THEATRE HISTORY STUDIES, published by University of Alabama Press, serves as an essential platform for scholarly discourse and research in the fields of Cultural Studies and Visual Arts and Performing Arts. With an ISSN of 0733-2033, this journal offers critical insights into the evolution of theatre and performance, positioning itself as a valuable resource for researchers and practitioners alike. Despite its niche focus, it holds a commendable ranking in Scopus, reflecting its cultural significance and academic rigor—ranked #356 out of 667 in Visual Arts and Performing Arts and #911 out of 1304 in Cultural Studies. The journal has published continuously from 2002 to 2012, and again in 2014 to 2019, as well as from 2021 to 2023, consistently fostering a rich dialogue around artistic practices and historical contexts. Although not open access, its articles are pivotal for advancing knowledge and inspiring new perspectives in the interplay of theatre, culture, and society. For those dedicated to understanding the intricate tapestry of performance studies, THEATRE HISTORY STUDIES is a must-read.

Journal of Contemporary Drama in English is a prestigious academic publication dedicated to the exploration of contemporary drama written in English. Published by WALTER DE GRUYTER GMBH in Germany, this journal serves as a vital resource for researchers, professionals, and students engaged in the fields of literature, literary theory, visual arts, and performing arts. With an impressive impact factor reflected in its Q2 ranking in both Literature and Literary Theory and Visual Arts and Performing Arts categories for 2023, the journal demonstrates its relevance and influence in academic discourse. It provides a platform for critical examination and innovative scholarship, covering a broad range of topics related to contemporary dramatic texts and performances. The journal is committed to fostering interdisciplinary dialogue and exploring the socio-cultural contexts of drama, making it an essential reference for anyone invested in the contemporary landscape of theatre and performance studies.

GIORNALE STORICO DELLA LETTERATURA ITALIANA is a distinguished journal published by CASA EDITRICE LOESCHER that serves as a critical platform for the exploration and analysis of Italian literary history. With an ISSN of 0017-0496, this journal encompasses a broad spectrum of topics within the field of literature and literary theory, contributing to the academic dialogue surrounding Italy's rich literary heritage. Although it is not openly accessible and has discontinued its coverage in Scopus since 2021, the journal has established its presence in the scholarly community, being ranked in the 18th percentile within the literature and literary theory category. Its historical significance and focus on literature position it as an essential resource for researchers, professionals, and students keen on deepening their understanding of Italian literature and its impact on cultural studies. By engaging with the contents of this journal, readers will gain valuable insights into the evolution of literary discourses and the role of Italian literature in contemporary society.

NEW THEATRE QUARTERLY, published by Cambridge University Press, is a leading academic journal in the realm of Visual Arts and Performing Arts, demonstrating significant contributions to the study and practice of theatre since its inception in 1985. With an ISSN of 0266-464X and an E-ISSN of 1474-0613, this Journal not only features scholarly articles but also engages practitioners and academics with thought-provoking discussions and analyses relevant to contemporary theatrical practices. Its current standing in the Q2 category for the year 2023 showcases its influence, ranked at 282 out of 667 in its field, placing it in the 57th percentile according to Scopus rankings. Spanning from the field of aesthetics to performance studies, NEW THEATRE QUARTERLY aims to foster a dialogue that bridges historical perspectives with modern theoretical frameworks, enriching the academic landscape and supporting budding theatre scholars and practitioners alike. Although not an open-access journal, it provides diverse access options through various academic libraries globally, ensuring that key insights within theatre research are readily available to students and professionals striving to enhance their understanding and engagement with the performing arts.

The Harold Pinter Review-Essays on Contemporary Drama, published by Penn State University Press, is an esteemed academic journal dedicated to the exploration of contemporary drama through the lens of Harold Pinter's significant contributions to the field. With an ISSN of 2473-8433 and an E-ISSN of 2473-8441, the journal aims to synthesize critical essays and reviews that enhance the understanding of Pinter's work and its impact on modern theatrical practices. Engaging with a diverse range of topics related to drama, performance, and literature, this journal targets scholars, theater professionals, and students alike, providing them with a platform to share rigorous analysis and innovative perspectives. Although it does not currently operate under an Open Access model, the Harold Pinter Review remains a vital resource for anyone devoted to the study of contemporary theatre and the lasting influence of Pinter's narratives on global drama.

Shaw - The Journal of Bernard Shaw Studies, published by Penn State University Press, is a critical resource dedicated to the exploration and analysis of the works and impact of playwright George Bernard Shaw. As a leading journal in the field of literature and literary theory, it serves as a forum for interdisciplinary scholarship that engages with Shaw's plays, political writings, and cultural critiques. With an ISSN of 0741-5842 and an E-ISSN of 1529-1480, this journal is an invaluable platform for researchers and students seeking to deepen their understanding of Shaw's contributions to literature and society. Although it currently resides in the Q4 Quartile in the Literature and Literary Theory category, and holds a Scopus rank of #757 out of 1106, it reflects a growing interest in Shaw's relevance to contemporary discussions in literature. The journal has been converging from 2010 to 2024, ensuring a sustained dialogue around Shaw's legacy. While it is not currently an open-access publication, it continues to attract a diverse readership eager to delve into the complexities of Shaw's thought and artistry.

Seizieme Siecle is a distinguished journal published by LIBRAIRIE DROZ SA, focusing on the rich tapestry of the 16th century—a pivotal period that shaped the arts, literature, and cultural studies. As a publication dedicated to bringing scholarly discourse to the forefront, it features a range of critical analyses and interdisciplinary studies that examine the multifaceted influences of the era. While the journal currently does not operate under an Open Access model, its commitment to quality research is reflected in its inclusion in Scopus, albeit with limited convergence years and relatively low rankings across various relevant fields in the Arts and Humanities. Researchers, professionals, and students interested in deepening their understanding of historical contexts and their artistic expressions will find valuable insights within the pages of Seizieme Siecle. With its base in Geneva, Switzerland, the journal offers a unique perspective, contributing significantly to the ongoing academic conversations surrounding the Renaissance and its lasting impact.

SHAKESPEARE QUARTERLY is a premier academic journal dedicated to the interdisciplinary study of William Shakespeare’s works and their profound impact on literature and the arts. Published by Oxford University Press Inc, this influential journal has established itself as a vital resource for scholars and students alike, catering to a wide-ranging audience interested in the intersections of literature, performance, and visual arts. With its consistent ranking in the Q1 category for both Literature and Literary Theory, as well as Visual Arts and Performing Arts, SHAKESPEARE QUARTERLY maintains a formidable presence in the academic landscape, currently positioned in the 65th percentile for literature within the Arts and Humanities. The journal's effective and rigorous peer-review process ensures that only high-quality research articles are published, contributing significantly to ongoing scholarly conversations. By fostering critical dialogue and innovation in the study of Shakespearean texts, this journal plays a crucial role in advancing the field and inspiring future research.

REVUE D HISTOIRE DU THEATRE is a distinguished academic journal published by the Société d'Histoire du Théâtre in France, focusing on the rich historical tapestry of theater studies. Since its inception, the journal has dedicated itself to the exploration and appreciation of theatrical art, its evolution, and its socio-cultural implications, particularly within the realms of Literature and Literary Theory and Visual Arts and Performing Arts. With a consistent publication history starting from 1999, the journal is indexed in Scopus, currently positioned in Q4 quartiles, providing researchers, professionals, and students a platform for both innovative scholarship and critical analysis. While it does not offer Open Access options, REVUE D HISTOIRE DU THEATRE remains an invaluable resource for those seeking in-depth knowledge and scholarly discourse in the history of theater.

THEATER, an esteemed journal published by DUKE UNIVERSITY PRESS, stands at the intersection of scholarly discourse in the fields of Literature, Literary Theory, and the Visual and Performing Arts. Established in 2002, this journal offers a platform for critical analysis and innovative research, aiming to enrich the understanding of theatrical practices and their broader cultural implications. With a current impact factor that places it in the Q3 category for both Literary Theory and the Visual Arts in 2023, THEATER caters to a diverse audience of researchers, professionals, and students, fostering engagement and dialogue through its rigorous peer-reviewed articles. Although it does not currently offer open access, its commitment to scholarly excellence makes it a vital resource for anyone involved in the performing arts landscape. The journal appreciated for its analytical depth and diverse perspectives, aims to illuminate the ways theater intertwines with contemporary cultural discussions, thereby establishing itself as an important publication within the academic community.