Nauka Televideniya-The Art and Science of Television

Scope & Guideline

Fostering Dialogue on Television's Role in Society

Introduction

Welcome to your portal for understanding Nauka Televideniya-The Art and Science of Television, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN1994-9529
PublisherGUMANITARNII INST TELEVIDENIYA & RADIOVESCHANIYA IMENI M A LITOVCHINA-GITR
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationNAUKA TELEVIDENIYA / Nauka Televidenya
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressKHOROVSHEVSKOE SHOSSE, D 32A, MOSCOW, MOSVA 123007, RUSSIA

Aims and Scopes

The journal 'Nauka Televideniya - The Art and Science of Television' aims to provide a comprehensive exploration of television and media studies, emphasizing the interplay between art, culture, and technology. The journal encompasses a wide array of topics, methodologies, and theoretical frameworks that enrich the understanding of media's role in society.
  1. Interdisciplinary Media Studies:
    The journal focuses on the intersection of various disciplines including film studies, cultural studies, sociology, and technology, providing a rich analysis of how these fields interact within the realm of television and media.
  2. Cultural Representation and Mythology:
    A consistent theme is the exploration of cultural representations and mythological narratives, particularly in how they manifest in contemporary media, reflecting societal values and collective consciousness.
  3. Historical and Contemporary Analysis:
    The journal publishes works that analyze both historical and contemporary media practices, examining the evolution of genres, styles, and audience reception over time.
  4. Technological Impact on Media:
    There is a strong emphasis on the impact of digital technology on media production and consumption, including studies on digital devices, social media influence, and the transformation of traditional media formats.
  5. Posthumanism and Media Art:
    The journal explores posthumanistic perspectives in media, examining how technology reshapes our understanding of the body, identity, and narrative in film and television.
  6. Audience Studies and Psychological Impacts:
    Research often delves into audience reception studies, exploring the psychological and social effects of media consumption on individuals and communities.
In recent years, the journal has seen a rise in interest in various emerging themes that reflect contemporary societal changes and technological advancements. This section outlines these trending topics and their significance in the field of media studies.
  1. Digital Media and Technology:
    The rapid evolution of digital technologies and their integration into everyday life is a major theme, with studies examining the implications of digital devices on media consumption and societal behavior.
  2. Posthumanism and Cyborg Narratives:
    There is a growing trend towards exploring posthumanism and cyborg narratives in media, reflecting on how technology influences identity and representation in contemporary storytelling.
  3. Infotainment and Media Ethics:
    Research on infotainment, particularly in news media, has gained traction, focusing on the ethical implications of blending information with entertainment in the digital age.
  4. Environmental Narratives in Media:
    Emerging themes related to environmental issues and ecological narratives are becoming prominent, as media increasingly reflects societal concerns about climate change and ecological crises.
  5. Transmedia Storytelling and Audience Engagement:
    Scholarly interest in transmedia storytelling is on the rise, exploring how narratives extend across multiple platforms and engage audiences in new interactive ways.

Declining or Waning

As the journal progresses, certain themes that were once prevalent have shown a decline in focus. This section highlights these waning scopes, reflecting changes in scholarly interest and societal relevance.
  1. Traditional Historical Cinema:
    There is a noticeable decrease in studies focused on traditional historical cinema, particularly as newer forms of media and storytelling methods gain prominence in academic discourse.
  2. Soviet Cinema Studies:
    While once a focal point, research specifically centered on Soviet cinema appears to be diminishing, likely overshadowed by broader inquiries into global cinema and contemporary media practices.
  3. Gender Dominance in TV Content:
    Although gender representation remains a critical topic, specific studies on gender dominance in television content have seen a reduction, as the discourse shifts towards more intersectional and nuanced analyses.
  4. Local Television Practices:
    The focus on localized television practices, particularly in non-Western contexts, seems to be waning, possibly due to a growing interest in global media trends and transnational influences.
  5. Documentary Forms:
    Research exploring traditional documentary forms is less frequent, as scholars increasingly investigate hybrid genres and the evolving nature of documentary storytelling.

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