Teatro e Storia

Scope & Guideline

Fostering Connections Between the Stage and Society.

Introduction

Immerse yourself in the scholarly insights of Teatro e Storia with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageItalian
ISSN0394-6932
PublisherBULZONI EDITORE
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationTEATR STOR / Teatr. Stor.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressVIA DEI LIBURNI 14, ROME 00185, ITALY

Aims and Scopes

The journal "Teatro e Storia" focuses on the intersection of theater and history, exploring how theatrical practices reflect, influence, and engage with historical contexts. It aims to foster a deeper understanding of the cultural and artistic dynamics of theater across different periods and geographical locations.
  1. Historical Contextualization of Theatre:
    The journal emphasizes the importance of situating theatrical works within their historical contexts, exploring how social, political, and cultural factors shape theatrical expression.
  2. Interdisciplinary Approaches:
    Utilizing methodologies from various disciplines including history, literature, and performance studies, the journal invites diverse analytical perspectives on theatrical practices.
  3. Exploration of Theatrical Figures and Movements:
    A consistent focus on significant figures and movements in theater history, analyzing their contributions and the legacies they leave behind.
  4. Cultural Memory and Archival Research:
    The journal encourages investigations into theater as a means of cultural memory, documenting how performances serve as archives of societal narratives and collective experiences.
  5. Global Perspectives on Theatre:
    Incorporating international viewpoints, the journal addresses the global dynamics of theater, considering the influence of different cultural traditions and historical experiences.
Recent publications reveal emerging themes that highlight the journal's responsiveness to contemporary issues and scholarly trends in theater studies.
  1. Memory and Archive in Theatre:
    There is a growing focus on how theater serves as a living archive, reflecting collective memories and historical narratives, which is increasingly relevant in the context of societal reflections on past events.
  2. Intersections of Theatre and Politics:
    Recent works illustrate a trend towards examining the interplay between theater and political movements, especially in relation to authoritarian regimes and societal upheaval.
  3. Innovative Theatrical Practices:
    Emerging themes include explorations of innovative practices in theater, such as the use of technology and multimedia, which reflect the evolving landscape of performance art.
  4. Reflections on Nostalgia and Identity:
    The exploration of nostalgia in theater, particularly in relation to personal and collective identities, is gaining traction, indicating a deeper inquiry into how theater shapes and reflects cultural identities.

Declining or Waning

As the journal has evolved, certain themes have become less prominent in recent publications. This shift may reflect broader changes in academic interests or societal contexts.
  1. Traditional Theatrical Forms:
    There appears to be a waning interest in traditional forms of theater that focus solely on classic narratives, with a shift towards more contemporary and experimental expressions.
  2. Biographical Studies of Lesser-Known Figures:
    While the journal has included biographical studies, there is a noticeable decline in the focus on lesser-known theatrical figures, possibly overshadowed by the exploration of more influential personalities.
  3. Regional Theatrical Practices:
    The concentration on specific regional theatrical practices has diminished, indicating a broader, more globalized approach to theater studies that may neglect localized narratives.

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