Jeu-Revue de Theatre

Scope & Guideline

Diving into the Rich Tapestry of Theatrical Studies

Introduction

Welcome to the Jeu-Revue de Theatre information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Jeu-Revue de Theatre, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageMulti-Language
ISSN0382-0335
PublisherCAHIERS THEATRE JEU INC
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationJEU / Jeu
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address4067 BD SAINT-LAURENT, BUREAU 200, MONTREAL, QC H2W 1Y7, CANADA

Aims and Scopes

The journal 'Jeu-Revue de Theatre' serves as a platform for scholarly discourse on contemporary theater, focusing on both theoretical and practical aspects of the performing arts. Its diverse range of topics reflects the multifaceted nature of theater, encompassing cultural, social, and artistic dimensions.
  1. Exploration of Theatrical Practices:
    The journal emphasizes the study of various theatrical forms and practices, from traditional to avant-garde, examining how these practices evolve and respond to cultural changes.
  2. Cultural and Social Critique:
    A significant scope of the journal is to analyze the role of theater as a medium for social commentary, addressing issues such as identity, politics, and community engagement.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary research, integrating perspectives from fields such as psychology, sociology, and the arts to enrich the understanding of theater's impact.
  4. Historical Contextualization:
    It places importance on the historical evolution of theater, providing insights into how past movements influence contemporary practices and narratives.
  5. Innovative Theoretical Frameworks:
    The journal contributes unique theoretical frameworks to the study of theater, encouraging new methodologies and interpretations that challenge traditional views.
The recent publications in 'Jeu-Revue de Theatre' highlight several emerging themes that reflect the current landscape of theater studies. These trends underscore the journal's commitment to addressing contemporary issues and the evolving nature of performance art.
  1. Interdisciplinary Collaboration:
    There is a growing trend towards interdisciplinary collaboration, particularly between theater and other fields such as neuroscience, sociology, and digital media, enhancing the richness of theatrical studies.
  2. Engagement with Social Issues:
    Recent articles increasingly focus on theater's engagement with pressing social issues, including mental health, identity politics, and environmental concerns, reflecting a desire for theater to act as a catalyst for social change.
  3. Digital and Virtual Theater Practices:
    Emerging themes include the exploration of digital and virtual theater practices, as the industry adapts to technological advancements and the impact of the COVID-19 pandemic on live performances.
  4. Narratives of Resilience and Recovery:
    The journal has seen a rise in publications that discuss themes of resilience and recovery in theater, particularly in the context of societal challenges and the healing power of performance.
  5. Diversity and Inclusion in Theater:
    There is an increasing emphasis on diversity and inclusion within theatrical practices, with a focus on marginalized voices and the representation of various cultures, identities, and experiences.

Declining or Waning

While 'Jeu-Revue de Theatre' continues to engage with a broad spectrum of topics, certain themes have shown a decline in prominence over recent years. This may reflect shifts in the interests of both researchers and practitioners within the theatrical community.
  1. Focus on Traditional Narratives:
    There has been a noticeable decrease in publications focusing on classical or traditional narratives, indicating a shift towards more contemporary and experimental storytelling methods.
  2. Amateur Theater Studies:
    Research related to amateur theater has waned, suggesting a growing preference for professional and avant-garde productions, which may overshadow community-driven theatrical initiatives.
  3. Historical Reenactments:
    The exploration of historical reenactments within theater has diminished, as the journal's focus shifts towards present-day issues and innovative practices rather than recreating historical contexts.
  4. Static Cultural Representations:
    The journal appears to be moving away from static representations of culture, favoring dynamic and evolving interpretations that reflect contemporary societal changes.
  5. Isolation of Performance Studies:
    There is a decline in isolated studies of performance practices, as the journal increasingly integrates performance within broader cultural and social frameworks.

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