Studi Musicali-Nuova Serie

Scope & Guideline

Celebrating the Rich Tapestry of Music Studies

Introduction

Welcome to your portal for understanding Studi Musicali-Nuova Serie, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageMulti-Language
ISSN0391-7789
PublisherACCAD NAZ SANTA CECILIA, FONDAZIONE
Support Open AccessNo
Country-
TypeJournal
Convergefrom 2002 to 2009 (coverage discontinued in Scopus)
AbbreviationSTUD MUSIC / Studi Musicali
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressAUDITORIUM PARCO DELLA MUSICA, LARGO LUCIANO BERIO 3, ROMA 00196, ITALY

Aims and Scopes

The journal 'Studi Musicali-Nuova Serie' is dedicated to advancing the scholarship of musicology, focusing on historical contexts, compositional techniques, and socio-cultural implications of music. Its comprehensive scope encompasses various genres, periods, and methodologies, making it a vital resource for researchers in the field.
  1. Historical Musicology:
    The journal emphasizes the study of music within its historical context, examining how music reflects and influences the cultural and societal values of its time.
  2. Analysis of Musical Forms:
    There is a consistent focus on the analysis of musical forms and structures, particularly in relation to specific composers, styles, and historical movements.
  3. Interdisciplinary Approaches:
    The journal promotes interdisciplinary research, integrating insights from anthropology, sociology, and cultural studies to provide a multidimensional understanding of music.
  4. Rediscovery of Historical Works:
    A significant aim is to uncover and analyze lesser-known or forgotten works, contributing to the broader understanding of musical heritage and its evolution.
  5. Sociocultural Contexts of Music:
    The journal explores the interplay between music and society, including how socio-political factors shape musical practices and compositions.
Recent publications in 'Studi Musicali-Nuova Serie' highlight several emerging trends that reflect the evolving landscape of musicology. These themes indicate a growing interest in specific areas that are gaining prominence among scholars.
  1. Socio-Anthropological Contexts:
    There is a rising interest in examining the socio-anthropological contexts of music, as evidenced by studies that explore the relationships between music, culture, and society, particularly in historical contexts.
  2. Rediscovery and Analysis of Historical Sources:
    Recent articles emphasize the importance of rediscovering and analyzing historical musical sources, fostering a deeper understanding of past musical practices and their relevance today.
  3. Interdisciplinary Research:
    An emerging trend is the integration of interdisciplinary methods, combining musicology with other fields such as sociology, cultural studies, and anthropology to enrich musicological discourse.
  4. Focus on Specific Composers and Regions:
    There is a noticeable trend towards in-depth studies of specific composers and regional musical practices, highlighting the significance of localized musical histories.
  5. Thematic Studies on Gender and Music:
    Recent publications have begun to explore the intersections of gender and music, examining how gender roles and identities are represented and constructed within musical contexts.

Declining or Waning

While 'Studi Musicali-Nuova Serie' continues to explore a rich array of themes, some areas of focus have shown signs of decline in recent publications. These waning themes reflect shifts in scholarly interest and evolving methodologies in musicology.
  1. Contemporary Popular Music Studies:
    There has been a noticeable decrease in articles addressing contemporary popular music, indicating a potential shift back towards classical and historical music forms.
  2. Performance Practice:
    Studies specifically centered on performance practice have become less frequent, suggesting a waning interest in this aspect of musicology in favor of more theoretical or analytical approaches.
  3. Technical Music Analysis:
    While technical analysis is still present, there appears to be a decline in the focus on purely technical aspects of music, such as detailed harmonic or rhythmic analysis, in favor of broader cultural perspectives.
  4. Music Education:
    Research related to music education methodologies and practices has diminished, possibly reflecting a shift in focus towards historical and theoretical studies.
  5. Ethnomusicology:
    Although still relevant, ethnomusicological studies have decreased, indicating a possible trend towards more Western classical music-focused research.

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