POPULAR MUSIC AND SOCIETY

Scope & Guideline

Exploring the Soundtrack of Society

Introduction

Welcome to your portal for understanding POPULAR MUSIC AND SOCIETY, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0300-7766
PublisherTAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1971 to 1975, from 1977 to 2001, from 2003 to 2024
AbbreviationPOP MUSIC SOC / Pop. Music Soc.
Frequency5 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OR14 4RN, OXON, ENGLAND

Aims and Scopes

The journal "Popular Music and Society" serves as an interdisciplinary platform that explores the multifaceted relationship between popular music and societal dynamics. It aims to critically analyze how music intersects with cultural, political, and social issues across various contexts.
  1. Cultural Analysis of Popular Music:
    The journal focuses on the cultural implications of popular music, examining how it reflects and shapes societal values, identities, and movements.
  2. Gender Studies in Music:
    There is a consistent focus on gender dynamics within popular music, exploring the roles and representations of different genders in music production, performance, and reception.
  3. Music and Politics:
    The journal provides insights into the political dimensions of popular music, investigating how music serves as a form of protest or a vehicle for political expression.
  4. Global Perspectives on Music:
    It encompasses a global view of popular music, analyzing genres and practices from various cultural backgrounds and their interactions in a globalized world.
  5. Digital Era and Music Consumption:
    The impact of digital technology on music production, distribution, and consumption is a critical area of exploration, addressing the transformations in the music industry.
  6. Music as a Social Practice:
    The journal emphasizes the social practices surrounding music, including community engagement, live performances, and the role of music in social movements.
In recent years, "Popular Music and Society" has witnessed the emergence of several new themes that reflect current societal changes and the evolving role of music. The following trends highlight the journal's responsiveness to contemporary issues and innovations.
  1. Intersectionality in Music Studies:
    There is a growing emphasis on intersectionality, exploring how various identities (race, gender, sexuality) interact within the context of popular music.
  2. Music and Mental Health:
    Recent publications increasingly address the relationship between music and mental health, emphasizing music's role in emotional expression and healing.
  3. Environmental Issues in Music:
    Emerging discussions focus on environmental themes in popular music, examining how artists respond to climate change and ecological concerns through their work.
  4. Digital Participation and Fan Cultures:
    The rise of digital platforms has fostered new forms of participation and fan engagement, leading to analyses of how these cultures shape both music and community.
  5. Globalization and Cultural Hybridity:
    The journal is increasingly exploring the themes of globalization and cultural hybridity in music, reflecting the interconnectedness of musical practices across borders.

Declining or Waning

While "Popular Music and Society" continues to thrive in many areas, certain themes have shown signs of decline or reduced frequency in recent publications. These waning scopes reflect shifting interests and the evolving landscape of popular music studies.
  1. Traditional Genre Studies:
    There has been a noticeable decline in traditional genre studies, as the journal increasingly emphasizes cross-genre analysis and the fluidity of musical categories.
  2. Focus on Nostalgia in Music:
    Although nostalgia remains relevant, the explicit focus on nostalgic themes in music has decreased, possibly due to a shift toward contemporary issues and innovations in popular music.
  3. Historical Music Analysis:
    The analysis of historical music and its impact on current trends has waned, with less emphasis on retrospective studies compared to contemporary music practices.
  4. Music Education Discussions:
    Topics surrounding formal music education and pedagogy have become less prominent, as the journal leans more towards practical and cultural applications of music in society.

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