prominence. This decline may reflect broader shifts in scholarly focus or changes in societal interests.
  1. Traditional Classical Music Studies:
    There has been a noticeable decrease in papers focused solely on traditional classical music analysis, as the journal shifts towards more contemporary and diverse musical expressions.
  2. Commercial Music Industry Critique:
    While the journal has published critiques of the music industry, there is a waning focus on purely commercial aspects, as the discourse increasingly integrates social and political contexts.
  3. Historical Musicology without Contemporary Relevance:
    Themes that do not connect historical musicological studies with contemporary issues or cultural relevance are appearing less frequently, as scholars seek to make their research pertinent to current societal debates.

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