International Journal of Community Music

Scope & Guideline

Fostering Connections Through the Rhythm of Community Engagement

Introduction

Welcome to your portal for understanding International Journal of Community Music, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN1752-6299
PublisherINTELLECT LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2008 to 2024
AbbreviationINT J COMMUNITY MUSI / Int. J. Community Music
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND

Aims and Scopes

The International Journal of Community Music focuses on the intersection of music and community, exploring how music can serve as a tool for social change, inclusion, and well-being. The journal emphasizes research that contributes to the understanding of community music practices and their impact on individuals and societies.
  1. Community Music Practices:
    The journal examines various forms of community music, including participatory practices, choral singing, and music therapy, highlighting how these activities foster social connections and individual well-being.
  2. Social Impact of Music:
    Research published in the journal often investigates the social implications of music-making, including its role in promoting inclusion, cultural heritage, and community identity.
  3. Interdisciplinary Approaches:
    The journal embraces interdisciplinary methodologies, integrating perspectives from sociology, psychology, education, and cultural studies to deepen the understanding of community music.
  4. Music and Well-being:
    A core focus on the relationship between music and health, including studies on music therapy, community music interventions, and the therapeutic benefits of music for diverse populations.
  5. Cultural Heritage and Identity:
    The journal explores how community music practices serve to preserve cultural heritage and foster identity, particularly in diverse and marginalized communities.
Recent publications reflect a dynamic shift in the themes explored by the International Journal of Community Music, with emerging areas of focus that highlight contemporary issues and innovative practices.
  1. Digital and Online Community Music:
    There is a growing trend towards exploring how digital platforms facilitate community music engagement, especially following the COVID-19 pandemic, which has reshaped how music is created and consumed.
  2. Music and Mental Health:
    An increasing number of studies focus on the therapeutic aspects of music-making, particularly in relation to mental health and well-being, reflecting a broader societal recognition of music's healing potential.
  3. Activism and Artistic Expression:
    Emerging themes include the use of community music as a form of activism, with research highlighting how music can address social issues and foster community resilience.
  4. Inclusive Practices in Community Music:
    There is a heightened focus on inclusion, encompassing diverse populations and marginalized communities, with research dedicated to understanding how community music can promote equity and representation.
  5. Impact of COVID-19 on Community Music:
    The pandemic has prompted a surge in research examining the effects of COVID-19 on community music practices, including adaptations and innovations in response to the crisis.

Declining or Waning

As the journal evolves, certain themes that were once prominent are becoming less frequent in recent publications. This section highlights those declining areas of interest.
  1. Traditional Music Forms:
    While traditional music has been a significant area of focus, there appears to be a waning interest in purely traditional practices, with a shift towards more contemporary applications of community music.
  2. Theoretical Frameworks in Community Music:
    There has been a noticeable decline in papers that focus heavily on theoretical frameworks without practical application, as the journal increasingly prioritizes research that demonstrates real-world impact.
  3. Solo Music Practices:
    Research on solo musical practices is less represented, indicating a shift towards collaborative and communal music-making as a primary focus within the community music discourse.

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