MUSIK UND KIRCHE

Scope & Guideline

Unveiling the Spiritual Dimensions of Music

Introduction

Welcome to your portal for understanding MUSIK UND KIRCHE, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageGerman
ISSN0027-4771
PublisherBARENREITER-VERLAG
Support Open AccessNo
CountryGermany
TypeJournal
Convergefrom 2002 to 2012, from 2014 to 2018, 2020 (coverage discontinued in Scopus)
AbbreviationMUSIK KIRCHE / Musik Kirche
Frequency6 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressHEINRICH-SCHUTZ-ALLEE 35, W-3500 KASSEL, GERMANY

Aims and Scopes

The journal 'MUSIK UND KIRCHE' focuses on the intersection of music and church practices, exploring historical, pedagogical, and contemporary themes in sacred music. It aims to provide a comprehensive platform for research that connects musicology with liturgical and educational contexts.
  1. Historical Performance Practices:
    The journal emphasizes historically informed performance practices, encouraging research that explores the interpretation and execution of sacred music from various historical periods.
  2. Church Music Pedagogy:
    A significant focus is placed on music education within the church context, exploring concepts like music geragogy and the training of church musicians across various educational settings.
  3. Contemporary Church Music:
    The journal covers current trends in church music, including the integration of new musical styles and the adaptation of liturgical practices to modern contexts.
  4. Interdisciplinary Studies:
    It promotes interdisciplinary research that connects musicology with theology, sociology, and cultural studies, reflecting on the role of music in spiritual and community life.
  5. Compositional Analysis and Reviews:
    'MUSIK UND KIRCHE' features detailed analyses and reviews of compositions, especially those relevant to church music, providing insights into their historical and contemporary significance.
Recent publications in 'MUSIK UND KIRCHE' indicate emerging trends and themes that reflect the evolving landscape of church music and its intersections with contemporary culture.
  1. Digitalization in Church Music:
    There is a growing emphasis on the impact of digitalization on church music practices, including the use of technology for music education and worship, reflecting broader societal changes.
  2. Diversity in Musical Styles:
    The journal is increasingly featuring articles that explore the incorporation of diverse musical styles and genres within church music, including jazz, pop, and world music influences.
  3. Focus on Mental Health and Spirituality:
    Recent publications highlight the relationship between music, mental health, and spirituality, showcasing how music can serve as a form of therapy and emotional support in church settings.
  4. Collaborative and Community-Based Music Making:
    A trend towards community engagement and collaborative music-making practices is emerging, emphasizing the social and communal aspects of church music.
  5. Environmental and Peace Themes in Music:
    There is a noticeable increase in themes related to peace, sustainability, and environmental consciousness in church music, reflecting contemporary global concerns.

Declining or Waning

While 'MUSIK UND KIRCHE' continues to explore a broad range of themes, certain areas appear to be declining in prominence based on recent publications.
  1. Traditional Hymnody:
    There is a noticeable decrease in articles focused solely on traditional hymnody, suggesting a shift towards exploring more contemporary or diverse musical expressions in church settings.
  2. Historical Contextualization of Lesser-Known Composers:
    Research on lesser-known historical composers is appearing less frequently, indicating a potential waning interest in this area in favor of more prominent figures or contemporary works.
  3. Strictly Liturgical Studies:
    The focus on strictly liturgical studies, particularly those that do not incorporate broader cultural or sociological perspectives, seems to be diminishing, as the journal increasingly embraces interdisciplinary approaches.

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