ETHNOMUSICOLOGY

Scope & Guideline

Illuminating the Rhythms of Human Experience

Introduction

Delve into the academic richness of ETHNOMUSICOLOGY with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN0014-1836
PublisherSOC ETHNOMUSICOLOGY INC
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2024
AbbreviationETHNOMUSICOLOGY / Ethnomusicology
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressMORRISON HALL, ROOM 005 INDIANA UNIVERSITY, BLOOMINGTON, IN 47405

Aims and Scopes

The journal 'Ethnomusicology' serves as a platform for scholarly discourse on the diverse roles of music within cultural contexts. It emphasizes the significance of ethnographic methods in understanding musical practices across different societies and examines the intersections of music with social, political, and historical narratives.
  1. Ethnographic Research:
    The journal prioritizes ethnographic methodologies, encouraging detailed fieldwork that captures the lived experiences of musical practitioners within their cultural contexts.
  2. Cultural Contextualization of Music:
    Contributions often explore how music functions within specific cultural frameworks, revealing the ways that music shapes and is shaped by social norms, values, and identities.
  3. Interdisciplinary Approaches:
    The journal embraces interdisciplinary scholarship, inviting works that intersect ethnomusicology with fields such as anthropology, sociology, history, and cultural studies.
  4. Political and Social Dimensions of Music:
    Research frequently addresses the role of music in social movements, identity politics, and community building, highlighting music's power as a tool for resistance and empowerment.
  5. Focus on Global and Local Practices:
    The journal covers a wide array of musical traditions from around the world, spotlighting both local practices and global phenomena, thus fostering a comprehensive understanding of music's diversity.
Recent publications in 'Ethnomusicology' reveal a dynamic shift towards emerging themes that reflect contemporary global issues and innovative methodologies. These trends indicate a vibrant engagement with music's role in society today.
  1. Music and Social Justice:
    There is an increasing emphasis on the role of music in social justice movements, exploring how musical practices can challenge oppression and foster community solidarity.
  2. Digital Ethnomusicology:
    The rise of digital platforms and technologies in music creation and dissemination is becoming a focal point, with researchers examining the implications of digital culture on musical practices.
  3. Intercultural and Transnational Music Practices:
    Emerging themes include the study of hybrid musical forms and transnational collaborations, reflecting globalization's impact on cultural exchange and musical innovation.
  4. Environmental and Ecological Perspectives:
    An increasing number of articles are addressing the relationship between music and ecological issues, highlighting how musical practices can reflect and respond to environmental challenges.
  5. Gender and Sexuality in Music:
    There is a growing body of work that critically examines the intersections of music with gender and sexuality, particularly the representation and agency of marginalized voices within musical traditions.

Declining or Waning

While 'Ethnomusicology' has maintained a robust focus on various themes, certain areas of interest appear to be diminishing over time. This may reflect broader shifts in academic priorities or changes in societal contexts.
  1. Traditional Ethnomusicological Genres:
    There seems to be a waning focus on traditional genres of ethnomusicology that primarily document and archive folk music traditions without engaging critically with contemporary issues.
  2. Historical Musicology:
    The intersection of historical musicology with ethnomusicology appears less prominent, indicating a shift towards contemporary music practices and their socio-political implications.
  3. Conventional Music Analysis:
    Papers that focus solely on formal analysis or theoretical perspectives detached from cultural contexts are becoming less frequent, suggesting a preference for holistic and ethnographically grounded approaches.

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