Technoetic Arts

Scope & Guideline

Challenging Boundaries: Art, Philosophy, and Technology United

Introduction

Welcome to the Technoetic Arts information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Technoetic Arts, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN1477-965x
PublisherINTELLECT LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Converge2003, from 2012 to 2024
AbbreviationTECHNOETIC ARTS / Technoetic Arts
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND

Aims and Scopes

Technoetic Arts is a multidisciplinary journal that focuses on the intersection of technology, art, and culture. It aims to explore how technological advancements influence artistic practices and cultural expressions, while also investigating the philosophical implications of these interactions.
  1. Interdisciplinary Research in Art and Technology:
    The journal emphasizes the integration of various disciplines, including visual arts, performance, media studies, and technology, to investigate new forms of artistic expression and cultural critique.
  2. Critical Engagement with Contemporary Issues:
    Papers often address pressing social, political, and environmental issues, using art as a lens to explore and critique these themes, such as the Anthropocene, digital identities, and ecological sustainability.
  3. Exploration of New Methodologies:
    Technoetic Arts encourages innovative research methodologies that stem from artistic practice, allowing for a diverse range of voices and perspectives in the study of art and technology.
  4. Theoretical Contributions to Cybernetics and Posthumanism:
    The journal frequently engages with theoretical frameworks from cybernetics, posthumanism, and feminist theory, providing a critical platform for discussions on human-machine interactions and the implications of emerging technologies.
  5. Focus on Aesthetic Innovations:
    It highlights new aesthetic movements and practices that arise from technological advancements, such as virtual reality, algorithmic art, and bioart, fostering discussions on their cultural significance.
In recent years, Technoetic Arts has seen a rise in specific themes that reflect the changing landscape of technology and art. The following emerging trends indicate the journal's responsiveness to contemporary cultural shifts and technological advancements.
  1. Digital and Virtual Realities:
    There is an increasing focus on the implications of digital and virtual realities in artistic practices, as evidenced by numerous papers exploring VR, AR, and immersive experiences.
  2. Ecological and Environmental Art:
    A notable trend is the emphasis on ecological themes, with many publications addressing environmental issues through artistic practice, highlighting the role of art in activism and awareness.
  3. Artificial Intelligence and Machine Learning:
    The integration of AI and machine learning in art is becoming a prominent theme, with discussions on algorithmic bias and the relationship between human creativity and machine-generated works.
  4. Participatory and Community-Based Art:
    Emerging discussions center around participatory art practices that engage communities, reflecting a shift towards collaborative approaches in art-making and research.
  5. Interdisciplinary Approaches to Feminism:
    There is a growing trend towards interdisciplinary feminist practices that intersect with technology, exploring themes of agency, representation, and the impact of digital culture on gender dynamics.

Declining or Waning

While Technoetic Arts continues to evolve and adapt to new themes, certain areas of focus appear to be diminishing in prominence. This section highlights these waning themes within the journal's recent publications.
  1. Traditional Artistic Practices:
    The journal seems to be moving away from a focus on traditional forms of art that do not incorporate technological elements, as seen in the declining number of papers centered on classical mediums such as painting or sculpture.
  2. Purely Aesthetic Discussions:
    There is a noticeable reduction in papers that solely focus on aesthetic evaluations without a technological or critical context, indicating a shift towards more interdisciplinary and conceptual approaches.
  3. Historical Analysis of Art Movements:
    While historical perspectives remain valuable, there appears to be less emphasis on retrospective analyses of past art movements, suggesting a trend towards contemporary and future-oriented discussions.
  4. Narrowly Defined Gender Studies:
    Themes related strictly to gender studies without intersectional considerations, such as race and technology, are becoming less prominent, reflecting a broader shift towards inclusive frameworks.
  5. Local or Regional Art Practices:
    The journal has gradually shifted away from focusing on localized art practices, favoring broader, global discussions that incorporate transnational perspectives.

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