INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC

Scope & Guideline

Connecting Cultures Through the Lens of Music

Introduction

Welcome to your portal for understanding INTERNATIONAL REVIEW OF THE AESTHETICS AND SOCIOLOGY OF MUSIC, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageMulti-Language
ISSN0351-5796
PublisherCROATIAN MUSICOLOGICAL SOC
Support Open AccessNo
CountryCroatia
TypeJournal
Convergefrom 2009 to 2016, from 2018 to 2023
AbbreviationINT REV AESTHET SOC / Int. Rev. Aesthet. Sociol. Music
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressOPATICKA 18, HR-71000 ZAGREB, CROATIA

Aims and Scopes

The *International Review of the Aesthetics and Sociology of Music* focuses on the intersection of music, aesthetics, and societal influences. It aims to provide a platform for scholarly discourse that critically engages with various dimensions of music, from its historical contexts and cultural implications to its theoretical frameworks and performance practices.
  1. Aesthetic Analysis of Music:
    The journal explores various aesthetic theories and how they relate to musical works, examining concepts such as beauty, emotion, and expression in both classical and contemporary contexts.
  2. Sociocultural Impacts of Music:
    Research published in the journal investigates how music interacts with social structures, cultural identities, and historical narratives, reflecting on its role in societal change and individual agency.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary methodologies, incorporating perspectives from sociology, philosophy, ethnomusicology, and performance studies to enrich the understanding of music's multifaceted nature.
  4. Focus on Global and Local Music Practices:
    The journal provides insights into both global music trends and local musical practices, emphasizing the importance of context in the understanding of musical phenomena.
  5. Exploration of Music Technology and Digital Culture:
    Recent papers delve into the impact of digital technologies on music creation, distribution, and consumption, reflecting the evolving landscape of music in the digital age.
Recent publications have highlighted several emerging themes that reflect contemporary interests and societal developments in music. These trends indicate a shift towards more inclusive, technology-driven, and socially engaged research areas.
  1. Intercultural and Global Music Practices:
    There is an increasing focus on intercultural exchanges in music, as evidenced by studies on traditional music forms and their adaptations in modern contexts, highlighting the fluidity and hybridity of musical identities.
  2. Music and Technology:
    Recent research emphasizes the role of digital technologies in reshaping musical creation and consumption, exploring genres like Mahraganat and their evolution in the digital landscape.
  3. Agency and Identity in Music:
    Emerging themes around agency, particularly relating to gender and identity within musical contexts, are gaining traction, reflecting a broader societal discourse on representation and power dynamics in music.
  4. Music as a Tool for Social Change:
    There is a growing trend of examining music's role in social movements and cultural shifts, focusing on how music can reflect and influence societal transformations.
  5. Embodiment and Performance Studies:
    Recent publications are increasingly concerned with the embodied experience of music, examining how physicality and performance influence musical interpretation and reception.

Declining or Waning

As the journal evolves, certain themes are becoming less prominent in its publications. This shift may reflect broader trends in music studies or changing interests within the scholarly community.
  1. Traditional Musicology:
    There has been a noticeable decline in topics strictly focused on traditional musicology, such as historical music analysis or biographical studies of composers, as the journal increasingly embraces interdisciplinary and contemporary approaches.
  2. Eurocentric Perspectives:
    Papers focusing predominantly on Western classical music and its historical development are less frequent, indicating a waning interest in Eurocentric views of music in favor of more diverse, inclusive perspectives.
  3. Static Theoretical Frameworks:
    The application of static theoretical frameworks in analyzing music is diminishing, as researchers seek more dynamic and context-sensitive methodologies that account for the complexities of modern musical experiences.

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