Asian Cinema

Scope & Guideline

Connecting Cultures through the Lens of Asian Cinema

Introduction

Welcome to the Asian Cinema information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Asian Cinema, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN1059-440x
PublisherINTELLECT LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2019 to 2023
AbbreviationASIAN CINE / Asian Cine.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND

Aims and Scopes

The journal 'Asian Cinema' aims to provide a platform for critical engagement with cinematic practices across Asia, exploring the interplay of culture, politics, and identity in film. It seeks to address the complexities of Asian cinema through various scholarly lenses, emphasizing interdisciplinary approaches and diverse methodologies.
  1. Cultural Representation and Identity:
    The journal focuses on how Asian cinema reflects and shapes cultural identities, exploring themes of ethnicity, gender, and sexuality within various national contexts.
  2. Historical and Political Contexts:
    It examines the historical narratives and political undercurrents that influence Asian films, analyzing how cinema responds to and critiques socio-political issues.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary methodologies, integrating insights from film studies, cultural studies, sociology, and history to enrich the analysis of Asian cinema.
  4. Reflexivity and Aesthetic Strategies:
    There is a consistent focus on reflexivity in film, investigating how filmmakers use aesthetics to comment on societal issues and personal experiences.
  5. Transnational Perspectives:
    The journal explores transnational influences and exchanges in Asian cinema, considering how films traverse cultural and geographical boundaries.
Recent publications in 'Asian Cinema' reveal a dynamic evolution of themes and approaches, reflecting current societal issues and innovative cinematic practices. This section outlines the emerging trends that are gaining traction within the journal.
  1. Queer Cinema and Gender Studies:
    There is a rising interest in queer cinema and gender studies, focusing on the representation of LGBTQ+ identities and feminist perspectives in Asian films, showcasing a shift towards inclusivity and diversity in film criticism.
  2. Documentary and Political Engagement:
    The journal is increasingly publishing works that explore the role of documentary filmmaking in political discourse, particularly in contexts of activism and social movements, such as the Hong Kong protests.
  3. Reflexive Aesthetics:
    Emerging themes highlight reflexive aesthetics in cinema, where filmmakers consciously engage with their medium to comment on broader societal issues, reflecting a trend towards self-aware storytelling.
  4. Cinematic Memory and Historical Trauma:
    A focus on cinematic representations of memory and historical trauma has gained prominence, analyzing how films address collective experiences of conflict and cultural loss.
  5. Interdisciplinary and Cross-Cultural Studies:
    There is a growing trend towards interdisciplinary research that examines the intersections of cinema with other fields such as sociology, anthropology, and cultural studies, promoting a more holistic understanding of film.

Declining or Waning

As cinematic landscapes evolve, certain themes within 'Asian Cinema' appear to be diminishing in frequency or depth of coverage. This section highlights these waning scopes, reflecting shifts in both academic interest and the broader cinematic context.
  1. Traditional Genre Studies:
    There is a noticeable decline in the focus on traditional genre studies, such as martial arts or historical epics, which were once prevalent. Recent publications indicate a shift towards more contemporary and experimental forms of cinema.
  2. Nostalgic Representations:
    Themes centered around nostalgia, particularly in relation to earlier cinematic tropes or historical narratives, are becoming less prominent. Current scholarship appears to favor more immediate and pressing socio-political themes.
  3. Commercial Cinema Analysis:
    The analysis of mainstream commercial cinema, including box office successes and star-driven narratives, is waning. The journal is increasingly prioritizing independent and art cinema that challenges conventional narratives.
  4. Cinematic Techniques:
    While technical analysis has been a staple in film studies, there is a reduction in discussions solely focused on cinematic techniques. The emphasis is shifting towards thematic and contextual interpretations.

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