DANCE CHRONICLE, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for the exploration and examination of dance in its multifaceted forms. Established in 1977 and continuing its commitment to the field, this journal engages researchers, professionals, and students alike, providing critical insights into dance history, theory, and contemporary practice. With an impressive track record spanning over four decades, it garners a significant standing within the Visual Arts and Performing Arts categories, evidenced by its Scopus ranking at 282 out of 667, placing it in the 57th percentile. While currently not operating under an open-access model, DANCE CHRONICLE remains an essential resource for those involved in the scholarly analysis and appreciation of dance, making contributions that enrich the cultural and academic dialogues surrounding this dynamic art form.

Sala Preta is a distinguished academic journal published by UNIV SAO PAULO, ESCOLA COMUNICACOES & ARTES, dedicated to the exploration of communication and art in contemporary society. With its ISSN 2238-3867, this journal serves as an essential platform for researchers, professionals, and students to disseminate innovative research and critical analysis in the fields of visual arts, media studies, and cultural communication. Although not classified as Open Access, Sala Preta remains pivotal for fostering academic discourse, encouraging interdisciplinary collaboration, and advancing knowledge within its scope. Situated in the vibrant cultural landscape of São Paulo, Brazil, this journal signifies a commitment to high-quality scholarship that is both relevant and impactful in today's rapidly evolving digital and artistic contexts.

ARTMargins, published by MIT Press, stands at the intersection of cultural studies, history, and the visual and performing arts. Since its inception in 2012, this journal has provided a platform for critical dialogue and scholarly inquiry into contemporary art and its socio-political contexts, exploring the margins of artistic practice and representation. With a current Q3 ranking in Cultural Studies and History, and a Q2 ranking in Visual Arts and Performing Arts, ARTMargins is recognized for its impactful contributions to its fields, despite facing significant competition. The journal caters to academics, professionals, and students eager to delve into nuanced analyses and interdisciplinary approaches that challenge traditional narratives. As an essential resource for those studying art's role in society, ARTMargins fosters a deeper understanding of how culture shapes and is shaped by ephemeral artistic expressions. While the journal operates under a subscription model, it remains committed to accessibility and wide-reaching discourse within the academic community.

MODERN DRAMA is a premier academic journal published by University of Toronto Press Inc, specializing in the field of literature and literary theory, with a particular focus on the dramatic arts. Established to foster scholarly dialogue, this journal offers a platform for innovative research and critical perspectives on modern theatrical practices and their cultural contexts. With an esteemed Q1 ranking in the category of Literature and Literary Theory for 2023, it places high importance on scholarly rigour and relevance, ensuring that its contributions resonate within the academic community. Though it operates under a traditional subscription model, MODERN DRAMA remains vital for researchers, professionals, and students dedicated to exploring the complexities of contemporary drama. With coverage ranging from 2002 to 2024, it continues to push the boundaries of literary discourse, making it an essential resource for anyone engaged in the dynamic field of drama studies.

THEATER, an esteemed journal published by DUKE UNIVERSITY PRESS, stands at the intersection of scholarly discourse in the fields of Literature, Literary Theory, and the Visual and Performing Arts. Established in 2002, this journal offers a platform for critical analysis and innovative research, aiming to enrich the understanding of theatrical practices and their broader cultural implications. With a current impact factor that places it in the Q3 category for both Literary Theory and the Visual Arts in 2023, THEATER caters to a diverse audience of researchers, professionals, and students, fostering engagement and dialogue through its rigorous peer-reviewed articles. Although it does not currently offer open access, its commitment to scholarly excellence makes it a vital resource for anyone involved in the performing arts landscape. The journal appreciated for its analytical depth and diverse perspectives, aims to illuminate the ways theater intertwines with contemporary cultural discussions, thereby establishing itself as an important publication within the academic community.

International Journal of Performance Arts and Digital Media, published by Routledge Journals, Taylor & Francis Ltd, stands at the forefront of interdisciplinary research encompassing the dynamic fields of performance arts and digital media. With an ISSN of 1479-4713 and an E-ISSN of 2040-0934, this esteemed journal has been a vital platform since its inception in 2005, highlighting significant contributions to both Visual Arts and Communication. As evidenced by its impressive rankings—Q1 in Visual Arts and Performing Arts and Q2 in Communication for 2023—the journal's high-impact research caters to a diverse audience, making it invaluable for academics, practitioners, and students alike. Though it follows a traditional subscription model and does not currently offer open access options, the International Journal of Performance Arts and Digital Media remains committed to publishing cutting-edge scholarship and critical dialogues that explore the intricate relationships between artistic expression and digital technologies. Its rigorous peer-review process ensures that all published works meet the highest academic standards, fostering an environment of innovation and creativity within its community.

Wacana Seni-Journal of Art Discourse, published by Penerbit Universiti Sains Malaysia, is a premier academic journal that has been a pivotal platform for the exploration and engagement of interdisciplinary studies within the fields of Cultural Studies, Music, and Visual Arts and Performing Arts. With its ISSN 1675-3410 and E-ISSN 1985-8418, the journal has established itself as an influential resource since its inception in 2011, now spanning up to 2023. Recognized in the Q2 category within multiple disciplines, Wacana Seni ranks impressively among its peers, reflecting its commitment to high-quality research, as evidenced by its admirable rankings within Scopus. The journal aims to foster dialogue and disseminate cutting-edge scholarship that enhances the understanding and appreciation of art in its myriad forms, thus inviting contributions from researchers, professionals, and students alike to further enrich the discourse in the arts. Based in Penang, Malaysia, and committed to open access, Wacana Seni serves as a vital conduit for knowledge exchange within the global art community.

SHAKESPEARE QUARTERLY is a premier academic journal dedicated to the interdisciplinary study of William Shakespeare’s works and their profound impact on literature and the arts. Published by Oxford University Press Inc, this influential journal has established itself as a vital resource for scholars and students alike, catering to a wide-ranging audience interested in the intersections of literature, performance, and visual arts. With its consistent ranking in the Q1 category for both Literature and Literary Theory, as well as Visual Arts and Performing Arts, SHAKESPEARE QUARTERLY maintains a formidable presence in the academic landscape, currently positioned in the 65th percentile for literature within the Arts and Humanities. The journal's effective and rigorous peer-review process ensures that only high-quality research articles are published, contributing significantly to ongoing scholarly conversations. By fostering critical dialogue and innovation in the study of Shakespearean texts, this journal plays a crucial role in advancing the field and inspiring future research.

CONTEMPORARY THEATRE REVIEW is a leading journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of theatre, performance studies, and contemporary visual arts. With a Q2 ranking in both Visual Arts and Performing Arts, this journal has established itself as a significant platform for scholarly discourse and critical analysis since its inception in 1992, particularly from 1994 through 2024. Researchers, practitioners, and students engaging with the evolving landscape of theatre will find this journal an essential resource for innovative research, reviews, and theoretical papers. The journal invites contributions that explore diverse themes in contemporary performance, ensuring it remains at the forefront of the academic and professional dialogue within the performing arts community.

THEATER HEUTE is a distinguished journal dedicated to the exploration of contemporary theater and performance art, published by Friedrich Berlin Verlag MBH. With its ISSN 0040-5507, this journal serves as an essential resource for researchers, practitioners, and students in the fields of Arts and Humanities, particularly within the Visual Arts and Performing Arts categories. While access is not open, its rich content spans critical discourses, artistic analyses, and insights into new trends in theater from 2002 to 2013 and again from 2017 to 2019, reflecting the dynamic nature of performance studies. Though it is currently ranked in the 6th percentile among similar publications in Scopus, it provides valuable perspectives that contribute to ongoing conversations within the arts. Readers can expect to engage with cutting-edge research, innovative practices, and significant theoretical frameworks, making THEATER HEUTE a vital publication for anyone committed to deepening their understanding of theatrical arts.