MUSIC PERCEPTION

Scope & Guideline

Advancing Understanding Through Auditory Insights

Introduction

Welcome to your portal for understanding MUSIC PERCEPTION, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0730-7829
PublisherUNIV CALIFORNIA PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 1983 to 2001, from 2005 to 2024
AbbreviationMUSIC PERCEPT / Music Percept.
Frequency5 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address155 GRAND AVE, SUITE 400, OAKLAND, CA 94612-3758

Aims and Scopes

The journal 'Music Perception' aims to explore the cognitive, emotional, and social aspects of music and its perception. It encompasses a wide range of interdisciplinary research that combines music theory, psychology, neuroscience, and cultural studies to understand how music is experienced, processed, and interpreted by individuals and communities.
  1. Cognitive Mechanisms in Music Perception:
    Research focused on the cognitive processes involved in music perception, including memory, attention, and the neural underpinnings of how music is understood and enjoyed.
  2. Emotional Responses to Music:
    Exploration of how music evokes emotional responses and how these responses vary across different contexts, genres, and individual differences.
  3. Cross-Cultural Perspectives:
    Studies examining how music perception and cognition vary across different cultures, including the role of cultural background in shaping musical experiences.
  4. Interdisciplinary Approaches:
    Integration of findings from psychology, neuroscience, music theory, and education to provide a holistic understanding of music perception.
  5. Impact of Musical Training and Expertise:
    Investigating how various levels of musical training influence perception, cognition, and emotional engagement with music.
Recent publications in 'Music Perception' reflect emerging themes and trends that highlight the evolving nature of music research. These trends indicate a growing interest in the intersection of technology, psychology, and cultural studies in understanding music perception.
  1. Neuroscience of Music:
    An increasing number of studies are employing neuroimaging and electrophysiological techniques to investigate the brain's response to music, highlighting the biological underpinnings of musical perception.
  2. Artificial Intelligence and Music:
    Research exploring the role of artificial intelligence in music creation and perception is gaining traction, reflecting broader technological advancements and their implications for music cognition.
  3. Music and Emotion Regulation:
    There is a growing interest in how music is used as a tool for emotional regulation and wellbeing, particularly in clinical settings, indicating a practical application of music perception research.
  4. Crossmodal Perception Studies:
    Emerging studies are increasingly examining how music interacts with other sensory modalities, such as visual and olfactory perceptions, to create a more comprehensive understanding of multisensory experiences.
  5. Social and Cultural Influences on Music Perception:
    Research focusing on the impact of social contexts and cultural backgrounds on music perception is on the rise, underscoring the importance of sociocultural factors in shaping musical experiences.

Declining or Waning

While 'Music Perception' continues to explore many relevant themes, certain areas have seen a decline in focus or frequency of publication. This could indicate a shift in research interests or a saturation of previously explored topics.
  1. Traditional Music Theory Analysis:
    There has been a noticeable decline in studies focusing solely on traditional music theory analysis, suggesting a shift towards more empirical and experimental methodologies in understanding music perception.
  2. Static Models of Musical Emotion:
    Research utilizing static models to analyze emotional responses to music is less prevalent, indicating a move towards dynamic and contextual models that account for variability in emotional experiences.
  3. Historical Musicology:
    While still an important field, traditional historical musicological studies seem to be waning in favor of contemporary and applied research focusing on current music practices and perceptions.

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