Urdimento-Revista de Estudos em Artes Cenicas

Scope & Guideline

Enriching Academic Discourse in the Arts

Introduction

Immerse yourself in the scholarly insights of Urdimento-Revista de Estudos em Artes Cenicas with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageMulti-Language
ISSN1414-5731
PublisherUNIV ESTADO SANTA CATARINA-UDESC
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationURDIMENTO / Urdimento
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressRUA VISCONDE OURO PRETO 457, CENTRO, FLORIANOPOLIS SC 88020-04, BRAZIL

Aims and Scopes

Urdimento-Revista de Estudos em Artes Cenicas is dedicated to the exploration of performing arts, emphasizing the intersections of culture, identity, and social justice. The journal serves as a platform for innovative research and critical discourse in the field, addressing the complexities of theatrical practices and their societal implications.
  1. Interdisciplinary Studies of Performing Arts:
    The journal encompasses a wide range of interdisciplinary studies that explore the performing arts, including theater, dance, and circus, while integrating perspectives from sociology, gender studies, and cultural studies.
  2. Focus on Social Justice and Epistemic Justice:
    There is a strong emphasis on social and epistemic justice, particularly in relation to marginalized communities, childhoods, and gender issues within the performing arts.
  3. Historical and Cultural Contextualization:
    The journal frequently examines historical contexts and cultural adaptations of performance art, especially within Brazilian theater, providing insights into how past practices influence contemporary works.
  4. Innovative Performance Methodologies:
    Urdimento encourages the exploration of new methodologies in performance, including the use of digital platforms, participatory practices, and the integration of indigenous and traditional forms.
  5. Critical Perspectives on Representation:
    The journal critically engages with issues of representation, visibility, and identity politics in the performing arts, including the experiences of women, LGBTQ+ individuals, and racial minorities.
Urdimento is witnessing the emergence of several innovative themes that reflect current societal challenges and the evolving landscape of the performing arts. These trends are indicative of a dynamic and responsive academic environment.
  1. Decolonial and Indigenous Perspectives:
    There is a growing trend towards exploring decolonial approaches in the performing arts, particularly in relation to indigenous narratives and practices, highlighting the importance of cultural sovereignty and representation.
  2. Intersectionality in Performance Studies:
    The journal is increasingly focusing on intersectionality, examining how various identities (such as race, gender, sexuality) interact within the context of performance, thereby enriching the discourse around diversity and inclusion.
  3. Digital and Virtual Performance:
    The rise of digital platforms has led to increased publications on virtual performances and the impact of technology on theater and dance, especially in response to the COVID-19 pandemic.
  4. Activism and Performance:
    There is a notable increase in papers discussing the role of performance as a form of activism, addressing social issues such as environmental justice, gender violence, and political dissent.
  5. Critical Pedagogy in the Arts:
    Emerging themes also include critical pedagogical approaches to the arts, focusing on how education in theater and performance can foster social change and empowerment.

Declining or Waning

While Urdimento continues to thrive in various areas, certain themes that previously held prominence are showing signs of decline in recent publications. This shift may reflect broader changes in societal focus or the evolving interests of the academic community.
  1. Traditional Theatrical Practices:
    There has been a noticeable decrease in the focus on traditional theatrical practices and classical texts, suggesting a shift towards more contemporary and experimental forms of performance.
  2. Mainstream Popular Culture:
    Discussions centered around mainstream popular culture and its impact on the performing arts are becoming less frequent, as the journal gravitates towards more avant-garde and socially conscious topics.
  3. Historical Narratives without Critical Engagement:
    Papers that solely recount historical narratives without critical engagement or contemporary relevance are less common, indicating a preference for works that connect history with current socio-political issues.
  4. Focus on Technical Aspects of Performance:
    There is a waning interest in purely technical discussions of performance, such as stagecraft and production design, as the journal increasingly prioritizes thematic and conceptual explorations.

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