FORUM MODERNES THEATER

Scope & Guideline

Navigating the Intersection of Theater and Visual Culture

Introduction

Delve into the academic richness of FORUM MODERNES THEATER with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageMulti-Language
ISSN0930-5874
PublisherGUNTER NARR VERLAG
Support Open AccessNo
CountryGermany
TypeJournal
Convergefrom 2002 to 2010, from 2012 to 2014, from 2019 to 2023
AbbreviationFORUM MOD THEATER / Forum Mod. Theater
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressDISCHINGERWEG 5, D 72070 TUBINGEN, GERMANY

Aims and Scopes

The journal 'FORUM MODERNES THEATER' aims to explore contemporary theatrical practices and their intersections with various socio-cultural and technological dimensions. It provides a platform for critical discourse on the evolving landscape of theater, emphasizing inclusivity and diverse perspectives in performance studies.
  1. Interdisciplinary Approaches to Theater Studies:
    The journal emphasizes the integration of various disciplines such as sociology, philosophy, and technology into theater studies, fostering a holistic understanding of contemporary performance.
  2. Focus on Diversity and Inclusion:
    A significant aim of the journal is to address and amplify marginalized voices and perspectives within theater, including explorations of race, gender, and colonial histories.
  3. Engagement with Technology and New Media:
    The journal investigates how technology reshapes theatrical experiences and aesthetics, reflecting on the implications of digital media, immersive experiences, and innovative performance methods.
  4. Historical Contextualization:
    'FORUM MODERNES THEATER' regularly situates contemporary practices within historical frameworks, allowing for a deeper understanding of the evolving nature of theater and its societal roles.
  5. Critical Reflection on Aesthetics and Ethics:
    The journal encourages critical discussions on the ethical dimensions of performance, exploring the relationship between aesthetics, audience engagement, and social responsibility.
Recent publications in 'FORUM MODERNES THEATER' indicate a shift towards several emerging themes that reflect contemporary societal issues and innovative practices in theater. These trends highlight the journal's responsiveness to the changing landscape of performance studies.
  1. Postcolonial and Decolonial Perspectives:
    An increasing number of articles focus on postcolonial critiques and decolonial approaches to theater, emphasizing the importance of recognizing and integrating marginalized voices and histories in contemporary performance.
  2. Intersections of Technology and Performance:
    The journal has seen a rising interest in the relationship between technology and theater, exploring how digital media, immersive experiences, and innovative staging techniques are transforming traditional performance.
  3. Environmental and Ecological Themes:
    Recent publications reflect a growing concern with ecological issues and sustainability in theater, examining how performance can engage with and respond to environmental crises.
  4. Choreography and Movement as Political Expression:
    There is a notable trend towards analyzing choreography and physical performance as forms of protest and political expression, highlighting the role of movement in contemporary socio-political contexts.
  5. Audience Engagement and Participation:
    The journal is increasingly focused on the dynamics of audience interaction and participatory practices in theater, exploring how these elements shape the overall experience and meaning of performances.

Declining or Waning

While 'FORUM MODERNES THEATER' continues to evolve, certain themes have shown a noticeable decline in frequency or prominence. These waning scopes reflect shifting interests within the field and may signal a move towards new areas of inquiry.
  1. Traditional Theater Criticism:
    There appears to be a decreasing focus on conventional theater criticism that strictly evaluates performances based on historical norms or established criteria, as the journal increasingly prioritizes innovative and interdisciplinary perspectives.
  2. Exclusively Western Canonical Works:
    The journal's shift towards inclusivity has led to a reduced emphasis on traditional Western theatrical canons, with fewer articles centered solely on classic plays or playwrights, reflecting a broader global perspective.
  3. Static Performance Analysis:
    Themes centered around static or unchanging interpretations of performance are less common, as the journal embraces dynamic and evolving interpretations that consider contemporary cultural contexts.

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