FILM QUARTERLY

Scope & Guideline

Enhancing Understanding Through Rigorous Analysis

Introduction

Delve into the academic richness of FILM QUARTERLY with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN0015-1386
PublisherUNIV CALIFORNIA PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 1969 to 2024
AbbreviationFILM QUART / Film Q.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address155 GRAND AVE, SUITE 400, OAKLAND, CA 94612-3758

Aims and Scopes

Film Quarterly is dedicated to the exploration of film, media, and cultural studies, fostering critical discussions about the evolving landscape of cinema and its intersections with society, technology, and identity. The journal emphasizes diverse methodologies and interdisciplinary approaches, making significant contributions to the understanding of film as both an art form and a medium of communication.
  1. Interdisciplinary Film Studies:
    The journal publishes works that blend various fields such as cultural studies, sociology, history, and aesthetics, providing a multifaceted view of cinema and its cultural implications.
  2. Global Perspectives on Cinema:
    Film Quarterly emphasizes the importance of international cinema, exploring films from diverse cultures and contexts, and examining their influence on global film culture.
  3. Critical Theory and Analysis:
    The journal encourages contributions that engage with critical theories, including feminist, queer, postcolonial, and critical race theories, to analyze films and media.
  4. Emerging Technologies and Media:
    There is a focus on how new technologies impact filmmaking, distribution, and consumption of media, reflecting on the changes these technologies bring to the cinematic landscape.
  5. Cultural and Historical Contexts:
    The journal explores the historical and cultural contexts of films, looking at how they reflect and shape societal values and narratives.
In recent years, Film Quarterly has seen the emergence of several new themes and trends that reflect the changing dynamics of the film industry and its cultural relevance. The following themes have gained traction in the journal's recent publications.
  1. Digital and Interactive Media:
    With the rise of streaming platforms and interactive cinema, there is an increasing interest in how these mediums transform storytelling and audience engagement.
  2. Post-COVID Film Culture:
    The journal has begun to explore the implications of the COVID-19 pandemic on film production, distribution, and consumption, examining how the industry adapts to new realities.
  3. Decolonizing Film Narratives:
    There is a growing emphasis on decolonizing film narratives, particularly in relation to representation, power dynamics, and the histories of marginalized communities.
  4. Environmental Concerns in Cinema:
    Emerging themes related to environmental issues and climate change are being explored, focusing on how film can address and critique ecological crises.
  5. Intersectionality in Film:
    The journal has increasingly focused on intersectional approaches to film studies, examining how various identities (race, gender, sexuality) intersect in cinematic narratives and production.

Declining or Waning

While Film Quarterly continues to explore a wide range of themes, certain areas of focus appear to be declining in prominence. The following themes have become less frequent in recent publications, indicating a potential shift in the journal's scope.
  1. Traditional Film Criticism:
    There has been a noticeable decline in articles that engage in conventional film criticism, suggesting a shift towards more theoretical and interdisciplinary analyses rather than straightforward reviews.
  2. Focus on Classic Cinema:
    Themes surrounding classic films and their historical significance seem to be waning, as the journal increasingly prioritizes contemporary works and emerging filmmakers.
  3. Mainstream Hollywood Analysis:
    Analysis of mainstream Hollywood films, once a staple in film studies, appears to be less frequent, with more emphasis placed on independent, international, and avant-garde cinema.
  4. Genre Studies:
    There is a decrease in articles specifically dedicated to genre studies, indicating a broader focus on thematic and theoretical discussions rather than strict genre classifications.
  5. Celebrity Studies:
    Explorations of celebrity culture and its impact on film are becoming less common, as the journal shifts towards examining more complex social and political issues within cinema.

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