FORUM MODERNES THEATER
Scope & Guideline
Navigating the Intersection of Theater and Visual Culture
Introduction
Aims and Scopes
- Interdisciplinary Approaches to Theater Studies:
The journal emphasizes the integration of various disciplines such as sociology, philosophy, and technology into theater studies, fostering a holistic understanding of contemporary performance. - Focus on Diversity and Inclusion:
A significant aim of the journal is to address and amplify marginalized voices and perspectives within theater, including explorations of race, gender, and colonial histories. - Engagement with Technology and New Media:
The journal investigates how technology reshapes theatrical experiences and aesthetics, reflecting on the implications of digital media, immersive experiences, and innovative performance methods. - Historical Contextualization:
'FORUM MODERNES THEATER' regularly situates contemporary practices within historical frameworks, allowing for a deeper understanding of the evolving nature of theater and its societal roles. - Critical Reflection on Aesthetics and Ethics:
The journal encourages critical discussions on the ethical dimensions of performance, exploring the relationship between aesthetics, audience engagement, and social responsibility.
Trending and Emerging
- Postcolonial and Decolonial Perspectives:
An increasing number of articles focus on postcolonial critiques and decolonial approaches to theater, emphasizing the importance of recognizing and integrating marginalized voices and histories in contemporary performance. - Intersections of Technology and Performance:
The journal has seen a rising interest in the relationship between technology and theater, exploring how digital media, immersive experiences, and innovative staging techniques are transforming traditional performance. - Environmental and Ecological Themes:
Recent publications reflect a growing concern with ecological issues and sustainability in theater, examining how performance can engage with and respond to environmental crises. - Choreography and Movement as Political Expression:
There is a notable trend towards analyzing choreography and physical performance as forms of protest and political expression, highlighting the role of movement in contemporary socio-political contexts. - Audience Engagement and Participation:
The journal is increasingly focused on the dynamics of audience interaction and participatory practices in theater, exploring how these elements shape the overall experience and meaning of performances.
Declining or Waning
- Traditional Theater Criticism:
There appears to be a decreasing focus on conventional theater criticism that strictly evaluates performances based on historical norms or established criteria, as the journal increasingly prioritizes innovative and interdisciplinary perspectives. - Exclusively Western Canonical Works:
The journal's shift towards inclusivity has led to a reduced emphasis on traditional Western theatrical canons, with fewer articles centered solely on classic plays or playwrights, reflecting a broader global perspective. - Static Performance Analysis:
Themes centered around static or unchanging interpretations of performance are less common, as the journal embraces dynamic and evolving interpretations that consider contemporary cultural contexts.
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