Critical Studies in Television

Scope & Guideline

Charting the Future of Television Research

Introduction

Delve into the academic richness of Critical Studies in Television with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN1749-6020
PublisherSAGE PUBLICATIONS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2014 to 2024
AbbreviationCRIT STUD TELEV / Crit. Stud. Telev.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address1 OLIVERS YARD, 55 CITY ROAD, LONDON EC1Y 1SP, ENGLAND

Aims and Scopes

Critical Studies in Television explores the multifaceted nature of television as a cultural, social, and political medium. The journal aims to analyze and critique television content, production practices, and audience reception across diverse contexts and formats.
  1. Cultural and Political Analysis of Television:
    The journal emphasizes the examination of television content in relation to cultural and political contexts, addressing how narratives construct and reflect societal values and power dynamics.
  2. Transnational and Global Perspectives:
    It explores television as a global medium, focusing on transnational production practices, audience reception, and the impact of streaming platforms on local cultures and narratives.
  3. Queer and Gender Studies:
    The journal has a strong focus on queer representation and gender politics in television, analyzing how these themes influence narratives and audience engagement.
  4. Technological Impact on Television:
    Critical Studies in Television examines how technological advancements, particularly streaming services, have transformed viewing habits, production processes, and content distribution.
  5. Historical Contextualization:
    The journal often contextualizes contemporary television within historical frameworks, analyzing the evolution of television genres, formats, and audience interactions.
  6. Methodological Diversity:
    It employs a variety of methodologies, including ethnography, textual analysis, and audience studies, to enrich the understanding of television's role in society.
The landscape of television studies is continually shifting, with several emerging themes gaining traction in Critical Studies in Television. These themes reflect current societal issues, technological advancements, and evolving audience dynamics.
  1. Digital and Streaming Media:
    Papers are increasingly focusing on the impact of digital platforms like Netflix and the implications of streaming for content production, distribution, and audience engagement.
  2. Cultural Diversity and Representation:
    There is a growing emphasis on examining cultural diversity and representation in television, particularly in relation to marginalized groups, reflecting contemporary societal discussions on inclusivity.
  3. Environmental Themes in Television:
    Recent publications are exploring how television addresses climate crisis narratives and environmental issues, indicating a rising awareness of ecological concerns within media studies.
  4. Audience Agency and Engagement:
    Studies are increasingly investigating audience interactions with television content, including fan culture, transmedia storytelling, and participatory viewing experiences.
  5. Intersectionality in Television Narratives:
    Emerging research is highlighting intersectional analyses of race, gender, and sexuality in television narratives, reflecting the complexities of identity in contemporary media.
  6. Television as a Site of Memory and Remembrance:
    The journal is seeing a trend towards exploring how television functions as a medium for collective memory and cultural remembrance, particularly in relation to historical events.

Declining or Waning

While Critical Studies in Television continues to evolve, certain themes appear to be diminishing in prominence. The following areas have seen a reduction in focus or frequency in recent publications.
  1. Traditional Broadcast Critique:
    With the rise of streaming platforms, traditional broadcast television critiques have become less frequent, as the journal shifts toward examining the complexities of new media landscapes.
  2. Focus on Localized Content without Global Context:
    There is a noticeable decline in papers that solely focus on localized television content without considering its global implications, reflecting a broader trend towards transnational analysis.
  3. Historical Studies of Early Television:
    While historical perspectives remain important, there seems to be a waning interest in early television studies, with fewer papers dedicated to the analysis of television's formative years.
  4. Narrow Genre Studies:
    Specific genre studies, particularly those that do not intersect with broader cultural or political themes, have seen a decline, as the journal increasingly prioritizes interdisciplinary approaches.
  5. Single-Narrative Analyses:
    The trend of focusing on singular narratives or series in isolation has decreased, as the journal emphasizes comparative and thematic analyses across multiple texts.

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