THEATRE SURVEY, an esteemed journal published by Cambridge University Press, serves as a vital platform for innovative research in the realms of visual arts and performing arts. With an ISSN of 0040-5574 and an E-ISSN of 1475-4533, this journal has established itself as a prominent source for critical discourse and analysis since its inception in 1960. Currently categorized in the Q3 quartile for Visual Arts and Performing Arts, it ranks #239 out of 667 in Scopus, highlighting its relevance and impact in the field, positioned in the 64th percentile. Although it does not offer open access, the journal's rigorous peer-review process ensures the dissemination of high-quality scholarship crucial for researchers, professionals, and students alike. Based in Cambridge, England, THEATRE SURVEY aims to enrich the academic landscape with its comprehensive coverage of theatrical studies, theory, and practice, fostering a deeper understanding of the dynamic interplay between performance and society.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

Agora-Estudos Classicos em Debate is a distinguished open-access journal published by UNIV AVEIRO, located in the heart of Portugal. Since its launch in 1999, the journal has committed to fostering scholarly dialogue within the fields of Classics and Literature and Literary Theory. As a testament to its academic rigor, it has achieved a Q3 ranking in both subject categories for 2023, placing it among relevant discourses in the humanities. The journal's Scopus ranks reveal its standing within the community, with a rank of #577 out of 1106 in Literature and Literary Theory and #101 out of 170 in Classics. By providing a platform for original research and critical discussions, Agora serves as a vital resource for researchers, professionals, and students eager to explore the nuanced intersections of classical studies and contemporary literary analysis. With the advantage of open access, the journal ensures that knowledge is disseminated widely, embodying its commitment to academic accessibility and excellence.

FRENCH FORUM is a distinguished journal published by the Department of Romance Languages at the University of Pennsylvania, focusing on the rich tapestry of literature, visual arts, and performing arts within the French-speaking world. With an ISSN of 0098-9355 and an E-ISSN of 1534-1836, the journal has evolved since its inception, now covering diverse topics from 2002 to 2023. Although currently ranked in the fourth quartile in both Literature and Literary Theory and Visual Arts and Performing Arts, it provides a platform for emerging voices and critical discussions, making it an essential resource for scholars and practitioners alike. FRENCH FORUM aims to cultivate interdisciplinary dialogue, offering insights that resonate with contemporary cultural and literary studies while supporting the exploration of both canonical and avant-garde works. Despite its open access status, the journal continues to be a relevant player in academia, inviting contributions that challenge, shape, and redefine the landscape of French studies.

LATIN AMERICAN THEATRE REVIEW, published by the University of Kansas, serves as a vital scholarly resource in the field of theatre studies, specifically focusing on the rich tapestry of Latin American theatrical works and their cultural significance. With an ISSN of 0023-8813 and an E-ISSN of 2161-0576, this journal is committed to disseminating innovative and critical insights that facilitate the understanding of contemporary and historical performance arts in Latin America. Despite its Q4 ranking in the Visual Arts and Performing Arts category, it plays an important role in bridging gaps within academic literature, particularly from 2002 to 2024, by attracting contributions from researchers and practitioners alike. While the journal does not currently offer an open access model, it is highly regarded as a platform for both established and emerging scholars. The LATIN AMERICAN THEATRE REVIEW not only emphasizes the importance of theatrical practices but also enriches broader discussions on cultural identity and social issues within Latin America, making it an essential read for anyone passionate about the performing arts.

Listy Filologicke is a distinguished academic journal published by the Institute of Classical Studies at the Academy of Sciences of the Czech Republic, focusing on the interdisciplinary fields of History, Linguistics and Language, and Literature and Literary Theory. With an ISSN of 0024-4457 and an E-ISSN of 2570-9410, this journal has been a pivotal platform for scholarly discourse since its convergence years began in 2003. Notably, it holds a Q3 classification in History and Linguistics and Language, and a Q2 in Literature and Literary Theory as of 2023. Its rankings within Scopus illustrate its relevance and impact in academia, with noteworthy positions in the Arts and Humanities and Social Sciences categories. Researchers, professionals, and students will find Listy Filologicke an invaluable resource for exploring cutting-edge research, critical analyses, and discourse that contribute significantly to their respective fields. Based in the heart of the Czech Republic, it continues to promote scholarly excellence and foster international collaboration.

COMPARATIVE DRAMA is an esteemed journal published by Western Michigan University that examines a broad spectrum of drama across cultures and time periods. With an ISSN of 0010-4078 and an E-ISSN of 1936-1637, this journal serves as a critical platform for researchers, educators, and students in the fields of literature and literary theory. Although classified in the Q3 quartile for 2023, its commitment to scholarly rigor and innovative discourse on comparative drama ensures its relevance in the academic community, garnering attention from a global audience. The journal is particularly valued for its interdisciplinary approach, making it a vital resource for those interested in exploring the interplay between dramatic texts and their cultural, historical, and social contexts. With a strong foundational focus that spans from 2002 to 2024, COMPARATIVE DRAMA continues to engage with contemporary issues surrounding theatrical practice and performance studies, paving the way for new interpretations and scholarly conversations.

Comedia Performance is a prestigious journal dedicated to the dynamic field of performance studies, published by Penn State University Press. With its ISSN 1553-6505 and E-ISSN 2572-4428, this journal serves as a critical platform for scholars, artists, and practitioners alike to explore the intricate relationship between performance and its cultural contexts. While it currently operates under a traditional access model, its content is invaluable for researchers interested in the rich tapestry of theatrical, musical, and experimental performance practices. The journal aims to foster interdisciplinary dialogue and promote innovative research methodologies, making it an essential resource for those looking to deepen their understanding of performance as an academic discipline. Situated in University Park, Pennsylvania, Comedia Performance continues to contribute significantly to the evolving narratives within the arts and cultural studies, encouraging scholarly conversations that resonate with both historical and contemporary performance trends.

SHAKESPEARE QUARTERLY is a premier academic journal dedicated to the interdisciplinary study of William Shakespeare’s works and their profound impact on literature and the arts. Published by Oxford University Press Inc, this influential journal has established itself as a vital resource for scholars and students alike, catering to a wide-ranging audience interested in the intersections of literature, performance, and visual arts. With its consistent ranking in the Q1 category for both Literature and Literary Theory, as well as Visual Arts and Performing Arts, SHAKESPEARE QUARTERLY maintains a formidable presence in the academic landscape, currently positioned in the 65th percentile for literature within the Arts and Humanities. The journal's effective and rigorous peer-review process ensures that only high-quality research articles are published, contributing significantly to ongoing scholarly conversations. By fostering critical dialogue and innovation in the study of Shakespearean texts, this journal plays a crucial role in advancing the field and inspiring future research.

Seizieme Siecle is a distinguished journal published by LIBRAIRIE DROZ SA, focusing on the rich tapestry of the 16th century—a pivotal period that shaped the arts, literature, and cultural studies. As a publication dedicated to bringing scholarly discourse to the forefront, it features a range of critical analyses and interdisciplinary studies that examine the multifaceted influences of the era. While the journal currently does not operate under an Open Access model, its commitment to quality research is reflected in its inclusion in Scopus, albeit with limited convergence years and relatively low rankings across various relevant fields in the Arts and Humanities. Researchers, professionals, and students interested in deepening their understanding of historical contexts and their artistic expressions will find valuable insights within the pages of Seizieme Siecle. With its base in Geneva, Switzerland, the journal offers a unique perspective, contributing significantly to the ongoing academic conversations surrounding the Renaissance and its lasting impact.