The Australian and New Zealand Journal of Art, published by Taylor & Francis Ltd, stands as a critical platform for scholarly discourse in the fields of art, visual arts, and performing arts, contributing to the ongoing dialogue regarding contemporary artistic practices and methodologies across Australia and New Zealand. With an ISSN of 1443-4318 and an E-ISSN of 2203-1871, this journal invites submissions that strive for innovation and insightful critique, aiming to foster a deeper appreciation and understanding of diverse artistic expressions. Despite its classification in the fourth quartile under the Arts and Humanities categories, it continues to attract attention within its niche, as evidenced by its Scopus rankings, indicating its vital role in the academic landscape. The journal is committed to bridging the gap between research and practice, providing access to a wealth of interdisciplinary knowledge for researchers, professionals, and students alike.

Visual Resources, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for scholarly research in the fields of Museology and Visual Arts and Performing Arts. With an ISSN of 0197-3762 and an E-ISSN of 1477-2809, this journal has navigated the academic landscape since its inception in 1980, continuing to amplify critical dialogues up to 2024. Positioning itself within category quartiles as Q3 for both museology and visual arts, the journal ranks at #302/667 in the Visual Arts and Performing Arts category and #41/83 in Museology according to Scopus, reflecting a significant yet competitive standing. Although not designated as Open Access, the publication remains accessible through institutional subscriptions, catering to a diverse audience of researchers, professionals, and students. By disseminating pioneering research and innovative methodologies pertinent to visual culture and museum practices, Visual Resources plays an indispensable role in advancing knowledge in its disciplines and connects academia with contemporary practice.

OUD HOLLAND is a prestigious journal published by BRILL, focusing on the rich history and developments in the visual arts and performing arts. With a historical lineage dating back to its initial publication years from 1883 and periodic revivals until 2024, this journal has maintained its relevance amidst evolving artistic discourse. It holds an impressive standing in the Arts and Humanities field, ranking 338 out of 667 in the Visual Arts and Performing Arts category, positioning it comfortably within the 49th percentile. The journal disseminates critical research and insightful articles that cater to scholars, professionals, and students dedicated to advancing their understanding of artistic heritage and contemporary methodologies. Though currently not open access, OUD HOLLAND represents an invaluable resource for those committed to exploring the multifaceted dimensions of art, offering access to a wealth of knowledge grounded in meticulous research and scholarship.

REVUE DE L'ART, published by EDITIONS C N R S, is a significant scholarly journal that focuses on the diverse realms of visual arts and performing arts. With an ISSN of 0035-1326, the journal serves as a vital forum for researchers, professionals, and students, engaging them in contemporary discourses surrounding artistic practices and critical theories. While it currently holds a Q4 ranking in the Visual Arts and Performing Arts category for 2023, with a Scopus ranking of #578 out of 667, REVUE DE L'ART emphasizes the importance of innovative research and interdisciplinary studies in the arts. Although it is not an open access publication, the journal ensures that high-quality scholarship remains accessible to professionals and student communities in France and beyond. The journal’s commitment to artistic investigation and analysis continues to contribute significantly to the understanding of art within historical and contemporary contexts, making it a crucial resource for anyone engaged in these fields.

Convivium - Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean, published by Masarykova University, is a dedicated platform for scholarly discourse in the fields of Classics, History, and the Visual Arts and Performing Arts. Since its inception in 2017, this journal has aimed to enrich our understanding of the intricate cultural interconnections between medieval Europe, Byzantium, and the Mediterranean region, standing as an important resource for researchers, professionals, and students alike. While the journal is published in an open-access format, enabling wider dissemination of knowledge, it currently holds a respectable Q3 quartile ranking across its categories in 2023, reflecting its increasing reputation in the academic community. Although the journal is based in Belgium, its scholarly reach is truly international, as evidenced by its varied contributions. Engage with Convivium to explore the rich tapestry of medieval art and thought, and contribute to the ongoing dialogue about our shared cultural heritage.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

Oxford Art Journal, published by Oxford University Press, serves as a vital platform for scholarly discourse in the fields of History, Visual Arts, and Performing Arts. With an ISSN of 0142-6540 and an E-ISSN of 1741-7287, this esteemed journal has cultivated a rich academic presence since its inception, reflecting a deep commitment to exploring the intricacies of art history and contemporary visual culture. Holding a Q2 ranking in Visual Arts and Performing Arts and a Q3 ranking in History for the year 2023, the journal features rigorous peer-reviewed articles that push the boundaries of research and offer new insights into artistic practices. Although not offering open access, the journal is widely respected for its contributions to the academic community, making it invaluable for researchers, professionals, and students deeply engaged in art studies. For those seeking a comprehensive understanding of the visual arts landscape, the Oxford Art Journal remains an indispensable resource.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.

PAJ: A Journal of Performance and Art is an esteemed publication dedicated to exploring the dynamic intersections of performance, visual arts, and music. Published by MIT Press, this journal serves as a crucial platform for scholars, practitioners, and students alike to engage with contemporary discourses in the arts. With a converged publication timeline from 2002 to 2024, PAJ is committed to advancing knowledge and fostering critical dialogue within its fields. Although it is currently not open access, the journal maintains a respectable standing, having been rated in the Q4 category for Music and Q3 category for Visual Arts and Performing Arts in 2023. With an emphasis on innovative and interdisciplinary approaches, PAJ is vital for those looking to understand and contribute to the evolving landscape of performance and art in today’s society. Its unique contributions enable it to carve a niche for itself amidst the vibrant tapestry of arts scholarship.