The Journal of Chinese Cinemas, published by Routledge Journals, Taylor & Francis Ltd, is a leading platform dedicated to advancing the field of film studies with a focus on cinema from China. With an ISSN of 1750-8061 and an E-ISSN of 1750-807X, this journal provides a comprehensive examination of the cultural, social, and political dynamics inherent in Chinese cinema. Ranked in the Q3 category for Communication and Q1 for Visual Arts and Performing Arts in 2023, it stands out in the academic landscape, particularly noted for its innovative research and diverse discourse. It holds a respectable position in Scopus rankings, coming in at #219 within Visual Arts and Performing Arts, indicating its growing impact among scholars and practitioners alike. With its commitment to publishing high-quality research from 2012 onwards, the journal serves as an essential resource for researchers, professionals, and students eager to deepen their understanding of the evolving landscape of Chinese cinema.

Cinema: Journal of Philosophy and the Moving Image is a distinguished open-access journal dedicated to the critical analysis of cinema through the lenses of philosophy and cultural theory. Published by the esteemed New University of Lisbon's IFILNOVA - Nova Philosophy Institute, this journal has been a crucial platform for the dissemination of innovative and interdisciplinary research since its establishment in 2010. With an ISSN of 1647-8991 and a significant presence in both Communication and Visual Arts categories, it currently holds a Q4 ranking in 2023, reflecting its growing role in the academic discourse of its field. While the journal has a modest impact as indicated by its Scopus rankings, it serves as a vital resource for researchers, professionals, and students interested in the intersection of philosophy and the moving image, fostering rich dialogues about cinema's impact on society and culture. Situated in Portugal, Cinema invites submissions that challenge conventional perceptions, engaging with both contemporary and historical contexts of film and imagery, thereby playing an essential role in expanding the horizons of film studies.

POSITIF is a distinguished journal, published by POSITIF EDITIONS, focusing on the dynamic fields of Visual Arts and Performing Arts. With ISSN 0048-4911, this journal has been a significant contributor to the arts community since its establishment in 2002, and it continues to captivate readers with its upcoming issues projected until 2024. Based in the heart of France at 12 RUE PIERRE ET MARIE CURIE, 75005 PARIS, POSITIF serves as an invaluable platform for researchers, professionals, and students alike, promoting innovative discourse and critical analysis within the arts. Despite holding a Q4 category ranking in the 2023 classification and a Scopus rank of 637/667, its commitment to enhancing the understanding and appreciation of visual and performing arts remains steadfast. Researchers are invited to contribute to this growing body of knowledge, enriching the journal's scope and impact in a vibrant artistic landscape.

Studies in Eastern European Cinema is a distinguished journal dedicated to exploring the rich and diverse landscape of cinematic art in Eastern Europe. Published by Routledge Journals, Taylor & Francis Ltd, this journal has carved a unique niche since its inception in 2010, providing insightful analysis and fostering dialogue among scholars, professionals, and students in the fields of Communication and Visual Arts and Performing Arts. With a current impact factor reflected in its respective quartile rankings, which position it in Q4 in Communication and Q2 in Visual Arts and Performing Arts, the journal serves as an essential platform for research and discourse on the cinematic contributions of Eastern Europe. Featuring contributions that analyze historical contexts, artistic trends, and cultural implications, it aims to broaden the understanding of Eastern European cinema's role within the global film landscape. While it offers a traditional subscription model, its ongoing commitment from 2010 to 2024 ensures it remains at the forefront of academic inquiries, appealing to a growing audience dedicated to the appreciation and scholarship of Eastern European cinematic arts.

Studies in Australasian Cinema is a premier scholarly journal published by ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, dedicated to the exploration of film and cinema within the Australasian context. With an ISSN of 1750-3175 and an E-ISSN of 1750-3183, this journal provides a vital platform for researchers, professionals, and students in the fields of Visual Arts and Performing Arts and Communication. Notably, it holds a prominent Q1 rank in Visual Arts and Performing Arts, reflecting its impact within the academic community. Although it is not an open access journal, its rigorous peer-review process ensures the highest quality of published research. Since its inception in 2007, Studies in Australasian Cinema has continued to contribute significantly to discourse surrounding film theory, criticism, and production, making it an essential read for anyone interested in the evolving landscape of Australasian cinema.

CINEASTE is a distinguished journal dedicated to the critical exploration of cinema, providing a platform for scholars, filmmakers, and enthusiasts to engage with the complexities of film studies. Established and published by CINEASTE, this periodical serves as a vital resource for those interested in the intersection of visual arts and performing arts. Although it is not currently offered as Open Access, CINEASTE remains a respected publication within the academic community, having been indexed in Scopus until 2016. With an ISSN of 0009-7004, it has established itself despite its lower ranking in the arts and humanities category, reflecting the competitive nature of this field. Researchers, students, and professionals alike will find ample opportunities for insightful discussion and scholarly contributions to the evolving landscape of cinematic discourse. CINEASTE continues to uphold its mission of enhancing film scholarship, making it a crucial reference point for anyone eager to deepen their understanding of cinema's artistic and cultural significance.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

Atalante-Revista de Estudios Cinematograficos, an esteemed open-access journal published by ASOC CINEFORUM L ATALANTE, has been a vital platform for scholarly discourse in the fields of Cultural Studies, History, and Visual Arts and Performing Arts since its inception in 2011. With a commitment to promoting innovative research and critical analyses, Atalante has earned a commendable reputation, achieving Q2 status in Cultural Studies and both Q1 rankings in History and Visual Arts for 2023. Based in Valencia, Spain, this journal not only serves as a conduit for scholars to disseminate findings but also provides unrestricted access to its contents since 2013, fostering a more informed and engaged academic community. With its diverse range of topics and the ability to access high-quality research at no cost, Atalante plays a crucial role in advancing the understanding of cinematic studies and its contextual significance in broader cultural narratives.

FILM CRITICISM is a prestigious open-access journal dedicated to the study and review of cinema, offering a platform for scholars, critics, and students to engage deeply with the evolving landscape of film. Published by Film Criticism and based in the United States at Allegheny College, this journal has been contributing to film studies since 2002, with recent issues spanning from 2023 to 2024. Registered under ISSN 0163-5069, it is recognized in the Visual Arts and Performing Arts categories, achieving a commendable rank of #372 out of 667 in Scopus, placing it in the 44th percentile of its field. With an open-access policy implemented since 2016, FILM CRITICISM not only broadens accessibility to scholarly work but also enhances the dialogue around cinematic narratives, theories, and critiques. The journal's relevance is underscored by its current Q3 ranking, making it an essential resource for researchers and professionals alike who are invested in the critical examination of film.

Hrvatski Filmski Ljetopis, published by the Croatian Film Clubs Association, serves as a pivotal academic journal in the field of film studies, celebrating and analyzing the rich cinematic heritage of Croatia and beyond. With an ISSN of 1330-7665, this journal caters to researchers, practitioners, and students who are passionate about the art of filmmaking, encompassing both theoretical discourse and practical implications. Although it is not currently available as an open-access publication, its curated content is of significant value to anyone interested in the evolution, critique, and history of film in a Croatian context, having previously been indexed in Scopus until coverage was discontinued. The journal operates out of Zagreb, Croatia, at the Croatian Film Clubs Association headquarters, and aims to foster scholarly dialogue while contributing to the broader field of national and international cinematography.