REVUE D HISTOIRE DU THEATRE is a distinguished academic journal published by the Société d'Histoire du Théâtre in France, focusing on the rich historical tapestry of theater studies. Since its inception, the journal has dedicated itself to the exploration and appreciation of theatrical art, its evolution, and its socio-cultural implications, particularly within the realms of Literature and Literary Theory and Visual Arts and Performing Arts. With a consistent publication history starting from 1999, the journal is indexed in Scopus, currently positioned in Q4 quartiles, providing researchers, professionals, and students a platform for both innovative scholarship and critical analysis. While it does not offer Open Access options, REVUE D HISTOIRE DU THEATRE remains an invaluable resource for those seeking in-depth knowledge and scholarly discourse in the history of theater.

ASIAN THEATRE JOURNAL, published by University of Hawaii Press, is a distinguished scholarly journal dedicated to the exploration of theatrical arts in Asia. With its ISSN 0742-5457 and E-ISSN 1527-2109, the journal serves as a crucial platform for researchers, practitioners, and students interested in the dynamic intersections of culture, performance, and social commentary within Asian theatre traditions. As of 2023, it proudly holds a Q2 ranking in the fields of Visual Arts and Performing Arts, highlighting its significance and influence in shaping academic discourse. The journal is indexed in Scopus, ranking at #257 out of 667 in the Arts and Humanities category, placing it in the 61st percentile. Despite not being open access, ASIAN THEATRE JOURNAL remains committed to fostering a deeper understanding of Asian theatrical practices and their global implications. With a convergence of years from 2002 to 2024, it promises to be an invaluable resource for those seeking to delve into the richness of Asian performance traditions.

Bulletin KNOB, published by the KONINKLIJKE NEDERLANDSE OUDHEIDKUNDIGE BOND-KNOB, is a reputable Open Access journal that has been disseminating knowledge since 1899, with a continued commitment to making research accessible to all. Based in the Netherlands, this journal provides a platform for scholarly articles that span the fields of Conservation, History, and the Visual Arts and Performing Arts. With its 2023 Scopus rankings placing it in the top quartiles within its category, Bulletin KNOB is recognized for its significant contribution to the advancement of these disciplines. Researchers, professionals, and students alike are encouraged to engage with the journal's diverse content that bridges historical narratives with contemporary practices, fostering a deeper understanding of cultural heritage. The journal’s commitment to excellence is further reflected in its Q3 and Q4 quartile rankings, making it an essential resource for anyone dedicated to the study of the arts and humanities.

Anacronismo e Irrupcion is a dynamic academic journal published by UNIV BUENOS AIRES, dedicated to the exploration of historical and contemporary narratives within the frameworks of cultural studies and literary theory. Since its inception, this open access journal has been disseminating knowledge freely and fostering interdisciplinary dialogue, making significant contributions to the understanding of anachronic phenomena and their societal implications. As a vital resource for researchers, professionals, and students alike, it serves not only to highlight Argentina's intellectual contributions but also to connect global scholarly perspectives. While the journal continues to develop its impact and visibility, it attracts a diverse readership by inviting innovative research that challenges conventional academic boundaries. With ISSN 2250-4982, the journal's inclusive approach ensures that cutting-edge ideas are accessible to all, reinforcing the importance of inclusive academia in today's research landscape.

THEATER HEUTE is a distinguished journal dedicated to the exploration of contemporary theater and performance art, published by Friedrich Berlin Verlag MBH. With its ISSN 0040-5507, this journal serves as an essential resource for researchers, practitioners, and students in the fields of Arts and Humanities, particularly within the Visual Arts and Performing Arts categories. While access is not open, its rich content spans critical discourses, artistic analyses, and insights into new trends in theater from 2002 to 2013 and again from 2017 to 2019, reflecting the dynamic nature of performance studies. Though it is currently ranked in the 6th percentile among similar publications in Scopus, it provides valuable perspectives that contribute to ongoing conversations within the arts. Readers can expect to engage with cutting-edge research, innovative practices, and significant theoretical frameworks, making THEATER HEUTE a vital publication for anyone committed to deepening their understanding of theatrical arts.

Multicultural Shakespeare: Translation, Appropriation and Performance is an esteemed open-access journal published by LODZ UNIV PRESS since 2011, dedicated to advancing scholarship in the fields of cultural studies, linguistics, and the performing arts. With an ISSN of 2083-8530 and an E-ISSN of 2300-7605, this journal plays a pivotal role in exploring the intersections of Shakespearean texts within diverse cultural contexts, offering fresh interpretations and performances. Hailing from Poland, it has made a noticeable impact by emerging in notable quartiles, particularly achieving Q3 rankings in both Literature and Literary Theory as well as Visual Arts and Performing Arts in 2023. The journal caters to a global audience of researchers, professionals, and students committed to enriching their understanding of multicultural perspectives on Shakespeare, embracing the nuances of translation and its relevance in today's multifaceted world. By providing an accessible platform for rigorous scholarship, this journal not only encourages academic discourse but also inspires innovative interpretations and performances that reflect our multicultural society.

Jeu-Revue de Theatre is a distinguished journal dedicated to the exploration and analysis of theatrical arts, published by CAHIERS THEATRE JEU INC. With a rich history reflected in its ISSN 0382-0335 and E-ISSN 1923-2578, this journal serves as a vital platform for scholars, practitioners, and students interested in the multifaceted dimensions of theatre. Based in Montreal, Canada, the journal aims to foster a deeper understanding of theatre through scholarly articles, performance reviews, and critical essays, making it essential reading for those engaged in the performing arts. While the journal does not currently offer open access options, its comprehensive discussions and research contribute significantly to the field, encouraging a vibrant dialogue among artists and academics alike. With a commitment to promoting innovative scholarship, Jeu-Revue de Theatre stands as an invaluable resource in the dramatic arts landscape.

THEATRE HISTORY STUDIES, published by University of Alabama Press, serves as an essential platform for scholarly discourse and research in the fields of Cultural Studies and Visual Arts and Performing Arts. With an ISSN of 0733-2033, this journal offers critical insights into the evolution of theatre and performance, positioning itself as a valuable resource for researchers and practitioners alike. Despite its niche focus, it holds a commendable ranking in Scopus, reflecting its cultural significance and academic rigor—ranked #356 out of 667 in Visual Arts and Performing Arts and #911 out of 1304 in Cultural Studies. The journal has published continuously from 2002 to 2012, and again in 2014 to 2019, as well as from 2021 to 2023, consistently fostering a rich dialogue around artistic practices and historical contexts. Although not open access, its articles are pivotal for advancing knowledge and inspiring new perspectives in the interplay of theatre, culture, and society. For those dedicated to understanding the intricate tapestry of performance studies, THEATRE HISTORY STUDIES is a must-read.

Urdimento-Revista de Estudos em Artes Cenicas, published by UNIV ESTADO SANTA CATARINA-UDESC, is a leading open-access journal dedicated to the field of performing arts studies. With an ISSN of 1414-5731 and an E-ISSN of 2358-6958, this journal has been freely accessible since 1997, promoting the dissemination of innovative research and critical analysis in visual and performing arts. Hailing from Florianopolis, Brazil, Urdimento invites submissions that explore a variety of interdisciplinary approaches, reflecting the journal’s commitment to enriching the academic discourse within the arts and humanities. Despite its emerging ranking at the 23rd percentile in Scopus’s classification, Urdimento serves as a vital platform for researchers, students, and professionals in the field, facilitating scholarly exchange and fostering new ideas. As the journal converges its focus from 2021 to 2024, it aims to provide inclusive and diverse perspectives on contemporary artistic practices and theories.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.