Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques

Scope & Guideline

Charting New Territories in Film Research

Introduction

Explore the comprehensive scope of Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore Canadian Journal of Film Studies-Revue Canadienne d Etudes Cinematographiques in depth and align your research initiatives with current academic trends.
LanguageEnglish
ISSN0847-5911
PublisherUNIV TORONTO PRESS INC
Support Open AccessNo
CountryCanada
TypeJournal
Convergefrom 1998 to 2001, from 2004 to 2024
AbbreviationCAN J FILM STUD / Can. J. Film Stud.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressJOURNALS DIVISION, 5201 DUFFERIN ST, DOWNSVIEW, TORONTO, ON M3H 5T8, CANADA

Aims and Scopes

The Canadian Journal of Film Studies aims to provide a critical platform for the examination and analysis of cinema and film culture, particularly within the Canadian context. The journal emphasizes interdisciplinary research that intersects with various cultural, social, and political themes. Its scope includes both theoretical explorations and practical applications of film studies, encouraging diverse methodologies and perspectives.
  1. Canadian Cinema and Culture:
    The journal focuses on Canadian cinema, exploring its history, evolution, and cultural significance, as well as its representation of national identity.
  2. Interdisciplinary Approaches:
    Emphasizing interdisciplinary methodologies, the journal integrates perspectives from history, sociology, gender studies, environmental studies, and more, enhancing the richness of film analysis.
  3. Global Cinema Comparisons:
    It examines Canadian cinema in relation to global film movements and national cinemas, facilitating discussions on transnational influences and cultural exchanges.
  4. Technological and Aesthetic Innovation:
    The journal highlights advancements in film technology and aesthetic practices, including discussions on experimental film, animation, and virtual reality.
  5. Political and Social Commentary:
    Papers often engage with films as a medium for social critique, exploring themes like race, identity, gender, and environmental issues, reflecting the socio-political landscape.
Recent publications in the Canadian Journal of Film Studies reveal several emerging themes that reflect contemporary issues and interests in film studies. These trends indicate the journal's responsiveness to evolving cultural dialogues and academic inquiries.
  1. Climate Change and Cinema:
    The journal has increasingly focused on the intersection of climate change and film, exploring how cinema represents, critiques, and engages with environmental issues, reflecting a growing academic interest in ecological themes.
  2. Queer Aesthetics and Representation:
    There is a notable rise in discussions surrounding queer representation and aesthetics in film, highlighting the importance of diversity in narratives and the exploration of identity in cinematic contexts.
  3. Documentary and Non-Fiction Narratives:
    The trend towards examining documentary films and non-fiction narratives has gained momentum, particularly in relation to their role in shaping public discourse and representation of social issues.
  4. Transmedia Storytelling:
    Emerging interest in transmedia storytelling reflects the evolving nature of narrative forms in contemporary cinema, with scholars investigating how stories extend beyond traditional film formats into other media.
  5. Indigenous Cinema and Voices:
    An increasing number of articles highlight Indigenous cinema, focusing on representation, storytelling practices, and cultural sovereignty, indicating a significant shift towards inclusivity in film studies.

Declining or Waning

While the journal continues to thrive in various areas, certain themes have shown signs of declining prominence in recent publications. These waning scopes suggest a potential shift in focus within the film studies community.
  1. Traditional Film History:
    There is a noticeable decrease in papers solely dedicated to conventional narratives of film history, suggesting a move away from linear historical accounts towards more nuanced and thematic analyses.
  2. Focus on Hollywood:
    The emphasis on Hollywood cinema appears to be waning, as more articles explore independent, international, and niche film circuits rather than mainstream American productions.
  3. Static Aesthetic Analysis:
    Papers centered on static or traditional aesthetic evaluations of film are less frequent, indicating a shift towards dynamic and contextually rich interpretations of cinematic works.

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