KONSTHISTORISK TIDSKRIFT is a distinguished journal dedicated to the exploration of art history and its intersections with visual and performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this esteemed publication has been a vital resource for scholars and professionals alike since its inception in 1932, with a mission to advance the understanding of historical and contemporary artistic expression. Operating from the United Kingdom, it currently occupies a commendable Q3 Quartile ranking in both History and Visual Arts and Performing Arts categories for 2023, according to Scopus metrics. With an engaging array of peer-reviewed articles, the journal serves as a platform for critical discourse, fostering an inclusive intellectual community. As it looks ahead to its convergence into 2024, KONSTHISTORISK TIDSKRIFT promises to enrich the academic landscape with impactful research and insights, making it a vital resource for researchers, professionals, and students passionate about the field.

Sztuka i Dokumentacja-Art & Documentation is a pioneering open-access journal published by ACAD FINE ARTS GDANSK, focusing on the intersections of art, documentation, and artistic practices. Since its inception in 2009, this journal has committed itself to fostering a vibrant scholarly discourse within the fields of art history, visual documentation, and cultural criticism. With an ISSN of 2080-413X, it provides a platform for researchers, practitioners, and students to contribute to and access high-quality artistic research and theoretical investigations. The journal's open-access model ensures that studies are readily available to a global audience, promoting the dissemination of innovative ideas and dialogue in the contemporary art world. With its dedication to advancing the understanding of art through rigorous documentation and research, Sztuka i Dokumentacja serves as an essential resource for anyone seeking to explore the dynamic and multifaceted relationship between art and its documentation.

Visual Resources, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for scholarly research in the fields of Museology and Visual Arts and Performing Arts. With an ISSN of 0197-3762 and an E-ISSN of 1477-2809, this journal has navigated the academic landscape since its inception in 1980, continuing to amplify critical dialogues up to 2024. Positioning itself within category quartiles as Q3 for both museology and visual arts, the journal ranks at #302/667 in the Visual Arts and Performing Arts category and #41/83 in Museology according to Scopus, reflecting a significant yet competitive standing. Although not designated as Open Access, the publication remains accessible through institutional subscriptions, catering to a diverse audience of researchers, professionals, and students. By disseminating pioneering research and innovative methodologies pertinent to visual culture and museum practices, Visual Resources plays an indispensable role in advancing knowledge in its disciplines and connects academia with contemporary practice.

American Art, published by University of Chicago Press, is a leading journal in the fields of cultural studies and visual arts, with a notable impact in both academic and professional circles. Since its inception in 1996, the journal has provided a robust platform for scholarly discourse, showcasing a diverse array of research that examines the evolution, context, and significance of American art and its cultural implications. With an impressive Q2 ranking in Visual Arts and Performing Arts and a Q3 ranking in Cultural Studies for 2023, American Art remains a vital resource for researchers, professionals, and students alike, facilitating a deeper understanding of the intricacies within American artistic practices. While currently not offering open access, the journal is accessible through various academic databases, ensuring reach to a wide audience dedicated to the intersection of art and culture. The journal's commitment to innovative scholarship makes it an indispensable resource for anyone seeking to explore the dynamic landscape of American art.

Eikon Imago is an esteemed academic journal published by Universidad Complutense de Madrid, Facultad de Geografía e Historia, focusing on a diverse range of subjects within the Arts and Humanities. With an ISSN of 2254-8718 and an e-ISSN matching its print counterpart, the journal embraces an Open Access model since 2012, ensuring that its rich content remains freely accessible to researchers, professionals, and students around the globe. Lauded for its rigorous contributions to the fields of History, Religious Studies, and Visual Arts and Performing Arts, Eikon Imago has achieved notable rankings, including Q3 in several categories and a commendable position within the Scopus metrics, emphasizing its relevance and impact. With a commitment to interdisciplinary scholarship, the journal provides a valuable platform for innovative research and critical discourse, fostering a deeper understanding of cultural phenomena. As it converges through the years from 2019 to 2024, Eikon Imago continues to play a pivotal role in shaping the academic landscape of the humanities.

Perspective-Actualite en Histoire de L Art is a scholarly journal published by ARMAND COLIN, dedicated to the exploration and analysis of art history through a contemporary lens. With its ISSN 1777-7852, the journal provides insights and research findings that contribute to the ongoing discourse in the fields of history and visual arts, though it currently does not offer an open access model. Based in France, the journal has been actively publishing since 2010 and extends its academic reach through its rigorous evaluation process, ensuring quality and scholarly merit in its contributions. Despite currently holding a Q4 quartile ranking in both History and Visual Arts and Performing Arts categories, the journal plays a vital role in fostering dialogue among researchers, professionals, and students interested in the historical context and evolution of visual arts. Moreover, with Scopus rankings indicating its position within the competitive landscape of arts and humanities, Perspective-Actualite en Histoire de L Art serves as an important platform for critical analysis and modern interpretations of art history.

Zivot Umjetnosti, published by the INST POVIJEST UMJETNOSTI - INST ART HISTORY, is a notable Croatian journal that serves as a platform for scholarly discourse in the fields of visual arts, performing arts, and museology. With its inception in 2008, the journal has continued to provide a voice for researchers and practitioners alike, contributing significantly to ongoing conversations in the arts. Despite its current Q4 rank in both Visual Arts and Museology categories—placing it within the 21st and 17th percentiles, respectively—Zivot Umjetnosti is recognized for its commitment to advancing knowledge and fostering critical dialogue. The journal aims to bridge theoretical frameworks with practical applications, making it an invaluable resource for academics, curators, and students engaged in artistic research. While currently operating under traditional access options, Zivot Umjetnosti remains a fundamental publication for those wishing to explore and expand their understanding of the dynamic intersection of art and culture in Croatia and beyond.

ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.