THEATER HEUTE is a distinguished journal dedicated to the exploration of contemporary theater and performance art, published by Friedrich Berlin Verlag MBH. With its ISSN 0040-5507, this journal serves as an essential resource for researchers, practitioners, and students in the fields of Arts and Humanities, particularly within the Visual Arts and Performing Arts categories. While access is not open, its rich content spans critical discourses, artistic analyses, and insights into new trends in theater from 2002 to 2013 and again from 2017 to 2019, reflecting the dynamic nature of performance studies. Though it is currently ranked in the 6th percentile among similar publications in Scopus, it provides valuable perspectives that contribute to ongoing conversations within the arts. Readers can expect to engage with cutting-edge research, innovative practices, and significant theoretical frameworks, making THEATER HEUTE a vital publication for anyone committed to deepening their understanding of theatrical arts.

THEATRE SURVEY, an esteemed journal published by Cambridge University Press, serves as a vital platform for innovative research in the realms of visual arts and performing arts. With an ISSN of 0040-5574 and an E-ISSN of 1475-4533, this journal has established itself as a prominent source for critical discourse and analysis since its inception in 1960. Currently categorized in the Q3 quartile for Visual Arts and Performing Arts, it ranks #239 out of 667 in Scopus, highlighting its relevance and impact in the field, positioned in the 64th percentile. Although it does not offer open access, the journal's rigorous peer-review process ensures the dissemination of high-quality scholarship crucial for researchers, professionals, and students alike. Based in Cambridge, England, THEATRE SURVEY aims to enrich the academic landscape with its comprehensive coverage of theatrical studies, theory, and practice, fostering a deeper understanding of the dynamic interplay between performance and society.

NEW THEATRE QUARTERLY, published by Cambridge University Press, is a leading academic journal in the realm of Visual Arts and Performing Arts, demonstrating significant contributions to the study and practice of theatre since its inception in 1985. With an ISSN of 0266-464X and an E-ISSN of 1474-0613, this Journal not only features scholarly articles but also engages practitioners and academics with thought-provoking discussions and analyses relevant to contemporary theatrical practices. Its current standing in the Q2 category for the year 2023 showcases its influence, ranked at 282 out of 667 in its field, placing it in the 57th percentile according to Scopus rankings. Spanning from the field of aesthetics to performance studies, NEW THEATRE QUARTERLY aims to foster a dialogue that bridges historical perspectives with modern theoretical frameworks, enriching the academic landscape and supporting budding theatre scholars and practitioners alike. Although not an open-access journal, it provides diverse access options through various academic libraries globally, ensuring that key insights within theatre research are readily available to students and professionals striving to enhance their understanding and engagement with the performing arts.

Samuel Beckett Today/Aujourd'hui is a distinguished academic journal published by BRILL that focuses on the rich and multifaceted literature surrounding the works of Samuel Beckett. Based in the Netherlands, this peer-reviewed journal has established itself as an essential resource in the field of Literature and Literary Theory, evidenced by its impressive Q2 ranking in the 2023 category quartiles and a solid standing in the Scopus rankings, placing it within the top 59th percentile among its peers. Addressing critical interpretations, cultural contexts, and theoretical explorations of Beckett's oeuvre, it seeks to foster scholarly discourse and inspire further research and engagement. Although not an open-access publication, Samuel Beckett Today/Aujourd'hui attracts researchers, professionals, and students alike with its commitment to advancing the understanding of Beckett's literary contributions from 2001 through 2024 and beyond.

Jeu-Revue de Theatre is a distinguished journal dedicated to the exploration and analysis of theatrical arts, published by CAHIERS THEATRE JEU INC. With a rich history reflected in its ISSN 0382-0335 and E-ISSN 1923-2578, this journal serves as a vital platform for scholars, practitioners, and students interested in the multifaceted dimensions of theatre. Based in Montreal, Canada, the journal aims to foster a deeper understanding of theatre through scholarly articles, performance reviews, and critical essays, making it essential reading for those engaged in the performing arts. While the journal does not currently offer open access options, its comprehensive discussions and research contribute significantly to the field, encouraging a vibrant dialogue among artists and academics alike. With a commitment to promoting innovative scholarship, Jeu-Revue de Theatre stands as an invaluable resource in the dramatic arts landscape.

Agora-Estudos Classicos em Debate is a distinguished open-access journal published by UNIV AVEIRO, located in the heart of Portugal. Since its launch in 1999, the journal has committed to fostering scholarly dialogue within the fields of Classics and Literature and Literary Theory. As a testament to its academic rigor, it has achieved a Q3 ranking in both subject categories for 2023, placing it among relevant discourses in the humanities. The journal's Scopus ranks reveal its standing within the community, with a rank of #577 out of 1106 in Literature and Literary Theory and #101 out of 170 in Classics. By providing a platform for original research and critical discussions, Agora serves as a vital resource for researchers, professionals, and students eager to explore the nuanced intersections of classical studies and contemporary literary analysis. With the advantage of open access, the journal ensures that knowledge is disseminated widely, embodying its commitment to academic accessibility and excellence.

THEATRE NOTEBOOK is a distinguished journal published by the Society for Theatre Research, focusing on the rich and diverse field of theatre studies. With an ISSN of 0040-5523 and an E-ISSN of 2051-8358, this journal serves as a crucial platform for scholars, practitioners, and enthusiasts to explore theatrical practices, historical contexts, and critical analyses. Although currently not operating under an open access model, it remains an invaluable resource for advancing discourse in performance studies. Often regarded as a key publication in its field, THEATRE NOTEBOOK encompasses a variety of topics, from contemporary theatre critiques to historical retrospectives, fostering a deeper understanding of the theatrical arts. Throughout its publication history, including coverage from 2002 to 2008 and 2010 to 2011, the journal has upheld a commitment to scholarly rigor and innovation, making it an essential reading for anyone dedicated to the study and appreciation of theatre.

Urdimento-Revista de Estudos em Artes Cenicas, published by UNIV ESTADO SANTA CATARINA-UDESC, is a leading open-access journal dedicated to the field of performing arts studies. With an ISSN of 1414-5731 and an E-ISSN of 2358-6958, this journal has been freely accessible since 1997, promoting the dissemination of innovative research and critical analysis in visual and performing arts. Hailing from Florianopolis, Brazil, Urdimento invites submissions that explore a variety of interdisciplinary approaches, reflecting the journal’s commitment to enriching the academic discourse within the arts and humanities. Despite its emerging ranking at the 23rd percentile in Scopus’s classification, Urdimento serves as a vital platform for researchers, students, and professionals in the field, facilitating scholarly exchange and fostering new ideas. As the journal converges its focus from 2021 to 2024, it aims to provide inclusive and diverse perspectives on contemporary artistic practices and theories.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

Criticon is a distinguished open-access journal published by PRESSES UNIV MIDI-PUM in France, dedicated to advancing scholarship in the fields of History and Literature and Literary Theory. Since its transition to open access in 2014, Criticon has fostered a vibrant academic community, enabling the dissemination of high-quality research that contributes significantly to contemporary discourse. Positioned within the Q4 categories for both History and Literature, the journal boasts impressive rankings, including #152 out of 1106 in Literature and Literary Theory, reflecting its growing influence with a remarkable 86th percentile standing. With a dedication to interdisciplinary scholarship, Criticon invites researchers, practitioners, and students to submit original articles that explore the intersections of literary and historical narratives, thereby enriching the understanding of cultural and intellectual history. Located at 5 ALLEES ANTONIO MACHADO, F-31058 TOULOUSE, FRANCE, this journal not only serves as a platform for new voices but also as a beacon for established scholarship in the humanities.