AMERICAN MUSIC, published by the esteemed University of Illinois Press, is a prominent peer-reviewed journal that serves as a vital resource for researchers, professionals, and students dedicated to the study of Music in the Arts and Humanities. With an ISSN of 0734-4392 and an E-ISSN of 1945-2349, this quarterly journal has positioned itself in the Q3 category of music journals, indicating its significant contributions to the field. The journal has been actively disseminating research and scholarly articles from 2002 to 2023, and it maintains a valuable ranking within Scopus as #113 out of 180 in the subject area of Music. While the journal does not currently offer Open Access, its curated content is essential for advancing knowledge and scholarship within the discipline, exploring the intersections of music with culture, society, and history. Researchers and academics alike will find AMERICAN MUSIC a critical platform for engaging with contemporary musical trends and scholarly dialogues.

ACTA MUSICOLOGICA, published by the International Musicological Society, stands as a pivotal journal within the field of Musicology, garnering attention from scholars and practitioners alike. With its ISSN 0001-6241, the journal serves as a vital platform for innovative research and discourse from 2002 to 2013 and again from 2016 to 2024, achieving a Q2 ranking in the 2023 Music category. Reflecting a commitment to excellence, it ranks #105 out of 180 in Arts and Humanities Music according to Scopus, placing it at the 41st percentile among its peers. Although not open access, ACTA MUSICOLOGICA ensures the dissemination of significant musical research, fostering scholarly exchange and exploration. This esteemed publication is essential for researchers, professionals, and students looking to deepen their understanding of musicology and contribute to ongoing academic conversations.

The F Scott Fitzgerald Review is a distinguished journal published by Penn State University Press, dedicated to the critical examination and appreciation of the works of F. Scott Fitzgerald and their lasting impact on literature and culture. With an ISSN of 1543-3951 and an E-ISSN of 1755-6333, this journal publishes an array of scholarly articles, essays, and reviews that explore themes, styles, and the historical context of Fitzgerald's writings. Since its inception in 2017, it has established itself as a vital resource in the field of Literature and Literary Theory, achieving a Scopus ranking of #336 out of 1106, placing it in the 69th percentile of its category. While currently not an open access journal, it remains an essential medium for researchers, professionals, and students interested in enriching their understanding of Fitzgerald's literary contributions. The journal's commitment to rigorous scholarship and insightful analysis makes it a significant platform for ongoing discussions about one of America's literary giants.

LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA stands as a prominent scholarly journal dedicated to the profound and diverse traditions of Latin American music. Published by University of Texas Press, this journal offers a platform for critical analysis, innovative research, and the dissemination of knowledge concerning the rich cultural heritage of Latin America. Although it currently does not provide open access options, the journal has made significant contributions to the field since its establishment, engaging a wide array of interdisciplinary perspectives. With coverage spanning from 2002 to 2009, the journal has been central to fostering scholarly dialogue and expanding the academic understanding of Latin American musicology, serving as an essential resource for researchers, professionals, and students alike. The journal is vital for those exploring the intersections of music, culture, and identity within the vibrant landscapes of Latin America.

Oido Pensante is a prominent open-access journal dedicated to the multifaceted field of music, published by the esteemed University of Buenos Aires, specifically through its Faculty of Philosophy and Letters, Institute of Anthropological Sciences. Since its inception in 2013, this journal has fostered a rich platform for scholarly discourse and innovative research at the intersection of music and cultural studies. With an ISSN of 2250-7116, Oido Pensante aims to bridge theoretical frameworks and practical applications, making significant contributions to the understanding of music in its social context. Currently, it holds an impressive Q3 ranking in the Arts and Humanities – Music category for 2023, with a Scopus rank of #99 out of 180 journals, reflecting its commitment to academic rigor and relevance. The journal's open access policy ensures that research is widely disseminated and accessible, making it an invaluable resource for researchers, professionals, and students alike in Argentina and beyond. With converged years from 2017 to 2024, Oido Pensante continues to expand its reach, encouraging intellectual exchange and stimulating dialogue within the music community.

MUSIKFORSCHUNG is a distinguished journal in the field of music studies, published by NEUWERK-BUCH UND MUSIKALIENHANDLUNG in Germany. With its ISSN 0027-4801, the journal caters to scholars, practitioners, and students interested in the diverse realms of musicology. Although it is currently not an Open Access publication, MUSIKFORSCHUNG plays a vital role in the academic landscape by disseminating research and critical discourse on music from various historical and contemporary perspectives. The journal has established its worth in the academic community, being categorized in the Q4 quartile in Music for 2023 and holding a rank of #169 out of 180 in the Scopus Arts and Humanities Music category, placing it within the 6th percentile. With publication activities spanning from 2002 to 2013 and resuming in 2016 through to 2024, MUSIKFORSCHUNG continues to be a crucial resource for those dedicated to advancing music scholarship. Set in the cultural heart of Kassel, Germany, the journal invites contributions that foster an understanding of music's impact on society and culture.

RIVISTA ITALIANA DI MUSICOLOGIA, published by the Italian Society of Musicology, is a distinguished journal dedicated to the field of musicology, offering a platform for scholarly research and discourse on a wide array of musical topics. With an ISSN of 0035-6867 and an E-ISSN of 2036-5586, this journal has contributed significantly to the understanding of music in cultural and historical contexts. Although the scope of coverage was marked from 2003 to 2008 in renowned databases like Scopus, the journal continues to serve as an invaluable resource for researchers, educators, and students embroiled in music studies. Its emphasis on rigorous research and critical analysis makes it a vital asset for anyone seeking to deepen their knowledge of musicological inquiry. While not an open-access publication, the RIVISTA ITALIANA DI MUSICOLOGIA remains a prestigious outlet for scholarly contributions that reach audiences eager to explore the complexities of musical heritage.

JOURNAL OF THE ROYAL MUSICAL ASSOCIATION, published by Cambridge University Press, stands as a significant repository for innovative research and scholarly discourse within the field of music studies. Recognized for its contributions to the understanding of musical practices, theory, and history, this esteemed journal offers a platform for academics and researchers to disseminate their findings to a broad audience. With an ISSN of 0269-0403 and E-ISSN of 1471-6933, the journal has maintained a notable presence since its inception, merging insights from both traditional and contemporary musicology. It currently occupies a Q4 ranking in Music within the Scopus database, reflecting its inclusion within the arts and humanities landscape. While the journal traditionally operates under subscription access, its continuing commitment to advancing music scholarship ensures that it remains an essential resource for students, scholars, and practitioners alike, fostering greater understanding and appreciation of musical artistry from 1987 to the current era.

Journal of Popular Music Studies, published by University of California Press, is a preeminent academic journal dedicated to the exploration and analysis of popular music and its cultural implications. With an ISSN of 1524-2226 and an E-ISSN of 1533-1598, this journal encompasses a range of methodologies, encouraging interdisciplinary dialogue across fields such as musicology, cultural studies, and sociology. Since its inception in 1988, it has provided a platform for critical examination of popular music through various lenses, contributing significantly to the understanding of music in contemporary society. The journal maintains a robust reputation, currently holding a Q2 ranking in the Music category of Scopus, positioning itself within the 58th percentile among its peers. As an invaluable resource for researchers, professionals, and students alike, the Journal of Popular Music Studies remains committed to fostering innovative scholarship and discussions that illuminate the impact of popular music on social and cultural landscapes.

LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE, published by WAXMANN VERLAG GMBH, is a unique interdisciplinary journal that delves into the rich interconnections between song and popular culture, facilitating discourse among researchers, professionals, and students interested in cultural studies and musicology. With ISSN 1619-0548, this prestigious journal serves as a crucial platform for scholarly analysis, critical reviews, and innovative research exploring various facets of popular music and cultural expressions in Germany and beyond. Although classified in the 2023 Scopus category quartiles as Q4 in both Cultural Studies and Music, the journal maintains an essential role in fostering engagement and reflection on evolving cultural practices. Although it is not available as Open Access, articles from the journal have previously contributed valuable insights and shaped the conversation on popular culture from its inception in 2002 to its recent issues in 2023. Researchers will find this journal particularly relevant for its focus on underrepresented voices and themes within the cultural landscape.